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Alex Simmons
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Off-Broadway Review: DATA (Lucille Lortel Theatre)
ALGORITHMS, ETHICS, AND THE COST OF INFORMATION A sleek, jargon-charged tech thriller that trades in privacy, prediction, and moral gray zones Between ownership battles over data-rich social media platforms (TikTok), harvesting scandals (Cambridge Analytica), and whistleblowers exposing algorithmic harm (Frances Haugen), questions about data ownership, citizens’ privacy, and the exact inner workings of the websites…
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Off-Broadway Review: BASIL TWIST’S PUPPET PARTY (HERE Arts’ Dorothy B. Williams Theatre)
One of the great pleasures of New York City is that it’s a place where it feels perfectly normal to hear someone say, “I’m headed to SoHo to see an adult Christmas puppet show,” and mean it sincerely. Now in its 26th year, Basil Twist’s Puppet Parlor, playing at HERE Arts Center, has become exactly…
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Broadway Review: LIBERATION (James Earl Jones Theatre)
A TIME WARP TO THE 1970s WOMEN’S MOVEMENT, REFRACTED THROUGH 2025 EYES STILL SQUINTING TOWARDS EQUALITY “Why does it feel somehow like it’s all slipping away? And how do we get it back?” Susannah Flood That’s one of the questions posed about the condition of gender equality in 2025 America at the start of Liberation,…
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Off-Broadway Review: HEAUX CHURCH (Ars Nova)
A HEAUX-LY COMMUNION Ars Nova kicks off its 2025–2026 season with a salacious and sanctified evening featuring Brandon Kyle Goodman in Heaux Church—a sermon on unabashed self-love (and yes, “Heaux” is pronounced “ho”). You can file this delightful solo show under Off-Broadway, but once you step into the theater… ahem… chapel, it’s clear we’re in…
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Off-Broadway Review: NOTHING CAN TAKE YOU FROM THE HAND OF GOD (Playwrights Horizon)
NOTHING CAN TAKE YOU FROM JEN TULLOCK’S PERFORMANCE We’ve all seen the headline flash on TV: — New Book Tells All About Author’s Escape from Restrictive Religious Upbringing. It’ss a story that gets covered countless times, no matter what religion or community is involved. People love a tale of empowerment and escape from oppression. Throw…
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Off-Broadway Review: THIS MUCH I KNOW (59E59 Theatres)
MIND OVER MATTER: IDEAS TAKE CENTER STAGE IN JOHNATHAN SPECTOR’S INTELLECTUALLY COMPELLING THIS MUCH I KNOW When was the last time you made a choice? What went through your mind? Did you know what you were going to choose before you did it? The psychology professor (Firdous Bamji) who steps onstage at 59E59 Theaters at…
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Broadway Review: PUNCH (Manhattan Theatre Club at Samuel J. Friedman Theatre)
A KNOCKOUT OF CONSCIENCE You always “step in,” says Jacob — that’s what you do when your mates are about to fight. Growing up in The Meadows, Nottingham, that lesson kept him safe (well, safer) than some. But now the loyalty that once protected him has undone him: a single punch, thrown in defense of…
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Off-Broadway Review: BREAKING THE FIFTH WALL (Lou Wall at SoHo Playhouse and on Tour)
LOU WALL SLAYS, AND THAT’S NO LIE Whether a comedian is obligated to tell the truth in their act comes up in mainstream discourse every once and a while. Plenty of comedians start a comedy bit with “You know, a funny thing happened to me on my way over here,” knowing full well it happened…
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Off-Broadway Review: EXORCISTIC: THE ROCK MUSICAL (Asylum NYC)
THIS SOW BELONGS TO EVERYBODY There’s the actor’s nightmare, there’s nightmare productions, and then there’s Excorcistic: The Rock Musical which is nightmarishly twisted and sick. But don’t worry, it’s a good thing here. The horror musical genre is alive and well, from classics like Sweeney Todd to rock musical adaptations of horror films like Evil…
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Off-Broadway Review: LORD NIL: 7 DEADLY SINS (Stage 42)
SINSATIONAL SENSATIONALISM OR, WHAT HAPPENS IN TIMES SQUARE, STAYS IN TIMES SQUARE Escape artistry emerged as a formal performance art in the 1860s, when the Davenport Brothers popularized their rope-escape act—paving the way for Harry Houdini, whose name became nearly synonymous with the craft by the 1890s. Carrying on this proud, magic-adjacent tradition is Lord…
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Off-Broadway Review: JUST THE TIP (Jon Schnitzer at SoHo Playhouse’s Huron Club)
HOLY LAND, HOLY LAUGHS Comedy goes a lot of places, and some say a comedian can and should be able to joke about anything. But what if a comedian wants to go to Israel and the Palestinian territories? What if that comedian wants to tell jokes about it? Jon Schnitzer is not the first comedian…
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Off-Broadway Theater Review: THE BEACON (Irish Rep)
A BEACON OF NOPE A secluded matriarch, a remote cottage on the Irish coast, and a haunting family secret. The key components of an Irish drama are here. Yet despite strong performances and a haunting ambience, The Beacon leaves its audience searching the horizon after the final bow. First presented at Garry Hynes’ distinguished Druid…
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Off-Broadway Review: PRE-EXISTING CONDITION (Connelly)
One of the most difficult crises to recover from is assault, let alone the assault from an intimate partner. Do you tell anyone? Do you confront? Do you forgive? To muse over these questions, Tony-nominated playwright Marin Ireland (Ironbound) offers the harrowing process of life after a lover’s assault with Pre-Existing Condition, now playing at…
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Theater Review: CATS: THE JELLICLE BALL (PAC/NYC)
A PUUUURFECT REVIVAL IS SERVED “Get your life!” says the pre-show announcement as the lights dim in the Perelman Performing Arts Center before last night’s opening of this much talked-about revival of Cats. The Cast of CATS: THE JELLICLE BALL That phrase might sound out-of-place in a Broadway musical’s pre-show announcement; however, when you step…
Concert Review: AN EVENING WITH LAURA BENANTI (Kaufmann Concert Hall, 92NY)
by Rob Lester | February 5, 2026
in Concerts / Events, New YorkTheater Review: CONFEDERATES (Redtwist Theatre)
by Croydon Fernandes | February 5, 2026
in Chicago, TheaterTheater Review: DESCRIBE THE NIGHT (Austin Playhouse West Campus)
by Leo Weiser | February 4, 2026
in Texas, TheaterChicago Opera Review: COSÌ FAN TUTTE (Lyric Opera)
by Barnaby Hughes | February 4, 2026
in Chicago, TheaterTheater Review: RISING WATER (Theatre L’Acadie)
by Croydon Fernandes | February 4, 2026
in Chicago, TheaterTheater Review: STEREOPHONIC (National Tour, CIBC Theatre Chicago)
by Croydon Fernandes | February 3, 2026
in Chicago, Theater, ToursOff-Broadway Review: ULYSSES (Elevator Repair Service at The Public Theater)
by Paola Bellu | February 2, 2026
in New York, TheaterTheater Review: PUNISH ME: A PSYCHOLOGICAL THRILLER (Hudson Backstage Theatre)
by Nick McCall | February 2, 2026
in Los Angeles, Theater














