Theater Review: WINNIE THE POOH: THE NEW MUSICAL STAGE ADAPTION (Mercury Theater Chicago)

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by Stephen Best on April 16, 2022

in Theater-Chicago

A WINNING WINNIE

Just in time to join in  the  celebration of  the  95th anniversary of  the  beloved children’s character,  the  Mercury  Theater is making a bold and commemorative move on its mainstage. Never before have  they put a children’s show in  their regular rotation. After wonderfully received post-pandemic, yet more traditional productions, including  Sister Act  and  Women of Soul, is  their gamble worth it? Of course! Disney’s  Winnie  the  PoohThe  New Stage Adaptation  is an adorable, quick-paced and inspired production. Artistic Director Christopher Chase Carter is making daring moves on behalf of the reopened Mercury, pouncing on this new show that just wrapped its world premiere in New York (the show opens again Off-Broadway June 18). Now booked for a limited 13-week run, Pooh  and company are brought to three dimensional life eight times a week. Following  the  format of Timon and Pumbaa from Disney’s  The  Lion King  and Olaf from  Frozen  the  Musical,  the  actors playing  the  characters are purposely not hidden from view.  Their faces and performances as just as important as  their endearing puppetry. Fans of all ages will marvel at  the  results.

Set in  the classic Hundred Acre Woods, a secret and hidden forest clearing, young Christopher Robin lets his imagination come to life when he plays with his famous fictional teddy bear  and his world of wonderful friends. Originally created by English author and World War l veteran, Alan Alexander Milne,  Pooh’s popularity stems from  the  characters’ relatability and innocence. With that in mind,  the live action show is both created and directed by Jonathan Rockefeller and produced in association with Disney Theatrical Group. Disney’s involvement upped  the  show’s game exponentially.  The  puppets are credited to builder Matthew Lish and his team of artists, designers, patternmakers, welders and fabricators at Rockefeller Productions. If you elect to invest in  the  VIP Package at  the  Mercury, you are invited to take photos after  the  show with  the  characters on stage. Just be forewarned, no touching of  the  life-sized puppets. Not that I made that mistake.

As for  the  performers, Jake Bazel completely embodies the  essence of  Winnie  the  Pooh. I flashed back to childhood immediately upon his first utterance of  Pooh’s signature “Oh Bother.” Mimicking Sterling Holloway,  the  original voice actor from  the 1960s but making  the character solidly his own. Scene stealer Emmanuel Elpenord was tasked with bringing a trio of characters to life; sad sack donkey, Eeyore, knowledgeable Owl and persnickety Rabbit. He nailed all three, Eeyore clearly proving to be the  audience favorite. Tina-Kim Nguyen brought  Pooh’s pint-sized best friend Piglet to life. The  bombastic Tigger given all  the energy and, well, bounce, from Sebastiano Ricci. William Daily is  the  only performer to not have a puppet strapped to his person, portraying  the young Christopher Robin.

Credited as a musical, songs performed include all of  the  fan favorites; “Winnie  the  Pooh”, “The  Wonderful Thing About Tiggers”, “Sing-Ho (For  the Life of a Bear)” and “Whoop-De-Dooper Bounce”. These little ditties hand selected from several previously produced  Pooh programming’s;   and   featurettes Winnie  the  Pooh  &  the  Honey Tree (1966) and Winnie  the  Pooh  &  the Blustery Day (1968),  The Tigger Movie  (2000), and Piglet’s Big Movie (2003). Believe it or not, previous  Pooh  projects have collectively earned an Oscar, Grammy and Daytime Emmy awards, so why not develop a stage show with aspirations to complete  the  EGOT? I might be jumping  the  gun here, but while waiting for that illusive Tony trophy, I was surprised to discover back on April 11, 2006,  Winnie  the  Pooh  also received a Star on  the  Hollywood Walk of Fame.  Pooh  is just  the  fourth Disney character ever to receive this recognition, following in  the  illustrious footsteps, or pawprints, of Mickey Mouse, Snow White and Donald Duck. Not too shabby for a honey-nibbling Ursidae.

The story is made up of vignettes from a few very well-known Winnie  the  Pooh animated adventures by Disney, all culled from the  pages of multiple storybooks.  The most delightful and giggle inducing visual is Pooh’s head stuck in a tree, aimlessly kicking his hind legs in  the  air while his friends concoct a scheme for his eventual rescue. Set over a single calendar year, we collectively get to experience all four seasons, with “leaves” blowing and “snowflakes” falling over  the  first few rows of  the  audience in attendance. Zach Pizza’s lighting and Jack Golden’s scenic design help craft  the  passage of time and seasons with heartwarming results. Golden’s take on Rabbit’s garden deserves a closeup, pre-show look. Anyone with even  the  slightest of green thumbs will get a chuckle out of  the  details.

A source of consternation and immediate post-show debate was Lindsay McWilliams’ costuming. Dressed in denim and neutral tones,  the  actors fit right into  the  proceedings effortlessly, not pulling focus from  their puppet partners. I personally appreciated we could see  the  actors’ faces during  their performance. Others I was chatting with thought  they should all be adorned in black from head to toe, like a stage hand. That level of stark black wouldn’t fit in this world, surely standing out against  the pale pastel landscape that Christopher Robin’s imagination created. Seems everyone’s a critic nowadays, but this review space is solidly mine.

This is a delightful romp. Not too heavy (or more importantly, long) for the  kiddos to sit through and not too slow for  the  adults who accompany  them. Whimsical, nostalgic and oh-so-charming, this winning trip to  the  Hundred Acre Woods, by way of  the  Mercury  Theater, will delight. Just make sure to bring your credit card. Being a Disney production,  the lobby is full of must-have, take-home, souvenir swag.

photos  courtesy of Rockefeller Productions

Winnie the Pooh – The New Musical Stage Adaptation
Mercury Theater Chicago, 3745 North Southport
Thurs at 7pm; Fri at 10am and 7pm; Sat at 10am, 2pm and 7pm; Sun at 11am and 3pm
ends on June 12, 2022
for tickets, call 773.325.1700 or visit Mercury Theater

returns Off-Broadway June 18 thru July 31, 2022
Hundred Acre Theatre at  Theatre Row, 410 West 42nd Street
for tickets, visit winniethepoohshow

{ 1 comment… read it below or add one }

Daniella May 15, 2022 at 4:32 pm

Great show!

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