Areas We Cover
Categories
Palm Springs
(Coachella Valley)
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Theater Review: THE WIZARD OF OZ (Palm Canyon Theatre / Palm Springs)
THERE’S NO PLACE LIKE PCT A radiant Dorothy leads an enchanting journey down the Yellow Brick Road The 1939 film version of The Wizard of Oz is part of our cultural DNA, so whenever it’s brought to the stage, the inevitable question is: How will they pull it off? Miss Gulch on her bicycle, the…
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Theater Review: MAKING PORN (Prism Theatre / Palm Springs)
WORKING STIFFS An unapologetically bawdy comedy that delivers laughs with plenty of cheek Palm Springs’ Prism Theatre has selected Ronnie Larsen’s Making Porn as its second production for its permanent downtown home. Larsen first produced his play in 1995, and Palm Springs was one of the stops before its 500-performance Off-Broadway run, which started in…
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Theater Review: THE BOOK OF MERMAN (Prism Theatre / Palm Springs)
EVERYTHING’S COMING UP MORMONS A campy musical mashup finds laughs, heart, and the perfect home at Prism Theatre Palm Springs’ Prism Theatre is christening its permanent home with a production of The Book of Merman, and audiences are eating it up. This gleefully irreverent musical comedy spoofs The Book of Mormon while celebrating the larger-than-life…
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Theater Review: SILVER FOXES (Revolution Stage Company / Palm Springs)
THE GOLDEN BOYS A sitcom-worthy comedy finds surprising heart beneath the laughs The Palm Springs stage has long been fertile ground for stories about reinvention, friendship, and chosen family. Silver Foxes, receiving its West Coast premiere at Revolution Stage Company, embraces all three with a sitcom veteran’s knack for punchlines and a playwright’s understanding that…
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Theater Review: A MAN OF NO IMPORTANCE (The Bent / Palm Springs)
A LITTLE SHOW WITH A VERY BIG HEART The Bent’s first musical proves this company is ready for anything The Bent, Palm Springs’ queer theatre company, closes its fourth season with its first musical, A Man of No Importance — and what a debut it is. This intimate chamber piece proves the company’s trademark excellence…
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Theater Review: BETTER LATE (rePLAY Series at Plaza Theatre in Palm Springs)
WHEN LEGENDS READ, YOU LISTEN A star-studded staged reading proves craft, not spectacle, is the real event Some nights in the theater feel important before they even begin. rePLAY’s closing-night presentation of Better Late at the Plaza Theatre this past Saturday was one of them—not just because of Larry Gelbart’s sharply observed script, but because…
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Theater Review: COCKROACHES (World Premiere at Revolution Stage Company, Palm Springs)
THIS SHOW BUGS ME A Southern Gothic that hints at something deeper but never quite gets there For all its promise, Cockroaches, the 2024 Del Shores Foundation Best Play winner by Emma Schillage, leaves you grasping for clarity—and, at times, patience. Set in a decaying Southern home, the play centers on three sisters—Charlie (Leilani Baldwin),…
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Theater Review: ERNEST SHACKLETON LOVES ME (Coachella Valley Repertory, Cathedral City)
ICE, LOVE, AND LOOP PEDALS A technically dazzling two-hander that charms with ingenuity Coachella Valley Repertory closes its season with the inventive two-hander Ernest Shackleton Loves Me, a production that reflects the company’s recent pivot toward more musical offerings; it’s a shift that’s paying off. On the surface, the show—with a book by Joe DiPietro—seems…
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Theater Preview: A MAN OF NO IMPORTANCE (The Bent, Palm Springs Cultural Center)
SMALL MUSICAL, BIG HEART An intimate Irish story about courage, community, and the quiet power of living truthfully There’s a certain kind of musical that doesn’t announce itself with spectacle, but sneaks up on you—softly, gently—and then leaves you wrecked. A Man of No Importance is that kind of show. Opening May 8 at the…
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Theater Review: CABARET (Rancho Mirage Amphitheater in Palm Desert)
A CHILLING NIGHT UNDER THE STARS A high-energy production that refuses to look away from history’s shadows Desert Theatricals’ production of Kander and Ebb’s Cabaret, currently running at the Rancho Mirage Amphitheater through April 19, is a visceral reminder of why this show remains so vital. Under the desert stars, the Kit Kat Club has…
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Theater Review: LOVE! VALOUR! COMPASSION! (Dezart Performs, Palm Springs)
A SUMMER OF MEMORY AND LOSS A moving revival that transforms urgency into reflection without losing its emotional core The lights went down at Dezart Performs’ gorgeous new home on Saturday, and I’ll be honest—my heart was in my throat before a single line was spoken. Having been in the audience for the Broadway premiere…
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Theater Review: KNIFE TO THE HEART (Desert Ensemble Theatre in Palm Springs)
A FINAL BOW WITH HUMOR AND HEART DET closes its run with a sharp, funny family comedy about tradition and change There is a bittersweet irony in Desert Ensemble Theatre choosing Knife to the Heart for its final bow. For fifteen seasons, DET has been a home for sharp, thoughtful theater in the Coachella Valley,…
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Preview: KISS OF THE SPIDER WOMAN (Palm Canyon Theatre, Palm Springs)
DESIRE, DANGER, AND A SONG TO SURVIVE Palm Canyon Theatre dives into one of Kander and Ebb’s most intoxicating musical Palm Canyon Theatre brings bold heat to the desert with Kiss of the Spider Woman, the Tony Award-winning musical by John Kander and Fred Ebb, with a book by Terrence McNally, running April 17–26, 2026….
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Theater Review: BEETLEJUICE (North American Tour at McCallum Theatre)
SAY HIS NAME—AND HOLD ON A neon-charged national tour delivers irreverent spectacle, sharp performances, and just enough heart to make the afterlife feel alive Any doubts that the Netherworld could thrive in the Coachella Valley heat were laid to rest at the McCallum Theatre’s opening night. The North American tour of Beetlejuice has officially haunted…
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Theater Review: CHICAGO (Desert Theatricals)
CHICAGO IS EVEN HOTTER IN THE DESERT Desert Theatricals just wrapped up their run of Chicago at the Rancho Mirage Amphitheater, and if you weren’t there this past weekend, you truly missed out on a spectacular night under the stars. It’s one thing to see this show in a traditional theater, but there’s something about…


















