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San Diego
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Theater Review: SCAPIN (North Coast Repertory Theatre / Solana Beach)
FARCE MAJEURE This inventive adaptation trades reverence for revelry, with hilarious results Not everything ages well: milk, dress codes, and comedies are among the many things that are often better when they first appear. Just this week, in fact, I watched a couple of episodes of The Jeffersons and cringed—not just at comments by the…
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Opera Review: FELLOW TRAVELERS (San Diego Opera / Balboa Theatre / San Diego)
SEXY, SINCERE… AND SLIGHT Outstanding chemistry can’t quite compensate for an opera that compresses too much Andy Acosta has sung Timothy Laughlin enough that the role has started to feel like autobiography. Miami-raised, Cuban American, and publicly out before he was out to his parents, Acosta sang as though it belonged to him. San Diego…
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Theater Review: NORTH BY NORTHWEST (The Old Globe / San Diego)
DIAL M FOR META Emma Rice’s inventive adaptation is an enjoyable ride; just don’t expect to be transported The movies lie to us in ways the stage cannot. Alfred Hitchcock’s North by Northwest works because the camera goes where Roger Thornhill goes, feels what he feels, and cuts away before we notice the seams. A…
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Theater Review: THE SPONGEBOB MUSICAL (Cygnet Theatre / San Diego)
READY, SET, SPONGE! A colorful musical that’s tailor-made for kids and SpongeBob devotees SpongeBob SquarePants debuted on Nickelodeon in 1999 and was a quick success, becoming a must-watch for kids and many college students. The animated series became a multibillion-dollar global hit, yielding spin-offs, movies, and this musical adaptation now on at Cygnet Theatre titled,…
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Theater Review: THE RISE AND FALL OF LITTLE VOICE (Backyard Renaissance Theatre Company / Tenth Avenue Arts Center / San Diego)
SPEAK SOFTLY AND CARRY A BIG SONG Megan Carmitchel delivers a knockout performance in Backyard Renaissance’s latest gem During a recent move, I handed down dozens of DVDs. One I couldn’t part with was 1998’s Little Voice, featuring Brenda Blethyn’s exquisite performance. So, imagine my excitement—and trepidation given my esteem of the film—when I learned…
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Theater Review: THE HOMBRES (The Old Globe / San Diego)
WHAT A PIECE OF WORK IS HOMBRE Tony Meneses explores the hidden costs of masculinity with humor, compassion, and insight For centuries, women and gay men have fought to carve out power in a world largely shaped by straight men, within systems built by and for them. But straight men often wrestle with a different…
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Theater Review: THE SOUND OF MUSIC (Civic Theatre / Broadway in San Diego)
THE HILLS ARE ALIVE AND WELL This polished national tour reminds audiences why the Rodgers and Hammerstein classic still resonates The national touring production of The Sound of Music is playing through May 31 at the Civic Theatre, and what a joy it is! Name your pleasure—brilliant singing, dancing, or acting—and it’s served up with…
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Theater Review: A ROOM IN THE CASTLE (Moxie Theatre / San Diego)
THE WOMEN LEFT OFFSTAGE Lauren Gunderson reclaims Shakespeare’s sidelined women in a sharp, emotionally intelligent companion piece to Hamlet The women in Hamlet exist largely to reflect Hamlet’s choices and actions. They are little more than props to propel the plot, with no backstory or motivation. Playwright Lauren M. Gunderson clearly feels frustration at this…
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Theater Review: MORRIS MICKLEWHITE AND THE TANGERINE DRESS (Mosaic Theatricals at Patio Playhouse in Escondido)
A DRESS FOR SUCCESS A polished TYA production that treats identity and imagination with care. Mosaic Theatricals’ production of Morris Micklewhite and the Tangerine Dress at Patio Playhouse does not just aim to charm young audiences—it makes its point clearly. This is a heartfelt lesson for children of all ages about belonging, delivered with a…
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Theater Review: BEAU JEST (North Coast Rep)
A NICE JEWISH BOY— OR IS HE? Plenty of laughs and genuine feeling power this crowd-pleasing production Sarah Goldman is a young Jewish Chicago teacher in the late 1900s. Her boyfriend is a lawyer named Chris Cringle and they are thinking about getting married. But there is a problem. Chris is not Jewish and Sarah’s…
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Theater Review: FENCES (The Old Globe, San Diego)
FENCED IN AND LASHING OUT A powerful touring revival of August Wilson’s enduring drama The Old Globe Theatre is presenting August Wilson’s 1987 drama Fences, part of his cycle of plays about African American life in the industrial United States during the 20th century. Each play explores Black life in a different decade, in an…
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Theater Review: THE DROWSY CHAPERONE (Coronado Playhouse)
NO SNOOZE BUTTON HERE Coronado’s Drowsy Chaperone keeps the laughs coming The Coronado Playhouse is reviving the musical comedy The Drowsy Chaperone, hoping to repeat the popularity of the show’s success in 2011. Judging by the enthusiasm of my Sunday matinee, no problem. It’s too bad the production only runs for 16 performances. The Drowsy…
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Theater Review: THE NOTEBOOK (North American Tour at San Diego Civic Theatre)
LOVE, LOSS, AND LYRICS An earnest musical adaptation that leans into memory, even when it leans too hard The touring production of The Notebook arrives at the Civic Theatre with a built-in audience and a well-worn story to tell. Based on Nicholas Sparks’ bestselling novel and the beloved 2004 film, the musical adaptation leans into…
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Theater Review: AN ACT OF GOD (Roustabouts Theatre Company at Scripps Ranch Theatre)
LORD HAVE MERCY! Roustabouts Theatre’s irreverent comedy lets Samantha Ginn unleash a hilariously blunt deity Samantha Ginn Playwright David Javerbaum pulls no punches in this hysterical, irreverent look at the heavenly father (now a mother) and her two angel sidekicks. The play borders on blasphemous, and if this would bother you, move right along because…
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Theater Review: HEDDA GABLER (The Old Globe)
BEAUTIFUL, BORED, AND BENT ON DESTRUCTION A brisk new adaptation of Ibsen’s classic showcases Katie Holmes’s ferocious Hedda—while questioning the modern impulse to excuse her behavior The Old Globe is staging Henrik Ibsen’s Hedda Gabler in a streamlined adaptation by Erin Cressida Wilson. First performed in 1891, the play has seen countless English-language productions, usually…
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Theater Review: THE MALTESE FALCON (World Premiere at North Coast Rep)
THREE FELLAS, TWO DAMES, ONE BIRD, AND A LOT OF DOUBLE-CROSSING North Coast Rep’s five-actor adaptation of The Maltese Falcon mixes mystery with nimble theatrical trickery The North Coast Repertory Theatre is presenting the world premiere stage adaptation of the classic detective story The Maltese Falcon. Rather than turning the material into a patronizing spoof,…
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Theater Review: SOMEWHERE OVER THE BORDER (Cygnet Theatre Company)
A LATINO MUSICAL ODYSSEY INSPIRED BY IMMIGRATION AND THE WIZARD OF OZ A heartfelt journey centered on resilience, with fantasy touches along the way The Cygnet Theatre is presenting the local premiere of Somewhere Over the Border, a Latino musical by playwright Brian Quijada. He based his story on his mother’s real-life struggles in the…
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Theater Review: THE RECIPE (La Jolla Playhouse)
A WORLD PREMIERE CHARTING JULIA CHILD’S RISE FROM RESTLESSNESS TO CULINARY ICON A biographical play that finds its flavor in a stronger, more compelling second act The La Jolla Playhouse is presenting the world premiere of The Recipe, Claudia Shear’s biographical play about the early life and culinary career of American chef and author Julia…
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Theater Review: HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (San Diego Musical Theatre)
HOW TO SUCCEED IN PRODUCING A MUSICAL Offices tend not to be much fun, which is why they are ripe for exploring undertones of emotion and comedy in scripts like Office Space, Working Girl, 9 to 5, and NBC’s The Office. Throw in some music (okay, a LOT of music) and dynamic choreography and you’ve got a…



















