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Cabaret
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Cabaret Review: LT’S MUCH TOO GAY CABARET: A PERFORMANCE FOR LADIES, GENTLEMEN, AND EVERYONE IN BETWEEN (Revolution Stage Company)
MUCH TOO GAY? JUST GAY ENOUGH! This past Thursday evening, Revolution Stage Company presented a dazzling, high-energy celebration of LGBTQ+ pride, self-acceptance, and joy—filled with wit, glitter, and heart—in LT’s Much Too Gay Cabaret: A Performance for Ladies, Gentlemen, and Everyone in Between. The show embraced the gay experience in all its vibrancy, tackling everything…
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Off-Broadway Review: CIRQUE LE SWING (Immersive Supper Club Experience at Swing 46)
SWING ON IN! If you want to have the time of your life, you can’t do better than get a ticket for Cirque Le Swing, an immersive supper-club experience that combines a three-course dinner, jazz standards and acrobatics for an evening of sizzling entertainment. The audience arrives early for a Happy Hour at the bar….
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Cabaret Review: WASTED GIRL (Artemisia LeFay at 54 Below)
You might have thought it was the 1920s, and you were in a cabaret in Berlin. But it was really 2025 and you were in 54 Below watching Artemisia LeFay perform her new show, Wasted Girl. A rising star in the cabaret world, thanks to her two past shows, Ghosts of Weimar Past and Phantoms of the…
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Recommended Cabaret: THE ROOST REVUE (Wednesday, September 24, 2025, at The Roost Lounge)
Following the wildly successful, sold out premiere on August 27, The Roost Revue continues to captivate audiences with its vibrant celebration of song, story, and connection. On Wednesday, September 24, The Roost Lounge will once again come alive with the magic of cabaret, bringing another unforgettable evening to the Coachella Valley. Curated and hosted by…
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Cabaret Review: HOT COMBINATION: THE CLIFF EDWARDS / RED NICHOLS PROJECT (Mike Davis, Bryce Edwards@Birdland)
The names Red Nichols and Cliff Edwards may not be recognized by any but a few aficionados of 1920s jazz these days, but after seeing Mike Davis and Bryce Edwards‘ Hot Combination at Birdland, most people will certainly remember their music. Ukulele-toting, mouth-trumpeting Cliff Edwards was one of the era’s most innovative pop vocalists and an early…
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Cabaret Review: THE ROOST REVUE (The Roost Lounge)
SONGS FOR A SUMMER EVENING Palm Springs during summer becomes – well – a desert. All of the theatres close for the summer, and a large percentage of the winter population heads back to their northern homes for the hot months. So it was exciting when the Roost Lounge, technically in Cathedral City, launched The…
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Cabaret Review: BETH LEAVEL SINGS SONDHEIM (54 Below)
FUN & DRAMATIC: A MATTER OF LAUGH AND BETH With her fans bursting into fond applause as she entered, sang, joked, or mentioned in passing a couple of shows on The Great White Way in which she’d made a great big splash, it’s no wonder that Beth Leavel treated her 54 Below attendees like old…
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Cabaret Review: BROADWAY AT 50!: THE MUSICALS OF 1975 FROM A CHORUS LINE TO THE WIZ (54 Below)
REWIND FIVE DECADES AND STIR THE MEMORIES On an August night at a nightclub in Manhattan, in a concert focused on musicals from 1975, Robert Cuccioli revealed that “the seed was planted” in his desire to make musical theatre his career when he saw and was inspired by John Cullum playing the lead in Shenandoah….
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Music Review: COME FLY WITH JIMMY VAN HEUSEN (Songbook Sundays at Dizzy’s)
THE ROAD TO DIZZY’S (DETOUR: PALM SPRINGS, COCKTAILS & SINATRA) If you’ll allow some wild exaggeration about the Great American Songbook, let’s say that “All roads lead to Jimmy Van Heusen.” The work of that composer (1913-1990), the focus of the August 3 installment of the series called Songbook Sundays at Dizzy’s, includes melodies created…
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Cabaret Review: PETER FILICHIA & FRIENDS: BROADWAY TALES AND TUNES (54 Below)
13,000 SHOWS LATER, FILICHIA STILL DRAWS A CROWD: THIS TIME, THE STARS CAME OUT FOR THE GUY WHO’S SEEN IT ALL The number in the next sentence is NOT a typographical error: Peter Filichia, who recently regaled an audience at 54 Below with anecdotes about theatre productions he attended (some of which he reviewed), has…
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