Areas We Cover
Categories
Cabaret
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Cabaret & Theater Review: GREY ARIAS (The Flea)
OPERA, DRAG, AND THE POLITICS IN BETWEEN Adrienne Truscott and Le Gateau Chocolat gleefully explore identity, allyship, and the “grey areas” where ideology and performance collide Grey Arias burst onto the The Flea Theater stage like a theatrical meteor from another planet, leaving jaws dropping and eyebrows arching even among those already braced for the…
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Cabaret Review: BILLY JOEL SONGBOOK (Tony DeSare at Birdland Theater)
PIANO MAN BY PROXY Tony DeSare salutes Billy Joel with polish, power, and plenty of affection Special thanks go to Billy Joel for changing the career path of the terrifically talented Tony DeSare. The program, Tony DeSare’s Billy Joel Songbook, is an audience-pleasing set that has DeSare honoring Joel’s songs with gusto—one formidable singer-pianist saluting…
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Cabaret Review: JOHN PIZZARELLI TRIO (Album Release “Dear Mr. Bennett” at Birdland)
A BENNETT SONGBOOK WITH PIZZARELLI SWING The singer-guitarist and his trio offer solid entertainment and a nostalgic stroll through a legend’s songbook There may not be many things you can count on in the world, but you can always depend on John Pizzarelli to deliver quality performances with quality material—and a few laughs along the…
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Cabaret Review: OUR SINATRA: A MUSIC CELEBRATION (25th Anniversary Production at 54 Below)
A SINATRA SONGBOOK REVUE RETURNS WITH STYLE, SWING, AND STAYING POWER The revue recalling the repertoire of “Ol’ Blue Eyes” is a song-stuffed, sure-fire success (again) So, who doesn’t love an anniversary as a reason for celebration? How about a show with that very word in its title—Our Sinatra: A Musical Celebration. The entertainment industry…
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Cabaret Review: LINDA EDER: PLAY IT FORWARD (54 Below)
A FAMILY AFFAIR AT 54 BELOW Linda Eder shines, with a promising assist from Jake Wildhorn; like mother like son — both likeable Casual and confident, a smiling Linda Eder strode onto the stage on February 9 at the venue where she’s a regular—54 Below—welcomed extra warmly by her fervent fans. The publicity for this…
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Cabaret Review: MARTIN BONVENTRE (Swingin’ in a New Dimension Album Release, The Beechman)
A SWING SET WITH PROMISE AND PATCHES Martin Bonventre’s energetic debut mixes strong musicianship with uneven vocal control Martin Bonventre sang a line in his act that was unintentionally relevant on the very last night of January, when the temperature in New York City had plunged to a punishingly low number. The song in question…
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Cabaret Review: JIMMIE HERROD (54 Below)
A HIGH VOICE, SOME HIGHLIGHTS, AND A HIGH-SPIRITED CROWD If you were shopping for the most versatile fantasy fabric for fashioning a fabulous outfit, imagine it by checking each of these boxes: ✅ … something smooth as silk, ☑️ … something warm as wool, ✅ … stretchable as elastic, ☑️ … solid as denim, ✅…
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Cabaret Review: QUINTIN HARRIS TRIO (Quintin Harris, Griffin Frank, and Max Marsillo at Birdland Jazz Club)
QUINTESSENTIAL QUINTIN Essential jazz, effortless swing, and a trio’s genuine chemistry Jazz fans bid farewell to January with a smile at Birdland Jazz Club by settling into a sublimely satisfying set by pianist and vocalist Quintin Harris and his terrific trio-mates, bassist Griffin Fink and drummer Max Marsillo. “We’ve become like brothers,” the calm leader…
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Cabaret Events: AMERICAN SONGBOOK HIGH SCHOOL COMPETITION & CABARET WORKSHOP CONCERT (Mabel Mercer Foundation, Laurie Beechman Theatre)
A CONTEST AND A CONCERT The Mabel Mercer Foundation nurtures the next generation of cabaret artists Three cheers for the Mabel Mercer Foundation (MMF) and its ongoing commitment to introducing younger performers to the Great American Songbook and the art of cabaret. This winter, the Foundation has presented two related initiatives: a concert held last…
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Cabaret Interview: JASON BROCK (Appearing in IF THIS IS LOVE, “Help Is on the Way” REAF Benefit)
REAF’S IF THIS IS LOVE — A ONE-NIGHT CABARET VALENTINE Big voices, big heart, and Jason Brock right in his element Since 1995, REAF (Richmond/Ermet AIDS Foundation) has been bringing amazing voices to San Francisco for decades to raise money and awareness on HIV and AIDS, but this year’s Help Is on the Way: San…
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Music Review: THE LOVESTRUCK BALLADEERS (Birdland Theater)
A POEM IN PRAISE OF THE LOVESTRUCK BALLADEERS There’s a super group that gets plenty of cheers:They’re called The Lovestruck Balladeers.They had a Birdland three-night gig.And the repertoire was pretty darn big.They play vintage music – originals, too.One cute highlight’s a song that’s called “Looking for You.”And this delight just happens to beThe title tune…
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Theatre Review: FINDING DOROTHY PARKER (Laurie Beechman Theatre)
SARCASM ON STEROIDS To say that Dorothy Parker had a way with words would be the understatement of the century—and she spanned two of them, being born in the last decade of the 1800s and hanging on until 1967. Even her own death was subject to one more pithy punchline. In a story with herself…
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Cabaret Review: BOOM! 15TH ANNIVERSARY CONCERT (Ann Hampton Callaway & Liz Callaway at 54 Below)
BOOM! IS A BLAST! Separately, each is terrific. Together, the two are sublime. When singing sisters Ann Hampton Callaway and Liz Callaway combine their voices and sensibilities—echoing each other’s lines, with glorious harmonies weaving and soaring through songs—it’s one of the best things you can do for your ears. At 54 Below, through Saturday, January…
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Cabaret Theater Review: FINDING DOROTHY PARKER (Laurie Beechman Theatre)
WIT, WOUNDS, AND A GREAT SET OF PODIUMS A smart, lively cabaret revue that reminds us Parker was more than just a quote machine. Those of us who remember Dorothy Parker think of a sharp-witted, often biting writer and wise observer of human nature. Her one-liners, such as “Men seldom make passes at girls who…
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Cabaret Review: DEE DEE BRIDGEWATER & BILL CHARLAP (Birdland)
A PLEASING PAIR Standards stretched, teased, and joyfully reimagined The song “’S Wonderful” will be a century old next year, so it’s not a new thing to wonder if its titular positive adjective might describe the rendition du jour and the full live set or recording in which it has appeared. In the case of…
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Cabaret Review: CHRISTMAS MAMMARIES (Billy L’Amour at the Palm Springs Cultural Center)
Billy L’Amour just showed everyone how it’s done If you weren’t at the Palm Springs Cultural Center this past Sunday, you seriously missed out. The second Billy L’Amour entered from the back of the house, the room was hers. Period. There was no “warming up” the crowd or easing into the set—she just clocked the…
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Cabaret Review: HARLEM HOLIDAYS (Renée Elise Goldsberry for The Classical Theatre of Harlem)
AN INTIMATE HOLIDAY CONCERT Renée Elise Goldsberry does everything joyfully right; And yes, it helps keep The Classical Theatre of Harlem thriving Founded in 1999, The Classical Theatre of Harlem produces two to three shows a year and also conducts extensive educational programs. Since Ty Jones took over as Producing Artistic Director in 2009, the…
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Concert Review: CHEYENNE JACKSON (Carnegie Hall Debut / National Tour Launch)
A BROADWAY BARITONE TAKES STOCK A career-spanning concert that blends ambition, gratitude, and sheer vocal muscle When Cheyenne Jackson stepped onto the stage of Carnegie Hall on December 8 and announced, “This is a dream come true in real time,” it didn’t feel like a rehearsed line. It landed as a genuine moment of arrival—one…
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Off-Broadway Review: NUTCRACKER ROUGE (Company XIV at at Théâtre XIV in Bushwick, Brooklyn)
THE NUTCRACKER: NOW WITH 69% MORE CRACK Because sometimes holiday spirit comes in fishnets and a martini glass While The Nutcracker graces stages worldwide, Brooklyn’s Company XIV continues to reinvent tradition with its famous Nutcracker Rouge, New York’s most sumptuous and indulgent winter holiday treat, at Théâtre XIV in Bushwick’s Graffiti Alley. Combining dance, music, acrobatic…
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Highly Recommended Cabaret: J. HARRISON GHEE and SETH RUDETSKY (The Wallis in Beverly Hills)
UNPLUGGED, UNFILTERED, AND UNMISSABLE A detonation of wit, soul, and Broadway voltage in this once-in-a-lifetime, one-night-only musical high-wire act The Wallis in Beverly Hills lays claim to being the place to see and be seen on Wednesday November 19, 2025, as one of Broadway’s brightest stars, J. Harrison Ghee, headlines a one-night-only special cabaret event….
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