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Regional
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Dance Preview: DRACULA, A DARK SHADOW (State Street Ballet / Santa Barbara)
BALLET GOES FOR THE THROAT Nicolas Blanc sets Stoker in motion to the hypnotic pulse of Philip Glass Dracula has conquered the page, the screen and just about every other corner of popular culture. This Halloween, the Count is coming for ballet. State Street Ballet gives him the full treatment in Dracula, a dark shadow,…
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Theater and Tour Preview: CIRQUE MUSICA HOLIDAY WONDERLAND (2026 National Tour)
IT’S BEGINNING TO LOOK A LOT LIKE CIRQUE-MAS A high-flying holiday spectacle takes its acrobatic wonder on a 50-city tour If your holiday traditions could use a little more danger, Cirque Musica Holiday Wonderland has an answer: put some acrobats in the air. The family-friendly spectacle returns in an all-new production that combines favorite holiday…
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COLORADO’S HISTORIC THEATERS: WHERE THE PAST TAKES CENTER STAGE
Colorado’s landscape holds more than mountains and mining history. Scattered across its cities and small towns, a collection of historic theaters and movie houses continues to draw audiences, just as they have for generations. Many of these venues date back to the late 1800s and early 1900s, built during the boom years when silver and…
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Regional Theater Preview: FORBIDDEN! (Plays of Wilton / The Foundry / Wilton Manors, FL)
OUT OF THE CLOSET, OUT OF THE ARCHIVES Silenced after two performances in 1922, a remarkably progressive Dutch drama finally receives its U.S. premiere A play that scandalized Rotterdam in 1922 is finally getting its American premiere more than a century later. Written by Dutch novelist and playwright Jo M. van Ijssel de Schepper-Becker (pronouned…
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Opera Preview: A RIVER RUNS THROUGH IT (Opera Montana in Bozeman and Missoula)
HOOK, LINE AND SINGER For the 50th anniversary of Norman Maclean’s beloved story, the river runs all the way to the opera stage “There was no clear line between religion and fly fishing.” Few sentences evoke Norman Maclean’s A River Runs Through It quite so perfectly. Published in 1976, his semi-autobiographical tale of two brothers,…
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Theater Review: CITY OF ANGELS (Ogunquit Playhouse / Ogunquit, Maine)
DOUBLE VISION DONE RIGHT A stellar cast, stylish staging, and a jazzy score make this rarely produced musical well worth revisiting Despite winning six Tony Awards and eight Drama Desk Awards when it premiered in 1990, City of Angels is rarely produced. It’s a demanding show, requiring multiple settings and a large cast. Ogunquit Playhouse’s…
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Theater Review: ALANIS MORISSETTE’S JAGGED LITTLE PILL: THE MUSICAL (Chance Theater / Anaheim)
A PILL THAT’S HARD TO SWALLOW Chance Theater’s committed cast sells the songs in this jukebox musical, but can’t overcome a sprawling script When Alanis Morissette released Jagged Little Pill in 1995, it sold thirty-three million copies because it sounded like one woman refusing to behave. She crammed syllables into measures that couldn’t hold them,…
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Theater Review: TWELFTH NIGHT: OR WHAT YOU WILL (Shakespeare & Company / Lenox, MA)
THE RAIN IT RAINETH A downpour doesn’t stop the cast from shining Heavy rains forced the July 18 performance of Twelfth Night indoors, but the cast and crew more than rose to the occasion. The change in venue meant that Shakespeare & Company‘s production, directed by Kate Kohler Amory with wit and verve, had little…
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Theater Review: CRAZY FOR YOU (Goodspeed Opera House / East Haddam, CT)
NOTHING CRAZY ABOUT LOVING THIS SHOW This joyful revival earns every smile I admit that I am crazy for Crazy For You, and this feel-good production is quite a delight in Connecticut at the Goodspeed Opera House (now celebrating its 150th anniversary). This merry 1992 musical is a solid, splashy audience-pleaser, stuffed with swell old…
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Movie Review: HARRY POTTER AND THE SORCERER’S STONE (Shared Reality at Cosm)
THE BEST MAGIC KNOWS WHEN TO STOP Restraint proves more magical than excess Early in Harry Potter and the Sorcerer’s Stone (2001), Vernon and Petunia Dursley barricade the house against the acceptance letters from Hogwarts. The letters come anyway, down the chimney, through the windows, a blizzard of paper that no locked door can hold….
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Concert Review: A QUIET CELEBRATION (Paul Simon in Concert / Tanglewood / Lenox, MA)
STILL SINGING AFTER ALL THESE YEARS Though age has softened his voice, Paul Simon’s artistry remains undiminished Paul Simon has spanned numerous musical styles throughout his long career. His Tanglewood appearance, part of his Quiet Celebration tour, continues to demonstrate his range and versatility. Backed by a ten-piece band and occasionally joined by his wife,…
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Theater Review: THE AMERICAN FIVE (Berkshire Theatre Group / Unicorn Theatre / Stockbridge, MA)
THE DREAM TEAM A compelling new play reminds us that history is rarely made alone The American Five, by Chess Jakobs, offers a convincing and absorbing portrayal of Martin Luther King Jr.’s lesser-known inner circle in the months and hours leading up to the famed 1963 March on Washington and King’s iconic “I Have a…
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Concert Review: BOCCHERINI & RACHMANINOFF (Pacific Symphony / Renée and Henry Segerstrom Concert Hall / Costa Mesa)
FROM STAGE TO SOUL Valentina Peleggi leads an evening that journeys from operatic spectacle to intimate confession Valentina Peleggi conducts opera for a living. She built her reputation in the pit, leading Rossini and Verdi in houses from Trieste to Seattle, and she walked onto the Segerstrom stage Friday carrying that instinct with her. The…
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Theater Review: THE PIANO LESSON (Pennsylvania Shakespeare Festival / Center Valley, PA)
KEYS TO THE PAST Directed by James Ijames, August Wilson’s masterpiece resonates powerfully in an exceptional PSF production As the fourth installment in August Wilson‘s immense American Century Cycle, The Piano Lesson continues the playwright’s exploration of the Black American experience throughout the twentieth century. Set in Pittsburgh in 1936, Wilson’s Pulitzer Prize-winning drama wrestles…
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Theater Review: AIN’T TOO PROUD (Ogunquit Playhouse / Ogunquit, Maine)
TRAGEDY AND TEMPTATIONS The rise and fall of a hit machine Ain’t Too Proud tells the story of the rise of The Temptations, a musical group comprised of young Black men who came together in Detroit to form what became the most successful R&B band in history. The story begins like this: Following a six-month…
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Theater Review: SANCTUARY CITY (Chance Theater / Anaheim)
THE COST OF STAYING A rigorously observed production that grips in silence, even as the play leans toward explanation There is a language people invent when citizenship can vanish with a knock at the door. It moves sideways. It disguises itself as ordinary conversation. It turns omission into grammar. Martyna Majok’s Sanctuary City hears that…
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Theater Review: FREMONT AVE. (South Coast Repertory / Costa Mesa)
THE HOUSE THAT BUILT YOU A sweeping, structurally ambitious play that grips in the moment even as it searches for its final form There is a moment near the end of the first act of Fremont Ave. when George Plique, a music therapist who cannot stop composing, sits alone at a piano in a room…
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ST. AUGUSTINE MUSEUMS: Why Medieval Torture Museum Belongs at the Top of Your List
St. Augustine, Florida, occupies a unique position in the American cultural landscape. As the oldest continuously occupied European-established settlement in the continental United States, it carries more than five centuries of layered history — Spanish colonial architecture, Native American heritage, British occupation, and the complex narratives of settlement, conflict, and transformation that define the American…
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Theater Commentary: THE PRICE OF NOT PERFORMING EMPATHY
CRITICISM VS CONFESSION When analysis starts to look like refusal Editor’s note: Jesse Green was reassigned from his role as chief theatre critic at The New York Times in 2025 and now serves as a culture correspondent, continuing to write about theatre alongside broader arts coverage. This commentary reflects on the larger critical and cultural…



















