Currently playing at The New Conservatory Theater, Francis Grey and the Case of His Dead Boyfriend is a whirlwind one-man mystery that fuses elements of classic whodunits, camp, film noir, and drag—all packed into a breakneck, one-hour experience. This world premiere, written, directed, and performed by the multi-talented Nathan Tylutki, is a theatrical high-wire act that dazzles with its ambition, even as it occasionally teeters under the weight of its own frenetic energy.
The story follows Francis Grey, who returns home from his birthday celebration only to discover that his boyfriend has been murdered. Determined to crack the case himself, he launches an unofficial investigation, interrogating an eccentric lineup of suspects—including his own parents and his twin sister. As with any good murder mystery, the plot is laced with red herrings, conflicting alibis, and twists that keep the guessing continuous.
What truly sets this production apart is Tylutki’s virtuosic performance. With remarkable agility, he transforms seamlessly from one character to another, slipping behind a curtain to swap a wig or scarf and emerging seconds later as an entirely different persona. A video screen above the stage adds another layer to the spectacle, projecting images of additional characters—including an amusing nod to B-movie actress Jennifer Coolidge—all of whom bear a striking resemblance to one another, some of the women sporting conspicuous five o’clock shadows. The dialogue is laced with tongue-in-cheek humor, keeping the tone light even as the mystery deepens.
Much like an improv performance, the show moves at an electrifying pace, with Tylutki delivering rapid-fire dialogue and juggling an ever-expanding web of characters. The audience is tasked with keeping up, but at times, the sheer volume of personalities and plot twists—and the kitchen sink—threatens to overwhelm rather than engage. The production has a “throw everything at the wall and see what sticks” quality—an approach that, while undeniably clever, could benefit from some restraint. The relentless energy begins to feel like an overextended Saturday Night Live sketch, where the humor and ingenuity risk being buried under excess.
Still, there is no denying Tylutki’s immense talent. His commitment, versatility, and theatrical flair make him a performer to watch. While Francis Grey and the Case of His Dead Boyfriend may be in need of some editorial refinement, it remains an audacious and wildly entertaining ride—a testament to the boundless creativity of its creator.
photos courtesy of NCTC
Francis Grey and the Case of His Dead Boyfriend
New Conservatory Theatre
New Conservatory Theatre Center, 25 Van Ness Ave. in San Francisco
ends on February 16, 2025
for tickets, call 415.861.8972 or visit NCTC
