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Chuck Louden
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Theater Review: ASSIMILATION (Word for Word / San Francisco)
ONE FOR THE HEART A tender romance outshines a less engaging character study Word for Word is known for staging fiction by renowned authors, literally ‘word for word.’ This time, the company pairs works by E. L. Doctorow and Tatyana Tolstaya, both of Russian descent. Their separate stories are each about Russians who have immigrated…
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Dance Review: OSCAR (Australian Ballet / Cal Performances / Berkeley)
A PORTRAIT PAINTED IN DANCE A luminous ballet of love and loss The Australian Ballet, founded in 1962, is now the largest classical ballet company in Australia. The company recently toured North America, making only two stops, in Berkeley and New York City. At Zellerbach Hall on the UC Berkeley campus, this amazing and gifted…
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Theater Review: PETER PAN GOES WRONG (San Francisco Playhouse)
PETER PAN GOES WRONG GOES VERY, VERY WRONG A two-hour farcical flight to Neverland that you may wish had never taken off San Francisco Playhouse’s current fall offering is Peter Pan Goes Wrong, a comedy that, for me, produces considerably more aggravation than laughter. It’s brought to you by the same people who produced 2024’s…
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Theater Review: NORTH BY NORTHWEST (American Conservatory Theater / San Francisco)
WRONG TURN AT MOUNT RUSHMORE Emma Rice sends Hitchcock’s classic thriller spinning into musical-comedy territory, with decidedly mixed results American Conservatory Theater opens its 60th season with Emma Rice’s stage adaptation of Alfred Hitchcock’s 1959 classic North by Northwest, which starred Cary Grant and Eva Marie Saint. Taking such an iconic film and adapting it…
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Theater Review: LITTLE SHOP OF HORRORS (New Conservatory Theatre Center / San Francisco)
A LITTLE SHOP WITH A BIG BITE NCTC’s colorful, high-energy revival feeds on terrific voices, sharp comedy, and one increasingly hungry plant New Conservatory Theatre Center starts its 2026–27 season with a musical that is a fun musical as well as a dark comedy. With book and lyrics by the late, great Howard Ashman and…
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Theater Review: LEGALLY BLONDE (Berkeley Playhouse / Berkeley)
BEND, SNAP, AND BELIEVE IN YOURSELF Berkeley Playhouse gives Elle Woods plenty of energy, heart, and high-octane dancing in a buoyant musical about refusing to be underestimated Berkeley Playhouse opens its 2026–27 season with Legally Blonde: The Musical, the stage adaptation of the popular 2001 movie starring Reese Witherspoon. With music and lyrics by Laurence…
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Theater Review: THE GLASS MENAGERIE (Center REP / Walnut Creek)
THE FRAGILE THINGS WE CAN’T LEAVE BEHIND Center REP’s intimate revival finds the suffocating bonds of family at the heart of Tennessee Williams’ enduring memory play Center REP launches its 2026–27 season with Tennessee Williams’ The Glass Menagerie, the 1944 classic that helped establish Williams as one of America’s great playwrights. Directed by Matt M….
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Theater Review: THE WHITE CHIP (Marin Theatre / SF Bay Area)
SOBERING THOUGHTS A funny, affecting recovery comedy that lingers too long on relapse Kicking off its 60th season, Marin Theatre presents the Bay Area premiere of The White Chip: A Sobering Comedy of Errors. In the fellowship of Alcoholics Anonymous, there are various traditions in the process of recovery. A “white chip” (similar to a…
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Opera Review: MEROLA GRAND FINALE (War Memorial Opera House / San Francisco)
A FINALE WITH A BRIGHT FUTURE Merola’s newest generation of opera artists brings plenty of promise to the War Memorial Opera House The Merola Opera Program’s 2026 Summer Festival came to a celebratory close with its annual Merola Grand Finale at the War Memorial Opera House. Conducted by William Long and directed with aplomb by…
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Theater Review: R.O.I. (RETURN ON INVESTMENT) (San Francisco Playhouse / Creativity Theater)
THE HIGH PRICE OF HIGH RETURNS A smart, timely dark comedy asks what happens when the pursuit of profit starts costing more than money Bay Area theatergoers need to act fast to see San Francisco Playhouse’s latest production, the dark comedy R.O.I. (Return on Investment). Unlike most of its productions, which usually run up to…
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Theater Review: IPHIGENIA IN SPLOTT (Shotgun Players / Berkeley)
SACRIFICE WITHOUT SENTIMENT Alicia Mason delivers a fearless performance in a modern tragedy that refuses easy sympathy Gary Owen‘s Iphigenia in Splott transplants Euripides’ Iphigenia in Aulis from ancient Greece to working-class Wales, where the gods have been replaced by poverty, bureaucracy, and institutional neglect. In Shotgun Players’ first-ever solo production, directed by Michelle Talgarow,…
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Theater Review: URINETOWN: THE MUSICAL (Ray of Light Theatre / San Francisco)
WHERE THERE’S A WILL, THERE’S A PAY TOILET This irreverent musical entertains while refusing to let its audience off the hook After more than 25 years of producing fun, hip musicals all over San Francisco, Ray of Light Theatre is still in its honeymoon phase of finally having its own theater, The Barbary Stage, downtown…
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Theater Review: HAIRSPRAY (San Francisco Playhouse)
GOOD MORNING, SAN FRANCISCO The songs, the dancing, and the joy remain impossible to resist The summer’s most fun musical has arrived at the San Francisco Playhouse: Hairspray is here, and it has something for everyone. There’s singing, dancing, comedy, and drama, all performed by a talented cast. Hairspray was first introduced to audiences in…
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Opera Review: LA TRAGÉDIE DE CARMEN (Merola Opera Program / San Francisco)
TRAGEDY, DISTILLED Peter Brook pares Bizet’s masterpiece to its emotional essence Since 1957, the San Francisco Merola Opera Program, in collaboration with the San Francisco Opera Center, has offered an extensive training program for talented opera singers, conductors, and directors. Every summer, it showcases its emerging artists in a series of public performances. This season…
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Theater Review: ABSOLUTE SCIENCE FICTION! (Word for Word / San Francisco)
PRESS BUTTON. REGRET LATER. Word for Word pairs two visions of the future with mixed results Z Space, known for developing original and experimental theater, is also home to Word for Word, a resident company that transforms works of fiction into stage productions by performing short stories exactly as written. This summer, they presented Absolute…
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Theater Review: ALANIS MORISSETTE’S JAGGED LITTLE PILL: THE MUSICAL (Center REP / Lesher Center for the Arts / Walnut Creek)
YOU LEARN… OR YOU DON’T The songs still hit hard, but the family drama built around them feels overly familiar More often than not, as a critic, I like to go into a show cold, without many expectations. Given that Jagged Little Pill is built around Alanis Morissette’s landmark 1995 album, I assumed it might…
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Theater Review: BECOMING A MAN (Z Space / San Francisco)
THE JOURNEY AFTER THE JOURNEY P. Carl’s autobiographical drama explores what happens after becoming the person you’ve always known yourself to be Z Space continues its tradition of presenting challenging new work with Becoming A Man, playwright P. Carl‘s semi-autobiographical drama about gender transition and its impact on family, friendships, and long-term relationships. Directed by…
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Theater Review: CONTINUITY (Shotgun Players / Berkeley)
CLIMATE OF CONFUSION Bess Wohl’s Hollywood satire delivers ideas more successfully than laughs Nowadays everyone is aware of the climate crisis. We know about recycling, composting, and driving electric cars. If you are a successful filmmaker, you can make a movie about the effect on the environment. Directed by Emilie Whelan, Shotgun Players’ latest production…
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Theater Review: THE LUNCHBOX (Berkeley Repertory Theatre)
SPECIAL DELIVERY A charming Bollywood-inspired musical serves up romance, music, and a feast for the eyes From its first moments, Berkeley Rep’s new musical The Lunchbox wins you over. The vibrant, multi-level, expansive, beautifully detailed set by Mimi Lien depicts a bustling working-class neighborhood in Mumbai, while a colorful ensemble emerges mixing and mingling from…
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Theater Review: DRACULA: A FEMINIST REVENGE FANTASY, REALLY (San Francisco Playhouse)
BITE MARKS AND BATTLE CRIES Kate Hamill’s revisionist take offers a few fresh ideas, but Dracula remains the real attraction Since its publication in 1897, Bram Stoker’s gothic horror novel Dracula has been regarded as one of the most famous books in English literature and is certainly the original vampire novel. The subject of vampires…
Theater Review: ASSIMILATION (Word for Word / San Francisco)
by Chuck Louden | October 28, 2026
in San Francisco
(Bay Area), TheaterTheater Review: BOBBY ROBOTOWITZ (IAMA Theatre Company / Los Angeles)
by Shari Barrett | October 27, 2026
in Los Angeles, TheaterOpera Review: QUEENEY TODD: THE DEMON BOTTOM OF FLEET STREET (Heartbeat Opera, NY)
by Alex Simmons | October 27, 2026
in Music, New York, TheaterTheater Review: MUD ROW (Remy Bumppo / Chicago)
by Croydon Fernandes | October 27, 2026
in Chicago, TheaterConcert Review: 007: JAMES BOND FOREVER (New York Pops / Carnegie Hall)
by Paulanne Simmons | October 27, 2026
in Concerts / Events, New YorkTheater Review: THE WINTER’S TALE (Chicago Shakespeare Theater)
by Croydon Fernandes | October 27, 2026
in Chicago, TheaterOff-Broadway Review: AFTERMATH (A.R.T./New York Theatres)
by Paulanne Simmons | October 26, 2026
in New York, TheaterTheater Review: HEARTBREAK HOUSE (Antaeus Theatre Company / Glendale)
by Michael Landman-Karney | October 26, 2026
in Los Angeles, Theater



















