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Chuck Louden
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Theater Review: ALANIS MORISSETTE’S JAGGED LITTLE PILL: THE MUSICAL (Center REP / Lesher Center for the Arts / Walnut Creek)
YOU LEARN… OR YOU DON’T The songs still hit hard, but the family drama built around them feels overly familiar More often than not, as a critic, I like to go into a show cold, without many expectations. Given that Jagged Little Pill is built around Alanis Morissette’s landmark 1995 album, I assumed it might…
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Theater Review: CONTINUITY (Shotgun Players / Berkeley)
CLIMATE OF CONFUSION Bess Wohl’s Hollywood satire delivers ideas more successfully than laughs Nowadays everyone is aware of the climate crisis. We know about recycling, composting, and driving electric cars. If you are a successful filmmaker, you can make a movie about the effect on the environment. Directed by Emilie Whelan, Shotgun Players’ latest production…
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Theater Review: THE LUNCHBOX (Berkeley Repertory Theatre)
SPECIAL DELIVERY A charming Bollywood-inspired musical serves up romance, music, and a feast for the eyes From its first moments, Berkeley Rep’s new musical The Lunchbox wins you over. The vibrant, multi-level, expansive, beautifully detailed set by Mimi Lien depicts a bustling working-class neighborhood in Mumbai, while a colorful ensemble emerges mixing and mingling from…
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Theater Review: DRACULA: A FEMINIST REVENGE FANTASY, REALLY (San Francisco Playhouse)
BITE MARKS AND BATTLE CRIES Kate Hamill’s revisionist take offers a few fresh ideas, but Dracula remains the real attraction Since its publication in 1897, Bram Stoker’s gothic horror novel Dracula has been regarded as one of the most famous books in English literature and is certainly the original vampire novel. The subject of vampires…
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Opera Review: THE BARBER OF SEVILLE (San Francisco Opera)
FIGARO TO THE RESCUE Rossini’s evergreen comedy launches San Francisco Opera’s summer season with charm and style The summer season of San Francisco Opera is officially underway, and the first offering is a popular favorite. The Barber of Seville (Il barbiere di Siviglia) by Gioachino Rossini first debuted in Rome in 1816 and is no…
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Theater Review: HEDWIG AND THE ANGRY INCH (New Conservatory Theatre Center / San Francisco)
WIG IN A BOX, HEART ON A SLEEVE NCTC reinvents the cult classic with a fierce, funny, and deeply moving Hedwig John Cameron Mitchell and Stephen Trask’s Hedwig and the Angry Inch has traveled a remarkable road since premiering Off-Broadway in 1998. Part rock concert, part confessional, part gender-exploration odyssey, the musical became an underground…
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Theater Review: PICTURES FROM HOME (Marin Theatre / Mill Valley)
SAY CHEESE—AND PASS THE TRAUMA Sharr White’s adaptation of Larry Sultan’s memoir turns one California family into a deeply recognizable portrait of memory, regret, and love Now making its West Coast debut at Marin Theatre is a story with roots here in Marin County. Bay Area photographer Larry Sultan assembled a series of family photographs…
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Theater Review: LA CAGE AUX FOLLES (Theatre Rhinoceros / San Francisco)
WE ARE WHAT WE ARE Theatre Rhinoceros turns its intimate Castro venue into a joyous explosion of feathers, farce, and fierce self-acceptance Since 1977, Theatre Rhinoceros has produced theater celebrating the LGBTQ community. This month, they’re presenting the classic Broadway musical La Cage Aux Folles. Originally written as a French play by Jean Poiret in…
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Theater Review: MEAN GIRLS THE MUSICAL (Ray of Light Theatre / San Francisco)
SO FETCH… AND SURPRISINGLY SHARP Ray of Light launches its new stage with a high-energy crowd-pleaser that actually lands It’s an ambitious way to christen a new home: take on a title everyone thinks they already know and try to make it feel fresh again. With Mean Girls the Musical, Ray of Light Theatre does…
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Theater Review: SHADES AND SHADOWS (Back with Two Beasts / Magic Theatre / San Francisco)
LOOKING BACK AT A LOOK-BACK A fresh perspective on one of mythology’s most famous mistakes Last night, The Back with Two Beasts company premiered a new show at San Francisco’s Magic Theatre: Shades and Shadows by Bay Area playwright William Brasse. Combining spoken drama, music, and interpretive movement, the production explores the Greek myth of Orpheus…
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Dance Review: MERE MORTALS (SF Ballet)
PANDORA GOES DIGITAL A visually striking ballet where myth, machines, and modern anxiety collide San Francisco Ballet closes out its 2025–2026 season with Mere Mortals, a contemporary ballet choreographed by Aszure Barton with music by Floating Points. It’s a modern-day spin on the Greek myth of Pandora’s Box. Despite being warned about the consequences, Pandora…
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Theater Review: HAMNET (Royal Shakespeare Company at American Conservatory Theater)
TO GRIEVE OR NOT TO GRIEVE American Conservatory Theater presents Hamnet, the stage adaptation of Maggie O’Farrell’s historical novel, adapted by Lolita Chakrabarti (Life of Pi) and directed by Erica Whyman. Hamnet, the historical novel by Maggie O’Farrell, reimagines the family life of William Shakespeare in the 16th century. It’s an intimate portrait of his…
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Theater Review: HOW TO MAKE AN AMERICAN SON (New Conservatory Theatre Center, SF)
PRIVILEGE, PRESSURE, AND GROWING UP A timely coming-of-age story about identity, class, and consequence Even in troubled times, California is still seen by many as the land of opportunity—a place where dreams can come true for those willing to work hard. But in how to make an American Son, playwright christopher oscar peña explores how that promise plays out unevenly,…
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Dance Review: LA SYLPHIDE (San Francisco Ballet)
A SCOTTISH FANTASY TAKES FLIGHT A Romantic ballet classic that still enchants This month, San Francisco Ballet is performing the Danish Romantic classic La Sylphide. This revival was first performed in 1836 in Denmark. Choreographed by August Bournonville, and set in the Scottish Highlands, it is the story of the Sylph, a mysterious, ethereal creature…
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Theater Review: THE GOAT, OR WHO IS SYLVIA? (Shotgun Players, Berkeley)
A MODERN TRAGEDY IN PLAIN SIGHT Albee’s shocking premise unfolds with the inevitability of Greek drama Playwright Edward Albee remains one of the most incisive chroniclers of American family life, exposing its fractures with wit, precision, and a willingness to disturb. His 1962 masterpiece, Who’s Afraid of Virginia Woolf?, set the template—an outwardly successful couple…
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Theater Review: LOST IN YONKERS (Lesher Center for the Arts, Walnut Creek)
FAMILY, FEAR, AND FINDING A VOICE Neil Simon’s coming-of-age drama blends humor and heartbreak in an intimate, character-driven production Now playing at Walnut Creek’s Lesher Center for the Arts, Neil Simon’s Pulitzer Prize-winning Lost in Yonkers is a semi-autobiographical coming-of-age story set in 1942, during the height of World War II. Brothers Jay (Tristan A….
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Theater Review: THE MONSTERS (Berkeley Rep)
FIGHT CLUB, FAMILY EDITION A raw two-hander where the real battles aren’t in the ring Berkeley Repertory Theatre presents The Monsters, a somewhat autobiographical play written by and starring Ngozi Anyanwu, directed by Tamilla Woodard. Everyone has their own personal demons. While we rarely conquer them altogether, most of us learn to acknowledge them and…
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Theater Review: FLEX (San Francisco Playhouse)
HOOPS, HOPE, AND HARD TRUTHS Candrice Jones’s coming-of-age sports drama scores with energy, authenticity, and ensemble fire San Francisco Playhouse has a strong track record with ensemble-driven work, and this West Coast premiere of Candrice Jones’s Flex continues that tradition with vigor. Set in 1998 in rural Arkansas, the play follows a group of high…
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Theater Review: GODS & MONSTERS (New Conservatory Theatre Center)
OLD HOLLYWOOD, QUEER LONELINESS, AND A LEGEND’S FINAL ACT A well-acted and atmospheric production brings James Whale’s twilight years to vivid life Jason M. Blackwell, Donald Currie, Francine Torres New Conservatory Theater’s new Artistic Director Ben Villas Randle was on hand for opening night for his first production: Gods & Monsters. If the title sounds…
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Theater Review: ||: GIRLS :||: CHANCE :||: MUSIC :|| (American Conservatory Theater’s Strand Theater)
FINDING THEIR VOICE A thoughtful coming-of-age story that avoids the usual clichés American Conservatory Theater’s Strand Theater on Market Street tends to showcase new playwrights and emerging voices, in contrast to its mainstage on Geary Street, which features more traditional fare. Currently on offer is Girls: Chance: Music: by Eisa Davis, a world premiere co-production…
Theater Review: LEOPOLDSTADT (Writers Theatre / Glencoe, Chicagoland)
by Croydon Fernandes | June 15, 2026
in Chicago, TheaterTheater Review: BAD BOOKS (Gloucester Stage Co. / MA)
by Lynne Weiss | June 15, 2026
in Boston, TheaterTheater Review: ANASTASIA (La Mirada Theatre)
by Michael Landman-Karney | June 12, 2026
in Los Angeles, TheaterDance Review: ESCAPE (DIAVOLO / Los Angeles)
by Shari Barrett | June 11, 2026
in Dance, Los Angeles, Theater



















