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Emma S. Rund
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Theater Review: COME FROM AWAY (Marriott Theatre / Lincolnshire, IL)
COME FROM AWAY GETS CLOSER AT MARRIOTT Marriott’s intimate in-the-round staging brings the audience directly into Gander’s remarkable story Twenty-five years ago on September 11, 38 commercial airline flights were diverted to a tiny Newfoundland town called Gander when U.S. airspace closed following the 9/11 attacks. Come From Away, the musical by Irene Sankoff and…
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Theater Review: SUFFS (First National Tour)
VOTES FOR WOMEN… AND A VICTORY FOR MUSICAL THEATER History marches forward with intelligence, heart, and exhilarating conviction The national tour of Suffs, Shaina Taub‘s Tony Award-winning musical about the fight for women’s suffrage, arrives in Chicago with its urgency, humor, and emotional power fully intact. More than a history lesson, it presents the movement…
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Theater Review: A LITTLE NIGHT MUSIC (Marriott Theatre / Lincolnshire)
A SONDHEIM SUMMER NIGHT Marriott Theatre’s superb ensemble untangles Sondheim’s deliciously complicated comedy of manners There aren’t many shows that can convince large numbers of city dwellers to make the journey out to Lincolnshire, but for Stephen Sondheim, I think many will be willing to spend “A Weekend in the Country,” as the characters in…
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Theater Review: WATER FOR ELEPHANTS (National Tour at Nederlander Theatre / Chicago)
STEP RIGHT UP A criminally underrated musical proves there’s more under the big top than spectacle Water for Elephants, based on the novel by Sara Gruen, premiered on Broadway in March 2024 and closed that December after just 300 performances. With a book by Rick Elice, music and lyrics by PigPen Theatre Co., and original…
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Dance Review: EUGENE ONEGIN (Joffrey Ballet)
FROM PAGE TO PAS DE DEUX Possokhov’s adaptation captures Pushkin’s aching tale of missed chances and irreversible choices Alexander Pushkin’s Eugene Onegin is so deeply embedded in Russian culture that generations of schoolchildren have memorized passages from it. Yet familiarity is no guarantee against heartbreak. Yuri Possokhov‘s ballet adaptation—a co-production with San Francisco Ballet now…
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Theater Review: THEATER OF THE MIND (Goodman Theatre at the Reid Murdoch Building)
A THEATRICAL EXPERIENCE FOR THE SCIENCE-MINDED Theater of the Mind created by David Byrne and Mala Gaonkar and directed by Andrew Scoville is an interactive neuroscience experiment tied together with storytelling that takes you inside the mind of an audience surrogate, David, who I assume is based on the creator. We begin as guests at…
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Theater Review: THE MERRY WIVES OF WINDSOR (Chicago Shakespeare Theater)
WHEN SHAKESPEARE NEEDS A LITTLE HELP Physical comedy drives the laughs—sometimes to excess—in Phillip Breen’s energetic production The Merry Wives of Windsor is not one of Shakespeare’s most popular comedies, and its origins may partly explain why: Falstaff appeared in the Henry plays, and his character became immensely popular. Queen Elizabeth I reportedly commissioned Shakespeare…
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Theater Review: MUCH ADO ABOUT NOTHING (Chicago Shakespeare Theater)
MUCH ADO ABOUT ADO AND EVERY BIT WORTH THE FUSS ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Chicago Shakespeare Theater’s Much Ado About Nothing, directed by Selina Cadell, is a reminder of what this company does best: Damn good Shakespeare that feels alive, precise, and joyously human. Deborah Hay as Beatrice Let’s…
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Theater Review: AMADEUS (Steppenwolf Theatre Company)
Steppenwolf strips the masterpiece to its beautifully costumed bones with gains, losses, and a lingering ache for Mozart’s full glory Steppenwolf’s in-the-round production of Amadeus, directed by Robert Falls, takes a sparse approach to design, perhaps by necessity, or perhaps to highlight the juxtaposition between the court’s stiff opulence and Mozart’s descent into poverty —…
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Theater Review: PARANORMAL ACTIVITY (North American Premiere Engagement at Chicago Shakespeare)
Chicago Shakespeare Theater’s North American premiere of Paranormal Activity is guaranteed to deliver the horror movie-style scares you’re looking for this Halloween season, but if you’re looking for thematic depth, you’re searching the wrong haunted house. Cher Álvarez and Patrick Heusinger Levi Holloway took on the nearly impossible task of writing an original story for stage…
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Theater Review: MR. WOLF (Steppenwolf Theatre)
STUNNING AND UNSETTLING, MR. WOLF IS AT THE DOOR Steppenwolf Theatre’s Chicago premiere of Mr. Wolf is a searing examination of parental sacrifice, loss, and the elusive nature of home. Under K. Todd Freeman’s direction, this production takes what could be an exploitative premise and instead delivers something hopeful and profound. Caroline Neff, Namir Smallwood,…
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Theater Review: MISERY (Citadel in Lake Forest)
A CLAUSTROPHOBIC MISERY AT CITADEL Citadel Theatre’s production of Misery by William Goldman, based on the novel by Stephen King, is a respectable staging that scratches the itch for a spooky night out this fall, even if it doesn’t fully deliver the chest-tingling suspense of King’s original. As a frequent reader of King’s thrillers, I considers Misery…
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Theater Review: ARTEMIS BOOKS & THE WELL-MEANING MAN (The Village Theater at Rivendell Theatre Ensemble)
AN EXTREMELY FEMINIST PLAY. OR IS IT? Never meet a man, they say. What happens if we have to work with one? Artemis Books & The Well-Meaning Man poses the complex question of how, if at all, men should be allowed into women’s safe spaces—or if it’s unethical to exclude them. The Village Theater’s world…
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Theater Review: ANGELS IN AMERICA (Invictus Theatre Co.)
CHICAGO-BORN AND HEAVEN-SENT, THIS IS NOT A REVIVAL. IT’S A RECKONING. Angels in America is one of the greatest plays in the American theatre canon. Period. Tony Kushner created a two-part epic story of unforgettable characters, both lovable and despicable, that captures a moment in American history—the Ronald Reagan era—that changed our community forever. If…
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Theater Review: 42 BALLOONS (North American Premiere at Chicago Shakespeare Theatre)
A MUSICAL COMEDY TO REMIND YOU WHY YOU FELL IN LOVE WITH THE ARTFORM IN THE FIRST PLACE “In 1982 a man called Larry put himself in a lawn chair, got some 42 balloons, and went to sixteen thousand feet up in the air. This actually happened. You can look it up,” creator Jack Godfrey…
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Theater Review: THE BOOK OF GRACE (Steppenwolf Theatre)
JUDGING THE BOOK OF GRACE BY ITS (VERY IMPRESSIVE) COVER The Chicago Premiere of The Book of Grace at Steppenwolf Theatre is an expertly executed production of an underwhelming family drama. I’m a long-time fan of Steppenwolf, and every aspect of this production demonstrated the artistic excellence that I’ve come to expect, but the play…
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Theater Review: CIRCUS QUIXOTE (Lookingglass Theatre)
KNIGHTS AND ACROBATS AN ODD PAIR AT LOOKINGGLASS Circus Quixote—Lookingglass Theatre’s fun spectacle best suited for a family crowd—is an ambitious attempt to merge Miguel de Cervantes’ timeless tale, Don Quijote of La Mancha, with impressive circus artistry. While the production offers tantalizing talents, it ultimately feels like an unfinished work. Michel Rodríguez Cintra The…
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Theater Review: DEBATE: BALDWIN VS. BUCKLEY (TimeLine Theatre at Cortelyou Commons at DePaul University)
NOW VS. THEN A historic confrontation between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., America’s most influential conservative intellectual, took place on February 18, 1965 in a packed Cambridge Union in England. Broadcast live on the BBC and later re-broadcast across America, the question up for…
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Chicago Dance Review: CHRISTOPHER WHEELDON’S THE NUTCRACKER (The Joffrey Ballet at Lyric Opera House)
REIMAGINING THE NUTCRACKER MAKES IT EVEN MORE MAGICAL In the Joffrey Ballet’s spellbinding reimagining of The Nutcracker, choreographer Christopher Wheeldon and Artistic Director Ashley Wheater have conjured a delicious historical confection that transports audiences to the threshold of one of the most magical moments of Chicago history. The Joffrey Ballet Ensemble Anabelle de la Nuez…
Theater Review: SUNDAY IN THE PARK WITH GEORGE (Kokandy / Chicago)
by Croydon Fernandes | September 5, 2026
in Chicago, TheaterMusic Preview: AMERICAN SOUND TAKES FLIGHT (MUSE/IQUE / Beverly Hills & Pasadena)
by Gregory Bernard | September 5, 2026
in Los Angeles, MusicTheater Review: COME FROM AWAY (Marriott Theatre / Lincolnshire, IL)
by Emma S. Rund | September 4, 2026
in Chicago, Theater-ChicagoTheater Review: PERICLES (Boston Court Pasadena)
by Ernest Kearney | September 4, 2026
in Los Angeles, TheaterTheater Review: SHANE (City Lit Theater / Chicago)
by Croydon Fernandes | September 4, 2026
in Chicago, TheaterTheater Preview: TAYLOR MAC AND MATT RAY: SONGS FROM BARK OF MILLIONS (ArtsEmerson / Boston)
by Gregory Bernard | September 4, 2026
in Boston, TheaterMusic Preview: CAMERATA PACIFICA OPENS ITS 37TH SEASON
by pwsadmin | September 4, 2026
in Los Angeles, MusicTheater Review: THEATRE PEOPLE, OR THE ANGEL NEXT DOOR (Scripps Ranch Theatre / San Diego)
by Milo Shapiro | September 4, 2026
in San Diego, TheaterMusic Review: JAMES TAYLOR & HIS ALL-STAR BAND (Wolf Trap / Vienna, VA)
by Barbara Papendorp | September 1, 2026
in D.C.
(Maryland / Virginia), Music


















