Areas We Cover
Categories
Emma S. Rund
-
Dance Review: ATONEMENT (Joffrey Ballet; North American Premiere at the Lyric Opera House in Chicago)
ATONEMENT, FULL OF PASSION AND REGRET, IS A MUST-SEE BALLET Choreographer Cathy Marston’s ballet adaption of Atonement layers the complexities of Ian McEwan’s critically acclaimed novel with visually and musically stunning performances. The Joffrey Ballet co-produced this piece with Ballet Zí¼rich, which premiered the ballet at the Zí¼rich Opera House in Switzerland earlier this year….
-
Theater Review: PRIMARY TRUST (Goodman Theatre)
YOUR PRIMARY CHOICE FOR GREAT THEATER. TRUST ME. The Goodman’s Chicago-premiere production of Primary Trust by Eboni Booth is everything I’ve been craving in theatre lately. Directed by Malkia Stampley, this Pulitzer Prize-winning play about loss and loneliness is intimate, dripping in empathy, but most importantly full of hope. I’ll even dare to say it’s…
-
Theater Review: HAPPY DAYS ARE HERE (AGAIN) (Steep Theatre at Steppenwolf’s 1700 Theater in Chicago)
AN EXTREMELY HEAVY PORTRAYAL OF ABUSE IN THE CATHOLIC CHURCH It’s no secret that the Catholic Church has a sordid history of covering up sexual abuse, and many have made art on this topic to keep it in the spotlight (pun intended, as the 2015 film Spotlight is an excellent example). This is the first…
-
Theater Review: BECKY NURSE OF SALEM (Shattered Globe Theatre | Midwest Premiere at Theater Wit)
A WITCH’S BREW WHICH EFFECTS HOPE AT HALLOWEEN There’s a play about the Salem witch trials playing in Chicago, and amazingly it’s not Arthur Miller’s The Crucible. Sarah Ruhl wanted a turn at telling the story but from a modern lens, folding in Trump’s America and the opioid crisis. The resulting play is Becky Nurse…
-
Theater Review: LIGHT SWITCH (Open Space Arts in Chicago)
A SWEET, QUEER, NEURODIVERGENT LOVE STORY Open Space Arts’ Chicago premiere of Light Switch by Dave Osmundsen is a charming play with representation that is refreshing to see on stage. The play follows Henry Sullivan, a queer man on the autism spectrum, as he tries to find a love that stands up to the fervor…
-
Theater Review: IRONBOUND (Raven Theatre in Chicago)
THEATER THAT BINDS Raven Theatre’s production of Martyna Majok’s Ironbound directed by Georgette Verdin is a brilliantly patient drama supported by a stellar cast and a detail-oriented creative team. Lucy Carapetyan Darja, a Polish immigrant, has few constants in her life, but a bus stop in a run-down New Jersey town is one of them….
-
Theater Review: NOISES OFF (Steppenwolf Theatre in Chicago)
NOISES OFF AND ON AND OFF AND ON Presented in partnership with L.A.’s Geffen Playhouse (where Steppenwolf Ensemble Member Tarell Alvin McCraney is the new Artistic Director), Steppenwolf’s production throws some of Chicago’s top talent on Todd Rosenthal‘s spectacular set to perform an outdated farce. Many regular theatregoers have probably come across Noises Off at…
-
Theater Review: INHERIT THE WIND (Goodman Theatre)
SCIENCE VS. RELIGION; THE GOODMAN HAS THE PLAY OF THE MOMENT Dubbed “The Trial of the Century,” the inspiration for Jerome Lawrence and Robert E. Lee’s Inherit the Wind was a milestone in the American legal system: It’s the first time science vs. religion found its way to the public courthouse. The Scopes trial pitted…
-
Theater Review: THE TEMPEST (Idle Muse in Chicago)
LET IDLE MUSE’S INDULGENCE SET YOU FREE Idle Muse Theatre Company’s production of William Shakespeare’s The Tempest immerses its audience in a dark and stormy night full of magic and mischief. This quirky cast delivers comedy and a complex tapestry of character connections. Joel Thompson, Michael Dalberg and Jennifer Mohr The moment you step into…
-
Theater Review: NEVER BETTER (Theo Ubique Cabaret Theatre)
A NEW MUSICAL THAT JUST MIGHT RIP YOUR HEART OUT Preston Max Allen’s new musical Never Better at Theo Ubique Cabaret Theatre is an emotionally raw folk-punk musical. It sometimes struggles with forward motion but makes up for that shortcoming with overflowing heart. Ismael Garcia, Travis Shanahan, Emma Samuelson First, I want to celebrate Theo…
-
Chicago Theater Review: NATASHA, PIERRE & THE GREAT COMET OF 1812 (Writers Theatre in Glencoe)
THE GREATEST PRODUCTION YOU’LL EVER SEE OF A PERPLEXING MUSICAL If you ever want to see Natasha, Pierre and the Great Comet of 1812 by Dave Malloy, Writers Theatre is the place to see it. I say “if†because this sung-through musical adaptation of a chapter of Leo Tolstoy’s War and Peace is not for…
-
Theater Review: THE AUDIENCE (Drury Lane Theatre)
ENJOYABLE, BUT WHO IS THE AUDIENCE FOR THE AUDIENCE? The Audience at Drury Lane Theatre is a slightly stuffy drama best suited for audience members who are very interested in British politics. I fear that might be a rather niche group. The Audience imagines the life of Queen Elizabeth II through the window of her…
-
Restaurant / Event Review: WONDERVERSE CHICAGO (Sony Films’ New Immersive Dining & Entertainment Experience)
A WONDERFUL TIME IN A SONY UNIVERSE A new “experience” has opened at the Oakbrook Center shopping mall that just might be the perfect destination for your next party. WonderverseChicago is advertised as a “pioneering experience” where you are invited to sip, taste, play, and imagine while stepping into the worlds of your favorite Sony…
-
Theater Review: STABBED IN THE HEART (Factory Theater)
TOO MUCH HEART; NOT ENOUGH BLOOD Directed by Braxton Crewell, the Factory Theater’s production of Cody Lindley and Nate Hall‘s new rock musical Stabbed in the Heart has some hilarious moments and memorable music, but doesn’t quite hit the mark as a slasher-movie parody, if indeed that is the mark. Trish (Madeline Ackerlund) drags her…
-
Theater Review: RACHEL BLOOM: DEATH, LET ME DO MY SHOW (Steppenwolf in Chicago)
RACHEL BLOOMS IN DEATH Rachel Bloom, the co-creator and star of Crazy Ex-Girlfriend, gives a hilarious and vulnerable performance in her raunchy and irreverent one-woman musical comedy Death, Let Me Do My Show directed by Seth Barrish. This show comes to Steppenwolf after a multi-city tour and a sold-out Off-Broadway run in September of 2023….
-
Theater Review: BACK TO THE FUTURE: THE MUSICAL (National Tour)
BACK TO THE FUTURE NEEDS TO GO BACK TO THE DRAWING BOARD The Broadway tour of Back to the Future, a musical adaptation of the beloved film, has landed at Chicago’s Cadillac Palace as part of a national tour. Directed by John Rando, it is visually marvelous and otherwise totally unmemorable. This is a theatre…
-
Theater Review: IN HIS HANDS (First Floor Theater)
A SPIRITUAL EXPERIENCE AT THE THEATER First Floor Theater’s Chicago premiere of In His Hands by Benjamin Benn, which opened last night, is breathtaking from start to finish. Benn’s writing is a poem of the mundane turned miraculous, and the deeply intimate, visually striking production does Benn’s words justice. Alex Benito Rodriguez and Matt Klingler This…
-
Theater Review: ALICE BY HEART (Kokandy Productions — Midwest Premiere at The Chopin Theatre)
ALICE BY HEART: FULL-HEARTED PRODUCTION; HALF-HEARTED SCRIPT Alice by Heart follows a young girl, Alice (Caitlyn Cerza), during the London Blitz of World War II as she takes refuge in her beloved copy of Alice’s Adventures in Wonderland. Alice and her friend Alfred (Joe Giovannetti), who is deathly ill with tuberculosis, seek shelter in an…
-
Highly Recommended Theater: THE NORMAL HEART (Redtwist)
The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. — from “September…
-
Theater Review: THE LORD OF THE RINGS: A MUSICAL TALE (Chicago Shakespeare Theater)
BORED OF THE RINGS In J.R.R. Tolkien’s The Lord of the Rings, Bilbo Baggins famously states to his nephew and adoptive heir, “It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.” It’s also a…
- « Previous
- 1
- 2
- 3
- Next »
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, Theater



















