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Paola Bellu
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Opera Review: AMAHL AND THE NIGHT VISITORS (The Met and Lincoln Center Theater at Mitzi E. Newhouse)
A CHRISTMAS MIRACLE, UP CLOSE AND BREATH-BY-BREATH Opera this intimate feels less like a performance and more like a shared act of wonder This holiday season, multi-Grammy Award winner and Olivier Award–winning star Joyce DiDonato made opera feel truly intimate—an entirely new experience for me. She brought her formidable talent to a brand-new production of…
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Off-Broadway Review: TARTUFFE (New York Theatre Workshop)
MORAL ROT MASQUERADING AS VIRTUE Broderick underplays the zealot Tartuffe in Lucas Hnath’s contemporary take, but the cast keeps the comedy crackling The art of looking virtuous while being utterly fake is a talent as old as theater itself, and Molière’s Tartuffe remains the most iconic theatrical example. Having seen André De Shields’s sly, invigorating version…
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Theater Review: BIPOLAR & THE ENGLISH CHANNEL (Julie Ridge at Theatre Row)
ENDURANCE, MANIA, AND THE WILL TO SURVIVE A raw solo performance that turns lived experience into hard-earned clarity Bipolar disorder, marked by its vertiginous highs and devastating lows, is an incurable condition that exacts a profound toll on those who live with it. Yet within this relentless struggle, many who are afflicted demonstrate a remarkable…
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Off-Broadway Review: QUEENS (Manhattan Theatre Club at New York City Center)
AN EXCEPTIONAL ENSEMBLE IN A CROWDED PLAY Immigrant stories echo through a Queens basement — and across decades ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Queens is a New York borough unlike any other, celebrated as the most linguistically diverse place on Earth. Between 160 and 500 languages are spoken across its…
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Off-Broadway Review: KYOTO (Royal Shakespeare Company at Lincoln Center’s Mitzi E. Newhouse Theater)
“It will never be forgiven.” With those chilling words, delivered just days ago, the UN climate chief branded our reckless indulgence in fossil-fueled destruction as a transgression so grave it stains the conscience of humankind, and he is not being dramatic! From Stratford-upon-Avon to London’s West End, and now at the Mitzi E. Newhouse Theater…
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Dance Review: GRAVITY (Ballet Preljocaj, The Joyce)
Angelin Preljocaj has carved out a daring niche in the dance world, fusing classical ballet with contemporary flair to invent a unique, bold alphabet of movements. Now, the US premiere of Ballet Preljocaj’s Gravity is at The Joyce Theater, and it is an amazing experience, a meditation on the invisible force that binds us all….
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Off-Broadway Review: TARTUFFE (André De Shields at House of the Redeemer)
ANDRÉ DE SHIELDS THE REDEEMER André De Shields should be a landmark; for over six decades, he has towered over the worlds of theatre, film, and television with the kind of presence that cannot be imitated. So it is only fitting that he brings Molière’s Tartuffe to another historical New York institution: the House of…
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Off-Broadway Review: ITALIAN AMERICAN RECONCILIATION (The Flea Theatre)
RECONCILING WITH SHANLEY’S PAST In Italian American Reconciliation, playwright John Patrick Shanley, best known for Moonstruck and Doubt, returns to the Bronx of his youth where conversations required full hand choreography, and no emotion was considered too loud or hazardous. This love story is set in Little Italy in 1986, the year of the play’s…
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Off-Broadway Review: THE HONEY TRAP (Irish Repertory Theatre)
SWEET LIES, STICKY MEMORIES, BITTER GUILT; THE HONEY TRAP STINGS AT IRISH REP In Northern Ireland, The Troubles only ended some 25-30 years ago, though their tensions and legacies reach far deeper into time. Today, Leo McGann‘s play The Honey Trap, now at the Irish Repertory Theatre, reminds us that it was never a tidy…
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Off-Broadway Review: AND THEN WE WERE NO MORE (Stop the Wind Theatricals at La MaMa)
Justice without mercy becomes punishment, and mercy without justice becomes apathy. But how do we strike the balance when the system and the society behind it seem to have forgotten both? In And Then We Were No More, playwright Tim Blake Nelson invites us into a future so plausible it stings, in an unnamed state…
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Theater Review: WEATHER GIRL (St. Ann’s Warehouse)
WEATHER FORECAST: FUNNY AND SUNNY WITH A CHANCE OF ARMAGEDDON In recent years, I have watched a wave of productions by Millennial and Gen Z artists who are, quite understandably, petrified by the future and by the ecological catastrophe we have handed them. Francesca Moody Productions, the British powerhouse behind two of the most successful…
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Film Review: AI WEIWEI’S TURANDOT (Directed by Maxim Derevianko)
AN OPERA HAUNTED BY THE PRESENT I’m not here to teach a music history class, but a little background goes a long way when it comes to Ai Weiwei’s Turandot, especially if opera isn’t your thing or if you are new to the work of artist and activist Ai Weiwei (pronounced “eye way-way”). That said,…
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Art | Theater Review: SUBMERGE: BEYOND THE RENDER (ARTECHOUSE NYC at Chelsea Market)
DIGITAL DREAMS, SUPERCHARGED What happens when you combine a century-old boiler room, an army of graphics processing units (GPUs), and some of the most imaginative digital artists? You get SUBMERGE: Beyond the Render, a new exhibition by Artechouse. Now in its second edition, SUBMERGE is an immersive art show, part gallery and part creative experiment….
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Off-Broadway Review: THE WILD DUCK (Theatre for a New Audience at Polonsky Shakespeare Center)
THE WILD DUCK TAKES FLIGHT: TRUTH, LIES AND QUACKING DELUSIONS While Shakespeare agonized over “to be or not to be,” Henrik Ibsen was more concerned with “why is everyone being so fake?” It’s existential dread versus emotional fraud, and I thought of these two drama kings because The Wild Duck, Ibsen’s play on delusion and…
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Broadway Review: ART (Music Box Theatre)
THE FINE ART OF A THREE-MAN MASTERPIECE Yasmina Reza’s Art returned to Broadway last night starring Neil Patrick Harris, Bobby Cannavale, and James Corden, and it is a tight, acidic joyride through ego and insecurity, wickedly funny. If you have ever done the silent math of friendship: who listens, who cares, who gives more, who…
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Book Review: A PLAYWRIGHT’S DOZEN (13 Short Plays by Gregory Fletcher)
THIRTEEN WAYS OF LOOKING AT A PLAY Writing short plays is a refined art unto itself, demanding precision, discipline, and a flair for economy that borders on the surgical, a very difficult thing for writers of all genres. In A Playwright’s Dozen by Gregory Fletcher there are no leisurely strolls through exposition, no long-winded monologues…
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Off-Broadway Review: PERICLES: A PUBLIC WORKS CONCERT EXPERIENCE (The Public at Cathedral of St. John the Divine)
When I hear the name Pericles, I naturally think of the great Athenian statesman who helped shape democracy in the 5th century BC, a true hero of history. It is amusing that Shakespeare and George Wilkins borrowed the name for a completely different hero, reworking in 1609 the soapy medieval legend of Apollonius of Tyre…
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Off-Broadway Review: TWELFTH NIGHT (The Public Theater at Delacorte in Central Park)
YOU WILL ABSOLUTELY WHAT YOU WILL While we are still grappling with questions of gender, identity, and societal roles like troglodytes, we need to remember that Shakespeare was exploring these human complexities with intelligence, nuance, and humor over 400 years ago. In Twelfth Night, written around 1601, he crafted a brilliant pastiche of mistaken identities,…
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Broadway Review: JEFF ROSS: TAKE A BANANA FOR THE RIDE (Nederlander Theatre)
JOIN THIS TOP BANANA FOR THE RIDE OF THE SUMMER If you’re heading to the Nederlander Theatre expecting Jeff Ross to come out swinging with savage roasts about Charlie Sheen’s liver or Elon Musk’s social skills, that ain’t Take a Banana for the Ride. Written and performed by the actor, this is not your typical…
Theater Review: EUREKA DAY (Dezart Performs)
by Jason Mannino | January 16, 2026
in Palm Springs
(Coachella Valley), TheaterOff-Broadway Review: THE DISAPPEAR (Minetta Lane Theatre)
by Rob Lester | January 15, 2026
in New York, TheaterTheater Review: YOUNG PLAYWRIGHTS FESTIVAL 2026 (Pegasus Theatre Chicago)
by Mitchell Oldham | January 14, 2026
in Chicago, TheaterTheater Review: LIBRARY LION (Adam Theater)
by Lynne Weiss | January 13, 2026
in Boston, TheaterTHE ROLE OF FAITH-INSPIRED LITERATURE IN CHILDREN’S STORYTELLING
by Susan Hall | January 13, 2026
in Books, ExtrasBroadway Review: BUG (Manhattan Theatre Club)
by Carol Rocamora | January 12, 2026
in New York, TheaterAudition Announcement: BEACHES, A NEW MUSICAL (Are You a Little Cee-Cee?)
by Connor McCormick | January 12, 2026
in New York, TheaterWILD JOKER CASINO: STRAIGHT TALK FOR AUSSIE PLAYERS
by Aveline MacQuoid | January 12, 2026
in ExtrasAlbum Review: IN HER HANDS (Neave Trio)
by Connor McCormick | January 11, 2026
in Albums



















