image - 2025-02-03T092338.004

Paola Bellu

  • Broadway Review: JEFF ROSS: TAKE A BANANA FOR THE RIDE (Nederlander Theatre)

    A man in a yellow outfit with a banana-shaped sign reading 'Take a banana for a ride'.

    JOIN THIS TOP BANANA FOR THE RIDE OF THE SUMMER If you’re heading to the Nederlander Theatre expecting Jeff Ross to come out swinging with savage roasts about Charlie Sheen’s liver or Elon Musk’s social skills, that ain’t Take a Banana for the Ride. Written and performed by the actor, this is not your typical…

  • Off-Broadway Review: AMAZE (Jamie Allan at New World Stages)

    A magician performs under blue spotlights with the word 'AMAZE' glowing above.

    AMAZE TURNS SLEIGHT OF HAND INTO SLEIGHT OF HEART; THE MOST DAZZLING TRICK IS MAKING YOU CARE Jamie Allan, the UK’s original technology magician, brings his new work Amaze to New York’s New World Stages after a successful run in London. Co-created with Tommy Bond and cleverly directed by Jonathan Goodwin, it is a personal…

  • Off-Broadway Review: THE ANIMALS SPEAK: WALT DISNEY IN SOUTH AMERICA (Thirdwing at The Wild Project)

    Title screen of Walt Disney's "The Animals Speak" in South America.

    ANIMATION, POLITICS, AND THE ART OF BEING HUMAN Cameron Darwin Bossert’s The Animals Speak closes his Disney-centered trilogy A Venomous Color (produced by Thirdwing) which began with The Fairest in 2021 and continued with Burbank in 2022. This final installment, now playing at The Wild Project, ventures far beyond the animation desks, landing on a…

  • Off-Broadway Review: WELL, I’LL LET YOU GO (The Space at Irondale in Fort Greene, Brooklyn)

    Black and white poster featuring a group of people and bold text "well, i'll let you go."

    THE WEIGHT OF WHAT REMAINS In Brooklyn’s charming Fort Greene, Bubba Weiler makes his playwriting debut with Well, I’ll Let You Go, a lightly funny meditation on grief and healing, brought to the stage at The Space at Irondale under the direction of Jack Serio (Grangeville). It’s a nonlinear domestic drama that recounts the unraveling…

  • Off-Broadway Review: GENE & GILDA (Penguin Rep at 59E59)

    Poster for the musical 'Gene & I' by Gary Gitter at Penguin Rep Theatre.

    Hollywood is full of iconic love stories but none is quite as brilliantly weird and tragically sweet as the romance between Gene Wilder and Gilda Radner, two comedy legends who fell madly in love somewhere between a silly goof and a punch line. And it is hard to think of somebody wanting to put their…

  • Highly Recommended Off-Broadway: PEN PALS (Encore Run at DR2 Theatre Begins August 15, 2025)

    Promotional image for the play 'Pen Pals' by Michael Graff.

    SIGNED, SEALED AND DELIVERED: PEN PALS GETS AN ENCORE RUN Casting has been revealed for Michael Griffo’s play Pen Pals, which is headed back Off-Broadway at DR2 Theatre with a rotating cast of actors beginning August 15, 2025. Stage and Cinema‘s rave review for the original production is republished below. See you at the theater!…

  • Off-Broadway Review: THE WEIR (Irish Repertory Theatre)

    A stone house at night with a mysterious figure in blue outside.

    GHOSTS POURED NEAT Conor McPherson’s The Weir, a beloved staple for Irish Rep, returns for its fourth production under the intimate, finely tuned direction of Ciarán O’Reilly. This unusual and deeply human play walks you into a small, wind-battered pub in rural County Donegal for “just a quick pint,” only to watch you stumble out…

  • Dance Review: MARK MORRIS DANCE GROUP (The Joyce)

    Mark Morris Dance Group performance dates, July 15-26, 2025.

    PLEASE, SIR, I WANT SOME MORRIS Mark Morris Dance Group kicks off its 45th anniversary season with a two-week sprint at the Joyce Theater. I caught Program A in which the eclectic choreographer revisits three of his works, The Muir (2010), Silhouettes (1999), and Mosaic and United (1993), and then presents a world premiere: You’ve…

  • Art | Theater Review: BLOOMING WONDERS (ARTECHOUSE NYC at Chelsea Market)

    Bold text with a colorful flower promoting an immersive world of flow.

    BLOOM WITH A VIEW In the heart of New York’s Meatpacking District, beneath the High Line and Chelsea Market, ARTECHOUSE’s latest immersive installation, Blooming Wonders, invites visitors into an artful reimagining of the natural world rendered in digital art, light, sound, and interactivity. Created by ARTECHOUSE Studio, an interdisciplinary collective of artists, it features an…

  • Off-Broadway Review: LOWCOUNTRY (Atlantic Theater)

    Colorful artistic image with railroad tracks and bold text.

    HOW LOW CAN YOU GO? Lowcountry, Abby Rosebrock’s new play premiering at Atlantic Theater Company’s Linda Gross Theater, arrives with the promise of plunging into the “messy, tangled web of love and identity in the digital age,” but not even a ripple disturbs the surface. Though entrusted to the direction of Jo Bonney, the play…

  • Off-Broadway Review: VIOLA’S ROOM (Punchdrunk & The Shed)

    Moonlight shines on a rooftop with the title 'Viola's Room'.

    IN THIS BEAUTIFULLY MOODY MAZE, THE LINE BETWEEN ENCHANTMENT AND ENTRAPMENT BLURS I have yet to encounter an immersive theatrical experience that captivates me as deeply as a well-staged play, a beautifully choreographed dance, or a masterfully performed concert. Something always feels off; sometimes, these experiences remind me of poorly designed video games, visually ambitious…

  • Off-Broadway Review: DUKE & ROYA (Lucille Lortel Theatre)

    Promotional image of a woman for 'Dusk & Roses' podcast or show.

    MIC DROP IN A MINEFIELD Last night, the Lucille Lortel Theatre unveiled Duke & Roya, a luminous new work by the compelling playwright Charles Randolph-Wright. Under the graceful direction of Warren Adams, this Off-Broadway premiere is rich with soul and poetic rhythm and unfolds like free verse on stage. It’s 2016 and we are in…

  • Dance Review: GISELLE (ABT at Metropolitan Opera House)

    Ballet dancers perform a scene from Giselle outdoors on a reflective surface.

    ABT’S GISELLE IS A TRU RENAISSANCE OF ROMANTICISM Very few ballets have made their mark like Giselle, the jewel of Romantic dance. It emerged in 1841, at the height of an era when people were fascinated by the supernatural and women who seemed more spirit than flesh. Giselle actually redefined the ballerina: no longer merely…

  • Off-Broadway Review: IMAGINARY INVALID (Red Bull Theatre at New World Stages)

    Poster for Molière's play 'The Imaginary Invalid' with a caricature of a worried man wearing a crown.

    Sick of It All—and Loving Every Minute: Molière’s Hypochondriac Gets a Hilarious Check-Up Molière’s final theatrical work, The Imaginary Invalid, is a scalpel-sharp satire of medicine and the absurdities of human nature. Written and performed in 1673 while he was seriously ill with tuberculosis, Molière took the stage with a genuine cough and died shortly…

  • Off-Broadway Review: A FREEKY INTRODUCTION (Atlantic Theater Company Stage 2)

    Colorful glitch art of a person wearing a 'Freaky' shirt against an orange background.

    BUZZARDS, BOOTY, AND BECOMING NSangou Njikam’s A Freeky Introduction soars with swagger, satire, and sacred disruption. “An eagle was born in a nest of buzzards,” proclaimed playwright and performer NSangou Njikam in the comical opening monologue of A Freeky Introduction, his new work that opened tonight at Atlantic Stage 2. As Freeky Dee, he embodies…

  • Off-Broadway Review: SEAGULL: TRUE STORY (La MaMa’s Ellen Stewart Theatre)

    Person holding a puppet with an American flag face in front of a theatrical poster.

    CHEKHOV WITH TEETH For those who’ve never bought the notion that Chekhov’s The Seagull is simply about broken hearts, director Alexander Molochnikov’s take on the play offers a thrilling, subversive vindication. His Seagull: True Story, now showing at La MaMa’s Ellen Stewart Theatre, is no conventional revival. Brilliantly written by Eli Rarey, it is part…

  • Off-Broadway Review: GODDESS (The Public Theater)

    A purple-toned artistic profile of a woman with the word 'GODDESS'.

    GODDESS ISN’T JUST A SHOW, IT’S A CALLING. ANSWER IT. Goddess, which opened at The Public Theater tonight, doesn’t just arrive onstage like any musical—but like a warm and joyful jazz riff. Loosely inspired by the legend of Marimba, the African goddess who turned heartbreak into healing music, it succeeds in blending folklore with funk,…

  • Film Review: DIAMONDS / DIAMANTI (directed by Ferzan Özpetek)

    A dramatic red gown cascades down stairs with four seated women around it.

    COSTUMES, CONFIDENCES AND THE CANOVA SISTERS SPARKLE LIKE DIAMONDS Director Ferzan Özpetek’s latest dramedy, Diamonds, is about to open at the Walter Reade Theater at Lincoln Center, and I had the pleasure of getting an early view. I knew it centered on a costume atelier reminiscent of the legendary Umberto Tirelli’s, and I immediately thought…

  • Theater Review: ROLLING STONE PRESENTS: AMPLIFIED, THE IMMERSIVE ROCK EXPERIENCE (Chelsea Market)

    Colorful text graphic for "AMPLIFIED" immersive rock experience.

    THIS ROLLING STONE JUST OPENED, AND ALREADY IT’S GATHERING MOSS If Rolling Stone Presents: Amplified were a device, it would be the BlackBerry of rock retrospectives. It is an earnest, well-meaning tribute to music by an iconic magazine but ultimately out of sync with the moment. It’s not immersive, not penetrating, and certainly not capable…

  • Art Review: BECOMING THINGS, BECOMING TIME: BOLMAHAN AT DELIGHT GARDEN (ARTECH in NYC)

    A stylized graphic design with abstract shapes and bold text.

    The love affair between art, technology, and imagination is nothing new. Jeff Koons creates small-scale models, digitally scanned and mapped, but he didn’t spend years hand-carving his silly balloon dogs. Likewise, Gerhard Richter never wondered out in the woods foraging for flower pigments for his still life works. Technology has always helped the arts. In…

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