Areas We Cover
Categories
Paulanne Simmons
-
Concert Review: 007: JAMES BOND FOREVER (New York Pops / Carnegie Hall)
FROM CARNEGIE WITH LOVE Lena Hall brings power, style, and versatility to a celebration of six decades of James Bond music The James Bond franchise includes twenty-five films produced in sixty-four years. The films’ theme songs have been sung by major artists and sometimes became major hits. So it’s not surprising that when Tony Award-winner…
-
Off-Broadway Review: AFTERMATH (A.R.T./New York Theatres)
THE TROUBLE WITH AFTERMATH David Zax’s drama about a journalist’s return from Taliban captivity raises more questions than it answers There are many plays about war and what happens afterward. They are generally distinguished by the events and people they portray. Unfortunately, the most outstanding feature of David Zax’s Aftermath is that it makes no…
-
Off-Broadway Review: THE BALD SOPRANO (The Resident Acting Company)
LITTLE ADO ABOUT NOTHING Everyone talks, nobody listens, and the results are wonderfully funny In a time of newspeak, disinformation, and alternate facts, Eugène Ionesco’s absurdist play, The Bald Soprano, has special significance. Indeed, The Resident Acting Company’s production, directed by Bradford Cover, is not only timely; it is also sharp, funny, and sparkling. Ionesco’s…
-
Theater Review: THAT MATH SHOW (The Science Theater Company / New York)
COUNT ME IN Dr. Arthur Benjamin turns mathematics into an engaging theatrical experience Who would have dreamed math could be fun? Certainly not students sweating over difficult equations, trying to figure out how to isolate the unknown. Enter Dr. Arthur Benjamin, professor of mathematics at Harvey Mudd College. Created and performed by Benjamin and directed…
-
Concert Review: LOUIS ARMSTRONG, A CELEBRATION OF THE FATHER OF JAZZ (Kaye Playhouse at Hunter College)
WHAT A WONDERFUL WORLD Hunter College’s American Voices series salutes the musician who changed the sound of America When it comes to American music few artists are as iconic and representative as Louis Armstrong, the famous trumpeter and vocalist whose career spanned five decades and influenced many genres including jazz, rhythm and blues, and rock…
-
Broadway Review: PROOF (Booth Theatre)
THE MATH DOESN’T ADD UP A starry revival that struggles to convince All the action in the Broadway revival of David Auburn’s Proof takes place on the porch of Robert and Catherine’s home in Hyde Park, Chicago. Teresa L. Williams’s set and Amanda Zieve’s lighting emphasize the sloping lines of the house’s double gables, the…
-
Broadway Review: TITANÍQUE (St. James Theatre)
CELINE TAKES THE WHEEL An irreverent Titanic spoof that goes all in on camp and pop spectacle Titaníque, the Titanic parody which premiered in Los Angeles in 2017, opened at The Asylum Theatre in June 2022 and later transferred to the Daryl Roth Theatre, has finally docked on Broadway. And it is irreverent, energetic, and…
-
Broadway Review: DOG DAY AFTERNOON (August Wilson Theatre)
HOLDING UP UNDER PRESSURE A bold stage adaptation that captures much —but not all—of the film’s tension Adapting an iconic film like Dog Day Afternoon for the stage is a challenge. There are still many people who remember Al Pacino yelling “Attica!” to the cheering crowd and his intense phone conversation with his wife. But…
-
Off-Broadway Review: THE RESERVOIR (Atlantic Theater Company)
A RESERVOIR OF JOKES— AND NOT MUCH DEPTH An intriguing premise about addiction and fading memory gets diluted by a steady stream of punchlines If you’ve ever put a puzzle together or tried to fix a broken piece of pottery, you’re well prepared for The Reservoir, the new play by Jake Brasch making its Off-Broadway…
-
Concert Review: THE DOVER QUARTET (Carnegie Hall’s Zankel Hall)
TRADITIONS IN CONVERSATION From Mendelssohn to Chickasaw works, a program unified by thoughtful playing The Dover Quartet — Joel Link, Bryan Lee, violins; Julianne Lee, viola; and Camden Shaw, cello) — is small but mighty. Originally formed at the Curtis Institute in Philadelphia in 2008, they are one of the greatest quartets you will ever…
-
Concert Review: BUDAPEST FESTIVAL ORCHESTRA (Carnegie Hall)
Budapest Festival Orchestra took the audience around the world and back in time during their February 6 concert at Carnegie Hall. They also proved themselves capable of choral work, as they performed the Carnegie Hall premiere of the chorus version of Arvo Pärt’s Summa. From the modernist and minimalist Estonian, Pärt, the orchestra went to…
-
Off-Broadway Review: H.M.S. PINAFORE (New York Gilbert & Sullivan Players)
SAILORS, SATIRE, AND SOPRANOS New York Gilbert & Sullivan Players keep H.M.S. Pinafore proudly afloat—smart, tuneful, and gloriously old-school. Producing a Gilbert & Sullivan operetta takes courage, talent, and resources. Yet every year the New York Gilbert & Sullivan Players put on several productions, complete with a gorgeous single set, period costumes, and a live…
-
Concert Review: A PLACE CALLED HOME (NY Pops with Megan Hilty and Essential Voices USA)
THERE’S NO PLACE LIKE A PLACE CALLED HOME A late-season course correction that feels like a homecoming Christmastime is filled with traditions. And one of the best ones in New York City is the New York Pops Christmas Concert, when the stage is bathed in rosy light, a wreath hangs from overhead, and the hall…
-
Concert Review: LET’S GET AWAY FROM IT ALL (Michael Feinstein at Carnegie Hall)
NO PLACE LIKE HOME— UNLESS MICHAEL FEINSTEIN TAKES YOU THERE Let’s Get Away From It All proves the Great American Songbook is still first-class travel When Michael Feinstein opened his show Let’s Get Away From It All at Zankel Hall with the question, “Is there anybody that doesn’t want to get away?” the answer came…
-
Theater / Restaurant Review: POP UP DINNER THEATER (Barlume Downstairs)
POP-UP, FLOP-DOWN: WHEN DINNER UPSTAGES THE THEATER The foundational idea of Suite 524’s Pop Up Dinner Theater at Barlume Downstairs is solid — four courses from Barlume’s excellent kitchen matched with four one-act plays created for this venue, directed by Michael Domitrovich. The first play is set in the bar, where hors d’oeuvres are served, and…
-
Concert Review: SHOSHANA BEAN (Carnegie Hall)
SHOSHANA BEAN’S CARNEGIE DEBUT ROARS TO LIFE From the moment powerhouse singer Shoshana Bean sang her first song to her last goodbye, she commanded the stage and enthralled her audience at Carnegie Hall on November 3, proving that a performer with Broadway credits and recording crowns can also tilt the body of a song until…
Theater Review: MUD ROW (Remy Bumppo / Chicago)
by Croydon Fernandes | October 27, 2026
in Chicago, TheaterConcert Review: 007: JAMES BOND FOREVER (New York Pops / Carnegie Hall)
by Paulanne Simmons | October 27, 2026
in Concerts / Events, New YorkTheater Review: THE WINTER’S TALE (Chicago Shakespeare Theater)
by Croydon Fernandes | October 27, 2026
in Chicago, TheaterOff-Broadway Review: AFTERMATH (A.R.T./New York Theatres)
by Paulanne Simmons | October 26, 2026
in New York, TheaterTheater Review: HEARTBREAK HOUSE (Antaeus Theatre Company / Glendale)
by Michael Landman-Karney | October 26, 2026
in Los Angeles, TheaterBroadway Review: OTHER DESERT CITIES (Hudson Theatre)
by Carol Rocamora | October 26, 2026
in New York, TheaterTheater Review: PHANTOM (North Shore Music Theatre / Beverly, MA)
by Carmen Barsomian-Dietrich | October 25, 2026
in Boston, Theater



















