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Chicago
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Theater Review: MR. DICKENS’ HAT (Northlight Theatre in Skokie)
English novelist Charles Dickens once actually used his hat to carry water to victims of a train wreck in Victorian England. Playwright Michael Hollinger uses that odd historical incident as the slender reed that’s the core of his comedy Mr. Dickens’ Hat at the Northlight Theatre. The Hollinger play runs about 95 minutes without an…
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Theater Review: WHEN HARRY MET REHAB (Greenhouse)
A SOBERING EXPERIENCE When Harry Met Rehab is a new play at the Greenhouse Theater Center that takes on the uninviting subject alcoholism. The title may suggest that the play intends a light-hearted view of the topic, and there are plenty of laughs scattered throughout the 90-minute production. But the show comes to grips with…
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Theater Review: FROZEN (North American Tour)
THIS SHOW STAYS FROZEN The Walt Disney animated film Frozen grossed about $1.28 billion dollars during its international run, and when there is a commercial success like that, reworkings and adaptations cannot be far behind. The franchise has included an animated short in 2015, an animated featurette in 2017, and a feature-length sequel, Frozen II,…
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Theater Review: PARADISE SQUARE (Pre-Broadway Engagement in Chicago)
PARADISE, INDEED The eyes of the theater world, both in Chicago and New York City, are likely now focused on the James M. Nederlander Theatre where Paradise Square is performing before its transfer to Broadway to begin previews on February 22, 2022. There are high hopes that this will be an early new Broadway musical…
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Theater Review: BUG (Steppenwolf Theatre)
THIS BUGABOO WILL FOLLOW YOU HOME The Steppenwolf Theatre’s extraordinary production of Tracy Letts’s Bug was winding down its highly praised production in March 2020 when the drama was forced to close, like other theater activity, because of the pandemic scourge. Now the Steppenwolf is reviving that production for a limited run with the key…
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Theater Review: BUG (Remount at Steppenwolf Theatre’s New Theater Building in Chicago)
[Editor’s Note: This week, Steppenwolf raises the curtain once again on its blistering and extraordinary revival of Bug. This time, audiences will return not to the same building they left, but to a stunning new 50,000 sq. ft. theater building and education center on Halsted Street. As the world came to a pause in 2020,…
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Music Concert: A NIGHT AT THE OPERA (Benjamin De Los Monteros and Marisa Buchheit at CineCity Studios in Chicago)
Join CineCity Studios in Chicago for a night of elegance, flair, wine, champagne and an operatic concert on Saturday, November 27th. 7:30pm Doors Open & Cocktail Reception; 8:30pm Concert; 10pm Post-Show Reception A Night at the Opera features event founders & acclaimed opera singers Benjamin De Los Monteros and Marisa Buchheit. Musical guest on electric violin and Concertmaster…
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Theater Review: SISTER ACT (Mercury Theater)
Sister Act at the Mercury Theater is the 2011 Broadway adaptation of a 1992 movie that became a surprise box office hit, largely elevated by a star performance from Whoopi Goldberg. The show asks the audience to buy into the premise that a cabaret singer is temporarily placed in a convent disguised as a nun…
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Opera Review: THE MAGIC FLUTE.(Lyric Opera)
AN ANIMATED FLUTE FANTASIA This new-to-Chicago production of Mozart’s Magic Flute (Die Zauberflöte) is the most unique production this writer has seen in eight years of reviewing Lyric Opera! Revisionist, heavily animated and inspired by silent film, the production is more like the riskier fare one expects from Chicago Opera Theater. Originally debuted by Komische…
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Theater: A RED ORCHID (2021-22 Season, Chicago)
A Red Orchid Theatre’s 29th Season kicks off the with the Chicago Premiere of The Moors by Jen Silverman, directed by Kirsten Fitzgerald (Jan 6-Feb 27, 2022) and followed by the world premiere of Last Hermanos by Exal Iraheta (Apr 21-June 12, 2022). Subscriptions are on sale now at A Red Orchid. Artistic Director Fitzgerald…
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Theater Review: THE BEST DECISION YOU’VE EVER MADE (The Second City e.t.c.’s 42nd Revue at e.t.c. Theater in Chicago)
SEEING THIS REVUE MAY BE THE BEST DECISION YOU’VE EVER MADE I entered the Second City e.t.c. on opening night with a sense of unease. Two weeks earlier the Second City mainstage company, the major troupe in its cabaret theater roster, had premiered a show I thought was not up to the iconic standard of…
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Theater Review: WHAT THE CONSTITUTION MEANS TO ME (National Tour)
WHAT A GREAT SHOW CAN MEAN TO YOU What the Constitution Means to Me is back at the Broadway Playhouse after a two year pandemic hiatus. Again, it is delivering an entertaining, thoughtful, humorous, insightful, and sometimes disturbing examination of the United States Constitution, its glories and what playwright Heidi Schreck sees as the document’s…
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Theater Review: THE TRAGEDY OF OTHELLO, THE MOOR OF VENICE (Court Theatre in Chicago)
IS LESS MOOR? The Court Theatre artistic management is giving William Shakespeare’s great tragedy Othello a startling makeover. The play has been condensed into a single 110-minute act. The physical and textual results may earn praise from many viewers for their unorthodox exploration of a complex drama. Others, myself included, may admire the risk-taking production…
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Theater Review: AS YOU LIKE IT (Chicago Shakespeare Theater)
YOU WILL LIKE IT In As You Like It, the new production at the Chicago Shakespeare Theater, the company unites William Shakespeare’s classic romantic comedy, with the Beatles songbook. And the setting has been shifting from Elizabethan England to hippy America in the 1960’s. Does it sound like a reach for still another way to…
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Theater Review: TOGETHER AT LAST (The Second City’s 109th Revue in Chicago)
TOGETHER IN SPIRIT MORE THAN LAUGHS After an 18-month hiatus inflicted on Chicagoland theater because of the virus pandemic, the Second City has finally opened its 109th revue, the upbeat-titled Together at Last. Second City not only had to endure the COVID disruption, but organizational and backstage turbulence seemed at times to threaten the very…
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Opera Review: THE ELIXIR OF LOVE (Lyric Opera Chicago)
A DELIRIOUSLY DELECTABLE LOVE POTION Opera is a bit like wine: many are difficult to enjoy at first, but gradually grow on you; a few are impossible to gain a taste for at all; and some entice you from the get go. Gaetano Donizetti’s The Elixir of Love (or L’elisir d’amore) is a superlative example…
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Theater Review: SONGS FOR NOBODIES (Northlight Theatre)
SONGS FOR EVERYBODY In the spring of 2020 the Northlight Theatre was set to present Bethany Thomas in “Songs for Nobodies,” a one-performer show that would celebrate five iconic female singers of the 20th century. Then came the pandemic scourge and the show, like all theater activity in the country, was extinguished. Thomas and “Songs…
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Dance: HOME: A CELEBRATION (The Joffrey Ballet in Chicago)
DANCING HOME The Joffrey Ballet opens its inaugural season at the Lyric Opera House and marks its return to live performances with Home: A Celebration, a triumphant mixed repertory program that spotlights original works by today’s rising stars including Brooklyn-based Chanel DaSilva, Joffrey Rehearsal Director Nicolas Blanc, and Joffrey Artist Yoshihisa Arai, plus a remount…
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Theater Review: THE WORLD GOES ‘ROUND (Marriott Theatre)
DON’T STOP THIS WORLD The Marriott Theater is reopening for business with a revival of “The World Goes ‘Round,” a review (originally titled “And the World Goes ‘Round”) that features songs by the Broadway music and lyrics team of John Kander and Fred Ebb. Patrons expecting a predictable “and then they wrote” compilation of greatest…
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Upcoming Theater: ARTEMISIA FALL FEST (Raven Theatre)
Three new plays. Three audience discussions. One great mission. Artemisia Theatre returns to live performances with its 10th Artemisia Fall Fest, a showcase of three timely new plays by women writers presented as staged readings, October 18-20, 2021 at Raven Theatre, 6157 N. Clark Street, Chicago. Celebrating women as heroes is the theme. Amplifying diverse…


















