Areas We Cover
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Chicago
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Theater Review: THE HOUSE THAT WILL NOT STAND (Invictus Theatre Company)
THIS HOUSE STANDS ON FAITH AND FURY Invictus Theatre’s The House That Will Not Stand blazes with wit, grief, and grace Following the smashing success of its production of Angels in America, Invictus Theatre Co. notches up another triumph with Marcus Gardley’s Obie-winner, The House That Will Not Stand. In this (very) loose adaptation of…
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Theater Review: THE PILON (Red Theater in Chicago)
PLAYING THE CARDS YOU’RE DEALT: THE PILON SHUFFLES LOVE, VALUE, AND IDENTITY Sometimes theater takes you places you never expected — or even wanted — to find yourself. For some, Red Theater’s latest production, The Pilon, might fall somewhere along that spectrum. Set in a contemporary Seattle shop that sells sports cards, nothing about it…
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Highly Recommended Event: THE 2025 3ARTS AWARDS CELEBRATION (Harris Theater)
CELEBRATING THE INDESPENSIBILITY OF CHICAGO’S CREATIVES Glowing cultural vibrancy and great world cities are so often intertwined they are effectively one. Scan the globe and nearly every city that enjoys high international prestige harbors a rich, and often dazzling, arts community. Whether it’s Paris, Cape Town, Mexico City, Lisbon, London or Hanoi, the arts explode…
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Opera Review: EURIDICE (Haymarket Opera and The Newberry Consort in Chicago)
THE FIRST OPERA GETS NEW LIFE FROM HAYMARKET AND NEWBERRY CONSORT The origins of opera are somewhat obscure and not well-known. Haymarket Opera and The Newberry Consort, two of Chicago’s finest early music ensembles, aim to change that with this delightful concert performance of the first surviving opera. Written and performed for the marriage of…
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Theater Review: JEKYLL & HYDE (Kokandy Productions)
TOWERING TALENT ELEVATES A MUSICAL AS SCHIZOPHRENIC AS JEKYLL & HYDE THEMSELVES Next up for Halloween, and my second gothic horror in as many days, is Kokandy Productions’ presentation of the musical, Jekyll & Hyde, first produced in 1990 with music by Frank Wildhorn, book by Leslie Bricusse, and lyrics by Wildhorn, Bricusse, and Steve…
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Theater Review: THE HAUNTING OF HILL HOUSE (Saint Sebastian Players)
ST. SEBASTIAN PLAYERS HONORS SHIRLEY JACKSON’S EERIE INTELLECT There are more than a few reasons to head over to Chicago’s Lincoln Park neighborhood and catch the St. Sebastian Player’s (SSP) production of The Haunting of Hill House. Chief among them is that it reintroduces us to one of the most interesting and underrated Gothic fiction…
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Theater Review: STRANGE CARGO: THE DOOM OF THE DEMETER (City Lit & Black Button Eyes)
A Bite Out of Minimalism: Timothy Griffin’s imaginative adaptation turns Stoker’s most chilling chapter into a voyage of dread, myth, and mind In 1897, Bram Stoker published a gothic horror novel called Dracula and in doing so introduced to the world a character that has fascinated and terrified humanity for over a hundred years and…
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Theater Review: THE SOUND OF MUSIC (National Tour at The Nederlander in Chicago)
YOU’RE NEVER GOING TO SEE A BETTER PRODUCTION OF THIS EVERGREEN MUSICAL. JUST BRING SOME CAUTIOUS OPTIMISM. How do you solve a problem like the schmaltz in The Sound of Music? Or even, how do you review a populist juggernaut like The Sound of Music? It’s been sixty-five years since its first appearance on Broadway…
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Theater Review: CHICAGO: QUEERLY ADAPTED FROM THE PLAY YOU’VE NEVER HEARD OF THAT INSPIRED THE MUSICAL YOU CAN’T GET AWAY FROM (Redtwist)
ROXIE’S BACK IN TOWN! MY KIND OF PLAY, CHICAGO IS In Jazz Age Chicago, 1924 to be precise, Beulah Annan and Belva Gaertner were tried and subsequently acquitted of murder. A young Tribune reporter and aspiring writer, Maurine Dallas Watkins, covered the two (unrelated) murder cases for the paper and later used them as inspiration…
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Theater Review: THE MARK (Babes With Blades Theatre Company at the Edge)
A revolution without an end game misses the mark, but only by this much. Babes With Blades, a theatre company that uses stage combat to create striking, thought-provoking theatre, presents a world premiere production at the Edge Theatre in Edgewater. Ensemble member Jillian Leff’s The Mark is a dystopian drama that examines a society that…








