Areas We Cover
Categories
San Francisco
(Bay Area)
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Theater Review: ONCE UPON A ONE MORE TIME (Ray of Light Theatre / San Francisco)
OOPS! THEY DID IT AGAIN Britney Spears’ greatest hits help Cinderella and her fellow princesses rewrite their happily-ever-afters Ray of Light Theatre’s shows are consistently trendy and attuned to contemporary pop culture, featuring performers with powerhouse voices who execute spectacular choreography with precision. With an excellent track record and an appeal that crosses generations, the…
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Theater Review: EVERY SATURDAY NIGHT (San Francisco Bay Area Theatre Company)
A HOUSE THAT JAZZ BUILT An exuberant musical recalls the Fillmore’s glory days Now playing at The Strand Theater in San Francisco is an original and vibrant new musical produced by the San Francisco Bay Area Theatre Company. Every Saturday Night: A Harlem of the West Musical is set here in the Fillmore District and…
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Theater Review: ASSIMILATION (Word for Word / San Francisco)
ONE FOR THE HEART A tender romance outshines a less engaging character study Word for Word is known for staging fiction by renowned authors, literally ‘word for word.’ This time, the company pairs works by E. L. Doctorow and Tatyana Tolstaya, both of Russian descent. Their separate stories are each about Russians who have immigrated…
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Dance Review: OSCAR (Australian Ballet / Cal Performances / Berkeley)
A PORTRAIT PAINTED IN DANCE A luminous ballet of love and loss The Australian Ballet, founded in 1962, is now the largest classical ballet company in Australia. The company recently toured North America, making only two stops, in Berkeley and New York City. At Zellerbach Hall on the UC Berkeley campus, this amazing and gifted…
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Theater Review: PETER PAN GOES WRONG (San Francisco Playhouse)
PETER PAN GOES WRONG GOES VERY, VERY WRONG A two-hour farcical flight to Neverland that you may wish had never taken off San Francisco Playhouse’s current fall offering is Peter Pan Goes Wrong, a comedy that, for me, produces considerably more aggravation than laughter. It’s brought to you by the same people who produced 2024’s…
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Theater Review: NORTH BY NORTHWEST (American Conservatory Theater / San Francisco)
WRONG TURN AT MOUNT RUSHMORE Emma Rice sends Hitchcock’s classic thriller spinning into musical-comedy territory, with decidedly mixed results American Conservatory Theater opens its 60th season with Emma Rice’s stage adaptation of Alfred Hitchcock’s 1959 classic North by Northwest, which starred Cary Grant and Eva Marie Saint. Taking such an iconic film and adapting it…
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Theater Review: LITTLE SHOP OF HORRORS (New Conservatory Theatre Center / San Francisco)
A LITTLE SHOP WITH A BIG BITE NCTC’s colorful, high-energy revival feeds on terrific voices, sharp comedy, and one increasingly hungry plant New Conservatory Theatre Center starts its 2026–27 season with a musical that is a fun musical as well as a dark comedy. With book and lyrics by the late, great Howard Ashman and…
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Theater Review: LEGALLY BLONDE (Berkeley Playhouse / Berkeley)
BEND, SNAP, AND BELIEVE IN YOURSELF Berkeley Playhouse gives Elle Woods plenty of energy, heart, and high-octane dancing in a buoyant musical about refusing to be underestimated Berkeley Playhouse opens its 2026–27 season with Legally Blonde: The Musical, the stage adaptation of the popular 2001 movie starring Reese Witherspoon. With music and lyrics by Laurence…
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Theater Review: THE GLASS MENAGERIE (Center REP / Walnut Creek)
THE FRAGILE THINGS WE CAN’T LEAVE BEHIND Center REP’s intimate revival finds the suffocating bonds of family at the heart of Tennessee Williams’ enduring memory play Center REP launches its 2026–27 season with Tennessee Williams’ The Glass Menagerie, the 1944 classic that helped establish Williams as one of America’s great playwrights. Directed by Matt M….
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Theater Review: THE WHITE CHIP (Marin Theatre / SF Bay Area)
SOBERING THOUGHTS A funny, affecting recovery comedy that lingers too long on relapse Kicking off its 60th season, Marin Theatre presents the Bay Area premiere of The White Chip: A Sobering Comedy of Errors. In the fellowship of Alcoholics Anonymous, there are various traditions in the process of recovery. A “white chip” (similar to a…
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Opera Review: MEROLA GRAND FINALE (War Memorial Opera House / San Francisco)
A FINALE WITH A BRIGHT FUTURE Merola’s newest generation of opera artists brings plenty of promise to the War Memorial Opera House The Merola Opera Program’s 2026 Summer Festival came to a celebratory close with its annual Merola Grand Finale at the War Memorial Opera House. Conducted by William Long and directed with aplomb by…
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Theater Review: MAMMA MIA! (Transcendence Theatre Co. / Broadway Under the Stars / Sonoma)
MAMMA MIA! WHAT A NIGHT A terrific cast and irresistible ABBA score turn Sonoma’s Field of Dreams into a joyous summer dance party Several Broadway stars have escaped New York’s scorching heat to show up on the bucolic Sonoma stage under the stars in Transcendence Theatre Company’s Mamma Mia! They are part of a sensational…
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Theater Review: R.O.I. (RETURN ON INVESTMENT) (San Francisco Playhouse / Creativity Theater)
THE HIGH PRICE OF HIGH RETURNS A smart, timely dark comedy asks what happens when the pursuit of profit starts costing more than money Bay Area theatergoers need to act fast to see San Francisco Playhouse’s latest production, the dark comedy R.O.I. (Return on Investment). Unlike most of its productions, which usually run up to…
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Theater Review: IPHIGENIA IN SPLOTT (Shotgun Players / Berkeley)
SACRIFICE WITHOUT SENTIMENT Alicia Mason delivers a fearless performance in a modern tragedy that refuses easy sympathy Gary Owen‘s Iphigenia in Splott transplants Euripides’ Iphigenia in Aulis from ancient Greece to working-class Wales, where the gods have been replaced by poverty, bureaucracy, and institutional neglect. In Shotgun Players’ first-ever solo production, directed by Michelle Talgarow,…
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Theater Review: URINETOWN: THE MUSICAL (Ray of Light Theatre / San Francisco)
WHERE THERE’S A WILL, THERE’S A PAY TOILET This irreverent musical entertains while refusing to let its audience off the hook After more than 25 years of producing fun, hip musicals all over San Francisco, Ray of Light Theatre is still in its honeymoon phase of finally having its own theater, The Barbary Stage, downtown…
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DISCOVER SAN FRANCISCO’S VIBRANT INDEPENDENT ARTS AND ENTERTAINMENT SCENE
San Francisco pulses with creative energy found nowhere else. From boundary-pushing art collectives to late-night performance spaces, the city’s independent arts and entertainment scene reflects its reputation as a sanctuary for visionaries and innovators. Dive into a world where artistic freedom, cultural diversity, and bold experimentation shape every experience. Nightlife, Performance, and Alternative Entertainment As…
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Theater Review: HAIRSPRAY (San Francisco Playhouse)
GOOD MORNING, SAN FRANCISCO The songs, the dancing, and the joy remain impossible to resist The summer’s most fun musical has arrived at the San Francisco Playhouse: Hairspray is here, and it has something for everyone. There’s singing, dancing, comedy, and drama, all performed by a talented cast. Hairspray was first introduced to audiences in…
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Opera Review: LA TRAGÉDIE DE CARMEN (Merola Opera Program / San Francisco)
TRAGEDY, DISTILLED Peter Brook pares Bizet’s masterpiece to its emotional essence Since 1957, the San Francisco Merola Opera Program, in collaboration with the San Francisco Opera Center, has offered an extensive training program for talented opera singers, conductors, and directors. Every summer, it showcases its emerging artists in a series of public performances. This season…
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Theater Review: ABSOLUTE SCIENCE FICTION! (Word for Word / San Francisco)
PRESS BUTTON. REGRET LATER. Word for Word pairs two visions of the future with mixed results Z Space, known for developing original and experimental theater, is also home to Word for Word, a resident company that transforms works of fiction into stage productions by performing short stories exactly as written. This summer, they presented Absolute…
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Theater Review: ALANIS MORISSETTE’S JAGGED LITTLE PILL: THE MUSICAL (Center REP / Lesher Center for the Arts / Walnut Creek)
YOU LEARN… OR YOU DON’T The songs still hit hard, but the family drama built around them feels overly familiar More often than not, as a critic, I like to go into a show cold, without many expectations. Given that Jagged Little Pill is built around Alanis Morissette’s landmark 1995 album, I assumed it might…


















