Areas We Cover
Categories
San Francisco
(Bay Area)
-
Opera Review: MEROLA GRAND FINALE (War Memorial Opera House / San Francisco)
A FINALE WITH A BRIGHT FUTURE Merola’s newest generation of opera artists brings plenty of promise to the War Memorial Opera House The Merola Opera Program’s 2026 Summer Festival came to a celebratory close with its annual Merola Grand Finale at the War Memorial Opera House. Conducted by William Long and directed with aplomb by…
-
Theater Review: MAMMA MIA! (Transcendence Theatre Co. / Broadway Under the Stars / Sonoma)
MAMMA MIA! WHAT A NIGHT A terrific cast and irresistible ABBA score turn Sonoma’s Field of Dreams into a joyous summer dance party Several Broadway stars have escaped New York’s scorching heat to show up on the bucolic Sonoma stage under the stars in Transcendence Theatre Company’s Mamma Mia! They are part of a sensational…
-
Theater Review: R.O.I. (RETURN ON INVESTMENT) (San Francisco Playhouse / Creativity Theater)
THE HIGH PRICE OF HIGH RETURNS A smart, timely dark comedy asks what happens when the pursuit of profit starts costing more than money Bay Area theatergoers need to act fast to see San Francisco Playhouse’s latest production, the dark comedy R.O.I. (Return on Investment). Unlike most of its productions, which usually run up to…
-
Theater Review: IPHIGENIA IN SPLOTT (Shotgun Players / Berkeley)
SACRIFICE WITHOUT SENTIMENT Alicia Mason delivers a fearless performance in a modern tragedy that refuses easy sympathy Gary Owen‘s Iphigenia in Splott transplants Euripides’ Iphigenia in Aulis from ancient Greece to working-class Wales, where the gods have been replaced by poverty, bureaucracy, and institutional neglect. In Shotgun Players’ first-ever solo production, directed by Michelle Talgarow,…
-
Theater Review: URINETOWN: THE MUSICAL (Ray of Light Theatre / San Francisco)
WHERE THERE’S A WILL, THERE’S A PAY TOILET This irreverent musical entertains while refusing to let its audience off the hook After more than 25 years of producing fun, hip musicals all over San Francisco, Ray of Light Theatre is still in its honeymoon phase of finally having its own theater, The Barbary Stage, downtown…
-
DISCOVER SAN FRANCISCO’S VIBRANT INDEPENDENT ARTS AND ENTERTAINMENT SCENE
San Francisco pulses with creative energy found nowhere else. From boundary-pushing art collectives to late-night performance spaces, the city’s independent arts and entertainment scene reflects its reputation as a sanctuary for visionaries and innovators. Dive into a world where artistic freedom, cultural diversity, and bold experimentation shape every experience. Nightlife, Performance, and Alternative Entertainment As…
-
Theater Review: HAIRSPRAY (San Francisco Playhouse)
GOOD MORNING, SAN FRANCISCO The songs, the dancing, and the joy remain impossible to resist The summer’s most fun musical has arrived at the San Francisco Playhouse: Hairspray is here, and it has something for everyone. There’s singing, dancing, comedy, and drama, all performed by a talented cast. Hairspray was first introduced to audiences in…
-
Opera Review: LA TRAGÉDIE DE CARMEN (Merola Opera Program / San Francisco)
TRAGEDY, DISTILLED Peter Brook pares Bizet’s masterpiece to its emotional essence Since 1957, the San Francisco Merola Opera Program, in collaboration with the San Francisco Opera Center, has offered an extensive training program for talented opera singers, conductors, and directors. Every summer, it showcases its emerging artists in a series of public performances. This season…
-
Theater Review: ABSOLUTE SCIENCE FICTION! (Word for Word / San Francisco)
PRESS BUTTON. REGRET LATER. Word for Word pairs two visions of the future with mixed results Z Space, known for developing original and experimental theater, is also home to Word for Word, a resident company that transforms works of fiction into stage productions by performing short stories exactly as written. This summer, they presented Absolute…
-
Theater Review: ALANIS MORISSETTE’S JAGGED LITTLE PILL: THE MUSICAL (Center REP / Lesher Center for the Arts / Walnut Creek)
YOU LEARN… OR YOU DON’T The songs still hit hard, but the family drama built around them feels overly familiar More often than not, as a critic, I like to go into a show cold, without many expectations. Given that Jagged Little Pill is built around Alanis Morissette’s landmark 1995 album, I assumed it might…
-
Theater Review: BECOMING A MAN (Z Space / San Francisco)
THE JOURNEY AFTER THE JOURNEY P. Carl’s autobiographical drama explores what happens after becoming the person you’ve always known yourself to be Z Space continues its tradition of presenting challenging new work with Becoming A Man, playwright P. Carl‘s semi-autobiographical drama about gender transition and its impact on family, friendships, and long-term relationships. Directed by…
-
Theater Review: CONTINUITY (Shotgun Players / Berkeley)
CLIMATE OF CONFUSION Bess Wohl’s Hollywood satire delivers ideas more successfully than laughs Nowadays everyone is aware of the climate crisis. We know about recycling, composting, and driving electric cars. If you are a successful filmmaker, you can make a movie about the effect on the environment. Directed by Emilie Whelan, Shotgun Players’ latest production…
-
Theater Review: THE LUNCHBOX (Berkeley Repertory Theatre)
SPECIAL DELIVERY A charming Bollywood-inspired musical serves up romance, music, and a feast for the eyes From its first moments, Berkeley Rep’s new musical The Lunchbox wins you over. The vibrant, multi-level, expansive, beautifully detailed set by Mimi Lien depicts a bustling working-class neighborhood in Mumbai, while a colorful ensemble emerges mixing and mingling from…
-
Theater Review: DRACULA: A FEMINIST REVENGE FANTASY, REALLY (San Francisco Playhouse)
BITE MARKS AND BATTLE CRIES Kate Hamill’s revisionist take offers a few fresh ideas, but Dracula remains the real attraction Since its publication in 1897, Bram Stoker’s gothic horror novel Dracula has been regarded as one of the most famous books in English literature and is certainly the original vampire novel. The subject of vampires…
-
Opera Review: THE BARBER OF SEVILLE (San Francisco Opera)
FIGARO TO THE RESCUE Rossini’s evergreen comedy launches San Francisco Opera’s summer season with charm and style The summer season of San Francisco Opera is officially underway, and the first offering is a popular favorite. The Barber of Seville (Il barbiere di Siviglia) by Gioachino Rossini first debuted in Rome in 1816 and is no…
-
Theater Review: PICTURES FROM HOME (Marin Theatre / Mill Valley)
SAY CHEESE—AND PASS THE TRAUMA Sharr White’s adaptation of Larry Sultan’s memoir turns one California family into a deeply recognizable portrait of memory, regret, and love Now making its West Coast debut at Marin Theatre is a story with roots here in Marin County. Bay Area photographer Larry Sultan assembled a series of family photographs…
-
Theater Review: MEAN GIRLS THE MUSICAL (Ray of Light Theatre / San Francisco)
SO FETCH… AND SURPRISINGLY SHARP Ray of Light launches its new stage with a high-energy crowd-pleaser that actually lands It’s an ambitious way to christen a new home: take on a title everyone thinks they already know and try to make it feel fresh again. With Mean Girls the Musical, Ray of Light Theatre does…
-
Theater Review: SHADES AND SHADOWS (Back with Two Beasts / Magic Theatre / San Francisco)
LOOKING BACK AT A LOOK-BACK A fresh perspective on one of mythology’s most famous mistakes Last night, The Back with Two Beasts company premiered a new show at San Francisco’s Magic Theatre: Shades and Shadows by Bay Area playwright William Brasse. Combining spoken drama, music, and interpretive movement, the production explores the Greek myth of Orpheus…
-
Dance Review: MERE MORTALS (SF Ballet)
PANDORA GOES DIGITAL A visually striking ballet where myth, machines, and modern anxiety collide San Francisco Ballet closes out its 2025–2026 season with Mere Mortals, a contemporary ballet choreographed by Aszure Barton with music by Floating Points. It’s a modern-day spin on the Greek myth of Pandora’s Box. Despite being warned about the consequences, Pandora…
-
Theater Review: HAMNET (Royal Shakespeare Company at American Conservatory Theater)
TO GRIEVE OR NOT TO GRIEVE American Conservatory Theater presents Hamnet, the stage adaptation of Maggie O’Farrell’s historical novel, adapted by Lolita Chakrabarti (Life of Pi) and directed by Erica Whyman. Hamnet, the historical novel by Maggie O’Farrell, reimagines the family life of William Shakespeare in the 16th century. It’s an intimate portrait of his…


















