Areas We Cover
Categories
San Francisco
(Bay Area)
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Theater Review: MEAN GIRLS THE MUSICAL (Ray of Light Theatre / San Francisco)
SO FETCH… AND SURPRISINGLY SHARP Ray of Light launches its new stage with a high-energy crowd-pleaser that actually lands It’s an ambitious way to christen a new home: take on a title everyone thinks they already know and try to make it feel fresh again. With Mean Girls the Musical, Ray of Light Theatre does…
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Dance Review: MERE MORTALS (SF Ballet)
PANDORA GOES DIGITAL A visually striking ballet where myth, machines, and modern anxiety collide San Francisco Ballet closes out its 2025–2026 season with Mere Mortals, a contemporary ballet choreographed by Aszure Barton with music by Floating Points. It’s a modern-day spin on the Greek myth of Pandora’s Box. Despite being warned about the consequences, Pandora…
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Theater Review: HAMNET (Royal Shakespeare Company at American Conservatory Theater)
TO GRIEVE OR NOT TO GRIEVE American Conservatory Theater presents Hamnet, the stage adaptation of Maggie O’Farrell’s historical novel, adapted by Lolita Chakrabarti (Life of Pi) and directed by Erica Whyman. Hamnet, the historical novel by Maggie O’Farrell, reimagines the family life of William Shakespeare in the 16th century. It’s an intimate portrait of his…
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Theater Review: HOW TO MAKE AN AMERICAN SON (New Conservatory Theatre Center, SF)
PRIVILEGE, PRESSURE, AND GROWING UP A timely coming-of-age story about identity, class, and consequence Even in troubled times, California is still seen by many as the land of opportunity—a place where dreams can come true for those willing to work hard. But in how to make an American Son, playwright christopher oscar peña explores how that promise plays out unevenly,…
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Dance Review: LA SYLPHIDE (San Francisco Ballet)
A SCOTTISH FANTASY TAKES FLIGHT A Romantic ballet classic that still enchants This month, San Francisco Ballet is performing the Danish Romantic classic La Sylphide. This revival was first performed in 1836 in Denmark. Choreographed by August Bournonville, and set in the Scottish Highlands, it is the story of the Sylph, a mysterious, ethereal creature…
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Theater Review: THE GOAT, OR WHO IS SYLVIA? (Shotgun Players, Berkeley)
A MODERN TRAGEDY IN PLAIN SIGHT Albee’s shocking premise unfolds with the inevitability of Greek drama Playwright Edward Albee remains one of the most incisive chroniclers of American family life, exposing its fractures with wit, precision, and a willingness to disturb. His 1962 masterpiece, Who’s Afraid of Virginia Woolf?, set the template—an outwardly successful couple…
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Theater Review: LOST IN YONKERS (Lesher Center for the Arts, Walnut Creek)
FAMILY, FEAR, AND FINDING A VOICE Neil Simon’s coming-of-age drama blends humor and heartbreak in an intimate, character-driven production Now playing at Walnut Creek’s Lesher Center for the Arts, Neil Simon’s Pulitzer Prize-winning Lost in Yonkers is a semi-autobiographical coming-of-age story set in 1942, during the height of World War II. Brothers Jay (Tristan A….
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Theater Review: THE MONSTERS (Berkeley Rep)
FIGHT CLUB, FAMILY EDITION A raw two-hander where the real battles aren’t in the ring Berkeley Repertory Theatre presents The Monsters, a somewhat autobiographical play written by and starring Ngozi Anyanwu, directed by Tamilla Woodard. Everyone has their own personal demons. While we rarely conquer them altogether, most of us learn to acknowledge them and…
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Theater Review: FLEX (San Francisco Playhouse)
HOOPS, HOPE, AND HARD TRUTHS Candrice Jones’s coming-of-age sports drama scores with energy, authenticity, and ensemble fire San Francisco Playhouse has a strong track record with ensemble-driven work, and this West Coast premiere of Candrice Jones’s Flex continues that tradition with vigor. Set in 1998 in rural Arkansas, the play follows a group of high…
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Theater Review: GODS & MONSTERS (New Conservatory Theatre Center)
OLD HOLLYWOOD, QUEER LONELINESS, AND A LEGEND’S FINAL ACT A well-acted and atmospheric production brings James Whale’s twilight years to vivid life Jason M. Blackwell, Donald Currie, Francine Torres New Conservatory Theater’s new Artistic Director Ben Villas Randle was on hand for opening night for his first production: Gods & Monsters. If the title sounds…
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Theater Review: THE EYES & THE IMPOSSIBLE (Z Space and Word for Word)
A PARK FULL OF VOICES AND VALUES Dave Eggers’ children’s tale comes to life with charm and clarity Nic Moore Bay Area author Dave Eggers is known for adult novels that blend social commentary, satire, and memoir, including A Heartbreaking Work of Staggering Genius (2000). He often uses storytelling as a tool for empathy. The…
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Theater Review: ONCE (Berkeley Playhouse)
Few musicals capture the intimacy of music-making quite like Once, and Berkeley Playhouse’s new production reminds us why the show became a Broadway sensation in 2012, winning eight Tony Awards including Best Musical. Adapted by Enda Walsh from John Carney‘s 2007 Irish film, the story blends romance, melancholy, and folk-infused songwriting by Glen Hansard and…
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Theater Review: ALL MY SONS (Berkeley Rep)
A POSTWAR MORAL RECKONING INSIDE A FAMILY HOME Arthur Miller’s classic still asks uncomfortable questions about responsibility and denial Jimmy Smits Berkeley Repertory Theatre is reviving Arthur Miller’s 1947 postwar classic All My Sons, a heavy family drama whose themes of duty, guilt, and moral responsibility still resonate today. We meet the Keller family: Joe, the…
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Theater Review: M. BUTTERFLY (San Francisco Playhouse)
A REAL-LIFE ESPIONAGE SCANDAL BECOMES A MEDITATION ON POWER, IDENTITY, & ILLUSION A gripping, well-acted drama that explores gender, fantasy, and cultural collision M. Butterfly, the 1988 Tony Award–winning play for Best Play, is currently playing at San Francisco Playhouse. It is loosely based on a real-life espionage scandal between a French diplomat and a…
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Theater Review: HANDS ON A HARD BODY (Spreckels Performing Arts Center in Rohnert Park)
A WORKING-CLASS ENDURANCE CONTEST TURNS INTO A MUSICAL OF HOPE AND DESPERATION A spirited, heartfelt production that balances humor with grit Victory by attrition is the name of the game in the musical Hands on a Hard Body at the Spreckels Performing Arts Center’s Codding Theatre in Rohnert Par, through March 1. Mark Bradbury, Shannon…
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Theater Review: IMPROBABLE FICTION (Masquers Playhouse in Point Richmond)
WRITERS RUN AMOK WHEN IMAGINATION TAKES OVER THE ROOM A nimble, high-energy ensemble comedy that turns creative frustration into gleeful theatrical chaos As hilarious today as it was when it debuted 21 years ago, Alan Ayckbourn’s Improbable Fiction is enjoying a terrific run at Masquers Playhouse in Point Richmond. Director Angela Mason draws a crisply…
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Theater Review: THE CHERRY ORCHARD (Marin Theatre Company in Mill Valley)
A RADICAL MASTERPIECE Chekhov’s final play blossoms with emotional clarity and grace Renowned Russian writer Anton Chekhov’s final play, The Cherry Orchard, may be set more than a century ago, but its themes feel strikingly contemporary. Now playing at Marin Theatre in a handsomely mounted, emotionally attentive production, the story centers on a once-aristocratic, formerly…
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Theater Review: HOW SHAKESPEARE SAVED MY LIFE (Berkeley Repertory Theatre)
SHAKESPEARE AS LIFELINE Jacob Ming-Trent turns the Bard into a blazing solo tour de force at Berkeley Rep We are all on our personal journeys of living and being in the world. Everyone encounters setbacks, roadblocks, and moments of doubt. How does one persevere when life feels uncertain? In the 21st century, we have become…
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Theater Review: A STREETCAR NAMED DESIRE (The Streetcar Project Tour at A.C.T. in S.F.)
EVEN MORE TO DESIRE A stripped-down Streetcar that proves Tennessee Williams needs no scenery. Since struggle for power among the classes is one of the central themes in Tennessee Williams’ still-shocking A Streetcar Named Desire, it makes perfect sense that director and co-creator Nick Westrate would strip the Pulitzer Prize winner down to its rawest…



















