Areas We Cover
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Boston
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Theater Review: JOB (SpeakEasy Stage Company)
A PRESSURE COOKER OF A PRODUCTION A thriller that examines the effects of social media Josephine Moshiri Elwood (Jane) and Dennis Trainor Jr. (Loyd) pull out all the stops in Job, an 80-minute intermission-free exploration of the effects of social media on those who produce it and those who consume it. Jane has been sent…
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Theater Review: SOME LIKE IT HOT (National Tour, Broadway in Boston)
A REIMAGINING OF A HOLLYWOOD CLASSIC Frothy fun with an affirmingly progressive perspective The art deco sets (Scott Pask, scenic design), broad-shouldered plaids (Gregg Barnes, costumes), and jitterbugging choreography (Casey Nicholaw, who also directed) are a pleasing eyeful in Broadway in Boston’s energetic rendition of the Tony-award winning Some Like It Hot. But there’s more…
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Theater Review: LIBRARY LION (Adam Theater)
NO LYIN’ ABOUT THIS ADORABLE LION A story about rules and when it is right to break them The four-year-old I took to the Adam Theater production of Library Lion at the Calderwood Pavilion in the Boston Center for the Arts was terrified when he saw the picture of the lion’s large and expressive face…
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Theater Review: THE SOUND OF MUSIC (National Tour at the Citizens Opera House, Boston)
THIS SHOW IS ALIVE … WITH THE SOUND OF MUSIC A classic musical celebrates the power of music to promote authenticity How do you solve a problem like—presenting a musical that is so familiar as a movie that an audience may think they already know everything it has to offer? Director Jack O’Brien offers a…
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Theater Review: WONDER (American Repertory Theater World Premiere in Cambridge)
WONDER OF WONDERS! A musical that refuses pity and earns its hope American Repertory Theater’s world premiere of the musical adaptation of R. J. Palacio’s best-selling Wonder and the eponymous 2017 film, is, indeed, filled with wonders. The children’s novel is not only the story of a boy with a facial difference, though that is…
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Theater Review: BLACK NATIVITY (National Center of Afro-American Artists at Emerson Paramount)
GO TELL IT! There are many ways to celebrate the holiday season on Boston-area stages, ranging from dance interpretations of The Nutcracker to performances and revisions of Dickens, to the ever-new traditional Revels and shows that use the Christmas season as a backdrop for stories of joy and even hilarity. None get so deeply to…
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Theater Review: IS THIS A ROOM (Apollinaire Theatre Company)
AN OMINOUS AND DISORIENTING THRILLER A meticulously staged interrogation that tightens its grip minute by minute In theater and in life, some risks are worth taking. Others may not be worth the cost. Reality Winner, a U.S. Air Force veteran and a contractor for the National Security Agency, took a risk in May of 2017…
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Theater Review: MIDWINTER REVELS: A SCANDANAVIAN STORY FOR CHRISTMAS (Sanders Theater at Harvard University)
WELCOME YULE! In keeping with its Scandinavian theme, this year’s Midwinter Revels presents a smorgasbord of stories, songs, and dances in Harvard University’s Sanders Theatre. The very foundation of the Revels experience is something of a smorgasbord, in fact. Revels has evolved from the Christmas Revels to the Midwinter Revels since its founding in 1971….
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Theater Review: AN IRISH CAROL (Greater Boston Stage Company in Stoneham, MA)
DICKENS IN AN IRISH PUB ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ The New England premiere of An Irish Carol by playwright Matthew Keenan offers a fresh take on Charles Dickens’s A Christmas Carol, a familiar and much-performed holiday classic that holds out, again and again, a secular interpretation of the renewal…
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Theater Review: ANNIE (Wheelock Family Theatre)
TRIED AND TRUE ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Annie is an excellent choice for Boston University Wheelock Family Theatre’s holiday offering this year. True to the mission of Wheelock Family Theatre (to create professional theatre and educational experiences for artists and audiences of all ages), the audience last night included…
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Theater Review: SWEENEY CLAUS: THE DEMON FATHER OF SLEET STREET (The Gold Dust Orphans)
MORE NAUGHTY THAN NICE, WITH PLENTY OF SPICE ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ As they have for the past thirty years, Ryan Landry’s Gold Dust Orphans honor the saturnalian origins of Christmas with a holiday burlesque. This time the target of the spoofing crew of shamelessly talented punsters, dancers, singers,…
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Theater Review: FUN HOME (The Huntington)
THE KEYS OF KNOWLEDGE What can I say about a show that offers one moment of delight after another while holding the anguish of parental narcissism, the joy of discovering one’s own identity, and the power of creative expression to transform grief? One thing I can say is this: anyone within commuting distance of downtown…
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Theater Review: BLOOD BROTHERS (Theater UnCorked, Boston Center for the Arts)
A TRAGEDY FORETOLD — AND STILL SHOCKING Blood Brothers exposes the cruel divide of class and destiny I walked into the BCA Plaza Theatre in the South End neighborhood of Boston — and left shaken. To start, the lights come up to reveal two bodies lying before me, so close I could reach out and…
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Theater Review: SPACEBRIDGE (ArtsEmerson)
A BRIDGE TO UNDERSTANDING There may have been, at some point in human history, an evolutionary advantage to sorting other people into “us” and “them.” But with modern weapons technology, whatever benefit that old reflex once offered has long vanished. Since the development of nuclear arms, in fact, that instinct to classify entire groups as…
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Event Review: A CONVERSATION WITH KAMALA HARRIS (“107 Days” Book Tour)
FIGHTING FOR THE FUTURE You wouldn’t know that former Vice President Kamala Harris lost the 2024 presidential election if you’d been standing outside the Chevalier Theater in Medford, Massachusetts (a near suburb of Boston) early Saturday afternoon. The line to fill the 1900-seat theater had already formed by noon for a show slated to begin…
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Theater Review: A SHERLOCK CAROL (Lyric Stage)
A HOLIDAY CAROL THAT HITS ALL THE RIGHT NOTES If you’re looking for a holiday treat, look no further than the delightful production of A Sherlock Carol at the Lyric Stage. Brilliantly directed by Ilyse Robbins, this mash-up of Charles Dickens’ A Christmas Carol and Sir Arthur Conan Doyle’s Sherlock Holmes combines wonderful performances with…
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Theater Review: HARRY POTTER AND THE CURSED CHILD (National Tour, Emerson Colonial Theater)
SPECTACULARLY CONFUSING You don’t need me to tell you that J. K. Rowling’s Harry Potter series has tapped into something deeply elemental for many people. Her stories about a young wizard and his education at Hogwarts, a school that teaches the magical arts while bearing a strong similarity to a traditional British public school, have…
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Theater Review: SUMMER, 1976 (Central Square Theater)
WOMEN ON THE VERGE Central Square Theater’s lovely production of playwright David Auburn’s (Proof) Summer, 1976 offers a story of two women who find an unexpected friendship at a tipping point in both their lives. It’s an especially fitting choice for Central Square Theater, the oldest female-led theater company in Boston. Central Square’s mission includes…
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Theater Review: THE BEAUTIFUL LAND I SEEK (LA LINDA TIERRA QUE BUSCO YO) (Teatro Chelsea)
GUNNING FOR PUERTO RICO Stephen Sondheim chose an unlikely topic for his 1990 Assassins, a musical that portrays assassinating or attempting to assassinate a president is as American as popular music. I can’t say whether or not playwright Matthew Barbot was inspired by Sondheim’s musical, but Barbot certainly fills a hole in Sondheim’s line-up of…
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Theater Review: THE 4TH WITCH (Manual Cinema)
BLACK AND WHITE AND DREAD ALL OVER Chicago-based Manual Cinema employs an extraordinary suite of “old-school” technologies and techniques to bring a response to Shakespeare’s Macbeth to the Emerson Paramount theater as part of the Arts Emerson series. With no spoken dialogue, the company uses shadow puppets, projected pantomime, live music, and recorded sound effects…



















