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Theater
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Theater Review: BEING PIAF (Odyssey Theatre Ensemble / Los Angeles)
PIAF, WITHOUT THE PARROTING Eleanora Owen finds the heartbreak and defiance inside the Little Sparrow’s songs Édith Piaf’s life overflowed with the severest of extremities: the writhing, rapturous harmony of joyous consonances and agonized dissonances, hastened with the rapidity of a tempo that flamed out after a brief 47 years, and woven with counterpoints of…
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Broadway Preview: THE FANTASTICKS (Second Stage Theater / Hayes Theater)
BROADWAY GETS FANTASTICK The world’s longest-running musical takes its first Broadway bow in a beautifully reconsidered form It took The Fantasticks 66 years to get to Broadway. Then again, a musical that ran Off-Broadway for 42 years and 17,162 performances has never exactly needed Broadway’s stamp of approval. But this fall, Tom Jones and Harvey…
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Theater and Tour Preview: CIRQUE MUSICA HOLIDAY WONDERLAND (2026 National Tour)
IT’S BEGINNING TO LOOK A LOT LIKE CIRQUE-MAS A high-flying holiday spectacle takes its acrobatic wonder on a 50-city tour If your holiday traditions could use a little more danger, Cirque Musica Holiday Wonderland has an answer: put some acrobats in the air. The family-friendly spectacle returns in an all-new production that combines favorite holiday…
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Theater Preview: KOWALSKI (Lookingglass Theatre Company / Chicago)
STELLA! MEET TENNESSEE Once Tennessee met Brando, American theater would never be the same Before Marlon Brando bellowed “STELLA!” into theatrical immortality, he was a hungry 23-year-old actor who had yet to become Marlon Brando. And before A Streetcar Named Desire became one of the defining American plays of the 20th century, Tennessee Williams needed…
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Opera Preview: LINCOLN IN THE BARDO (Death of Classical / The Metropolitan Opera)
ABE AMONG THE GRAVES Death of Classical takes “Lincoln in the Bardo” where it was practically begging to go: the cemetery Talk about knowing your venue. Before the Metropolitan Opera unveils Missy Mazzoli and Royce Vavrek’s Lincoln in the Bardo on October 19, Death of Classical is taking this ghost-filled new opera out for a…
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Theater Preview: WINTER’S BENCH (24th Street Theatre)
IF THIS TREE COULD TALK Anne Gee Byrd listens for a voice from the past in Mike Kenny’s lyrical world premiere Trees talk to each other. Really. Scientists have discovered that beneath our feet, trees use vast underground networks to communicate and share resources. But what if a tree decided to strike up a conversation…
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Off-Broadway Review: THE REAL IVANOV (Initiative Productions / New York)
IVANOV GETS THE SHORT END Chekhov’s despair survives the cuts, but the production struggles to connect the pieces It is difficult to make depression theatrically vivid when its essential symptoms are misery, inertia, and the absence of purpose rather than anything visually dramatic. That is the particular challenge of Chekhov’s Ivanov, and I have already…
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Theater Review: RHINOCEROS (American Repertory Theater / Cambridge, MA)
THE RHINOCEROSES ARE AMONG US; HERE COMES THE CRASH A.R.T.’s chillingly funny absurdist classic asks what happens when everyone else joins the herd Since its 1959 debut, Eugène Ionesco’s famed Rhinoceros has likely felt chillingly topical to every generation that has encountered it. Writing about American Repertory Theater’s new production from that angle may seem…
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Broadway Opening: THE IMAGINARY INVALID (Roundabout Theatre Company)
THE DOCTOR WILL SEE YOU NOW, WHETHER YOU NEED ONE OR NOT Bill Irwin makes a house call on Molière There are hypochondriacs, and then there is Argan, the gloriously self-absorbed “professional patient” at the center of Molière’s The Imaginary Invalid. This fall, Tony winner Bill Irwin returns to Broadway, and to a playwright particularly…
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Theater Review: THE 17TH ANNUAL LIVING NEWSPAPER FESTIVAL (Jackalope Theatre Company)
GOOD NEWS, BAD NEWS Five headlines become five new plays, with one terrific entry leading the edition Jackalope Theatre Company’s 17th Annual Living Newspaper Festival, currently being performed at the Jackalope Theatre in the Broadway Armory, is an anthology show. Conceived as a discovery showcase for writing talent, the festival comprises five new plays. The…
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Theater Preview: TARTUFFE (REMIXED) (Marylebone Theatre / London)
TARTUFFE GETS A REMIX Mark Rylance meets Molière in a Nigerian-Jamaican reimagining of the classic comedy Molière is getting quite the makeover in London this fall. Oscar and Olivier Award winner Mark Rylance stars as Pastor Terrance Blake in the world premiere of Tartuffe (Remixed), Darren Raymond’s new adaptation of the 17th-century comedy, opening 4…
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Theater Preview: HANGMEN (by Martin McDonagh / Long Beach Playhouse)
HANG ON TO YOUR SEATS Gallows humor meets murder and mystery in Martin McDonagh’s wicked comedy I saw this play on Broadway and it rocked my world! Fun, intrigue, mystery and some jolts that only Martin McDonagh can provide. So I’m particularly excited that Long Beach Playhouse is bringing McDonagh’s Hangmen to its intimate Studio…
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Opera Review: MEROLA GRAND FINALE (War Memorial Opera House / San Francisco)
A FINALE WITH A BRIGHT FUTURE Merola’s newest generation of opera artists brings plenty of promise to the War Memorial Opera House The Merola Opera Program’s 2026 Summer Festival came to a celebratory close with its annual Merola Grand Finale at the War Memorial Opera House. Conducted by William Long and directed with aplomb by…
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Off-Broadway Preview: TOC TOC (Repertorio Español)
KNOCK, KNOCK. WHO’S THERE? TOC TOC. Six strangers, one missing psychiatrist, and a waiting room full of compulsions Six patients walk into a psychiatrist’s waiting room. No, that’s not the setup for a joke—although in Laurent Baffie’s international hit comedy TOC TOC, it certainly becomes one. Repertorio Español brings the play to New York in…
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Off-Broadway Review: THE BATHROOM ATTENDANT (SparkPlug Productions / 124 Bank Street Theater)
A THRILLER THAT TAKES A WHILE TO FLUSH OUT A perfectly matched cast and Andrew Block’s resourceful staging eventually ignite Tom Kelly’s pitch-black thriller, but the promised comedy rarely surfaces No, The Bathroom Attendant doesn’t take place in a public bathroom. The title refers to how far into indigence its protagonist has fallen—a condition made…
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COLORADO’S HISTORIC THEATERS: WHERE THE PAST TAKES CENTER STAGE
Colorado’s landscape holds more than mountains and mining history. Scattered across its cities and small towns, a collection of historic theaters and movie houses continues to draw audiences, just as they have for generations. Many of these venues date back to the late 1800s and early 1900s, built during the boom years when silver and…
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Theater Review: HEROES OF THE FOURTH TURNING (Catharsis Theatre Collective / Broadwater Black Box / Los Angeles)
RIGHT, LEFT AND NO WAY OUT Faith, politics and generational divides collide in a provocative portrait of an America at war with itself Will Arbery’s haunting Pulitzer Prize finalist Heroes of the Fourth Turning, now playing at The Broadwater by Catharsis Theatre Collective, speaks to the heart of a country at war with itself, offering…
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Theater Review: MAMMA MIA! (Transcendence Theatre Co. / Broadway Under the Stars / Sonoma)
MAMMA MIA! WHAT A NIGHT A terrific cast and irresistible ABBA score turn Sonoma’s Field of Dreams into a joyous summer dance party Several Broadway stars have escaped New York’s scorching heat to show up on the bucolic Sonoma stage under the stars in Transcendence Theatre Company’s Mamma Mia! They are part of a sensational…
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Theater Review: KIMBERLY AKIMBO (Theatre Palisades / Odyssey Theatre / West LA)
AGING GRACELESSLY A superb cast can’t keep David Lindsay-Abaire’s dark comedy from showing its age in a production that never finds its pulse There’s a very good reason Kimberly Akimbo became a better musical than it is a play. David Lindsay-Abaire’s original dark comedy, now revived by Theatre Palisades at the Odyssey Theatre, has a…
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Regional Theater Preview: FORBIDDEN! (Plays of Wilton / The Foundry / Wilton Manors, FL)
OUT OF THE CLOSET, OUT OF THE ARCHIVES Silenced after two performances in 1922, a remarkably progressive Dutch drama finally receives its U.S. premiere A play that scandalized Rotterdam in 1922 is finally getting its American premiere more than a century later. Written by Dutch novelist and playwright Jo M. van Ijssel de Schepper-Becker (pronouned…



















