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Los Angeles
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Music Preview: A CONCERT FOR VENEZUELA (Gustavo Dudamel & LA Phil / Hollywood Bowl)
DUDAMEL’S FAREWELL BECOMES A HOMECOMING For his final Bowl concert as LA Phil Music & Artistic Director, Gustavo Dudamel turns the spotlight toward Venezuela What was originally planned as a celebration of Gustavo Dudamel and his extraordinary years with the Los Angeles Philharmonic has become something considerably more urgent. On Sunday, August 23, Dudamel conducts…
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Theater Review: DRACULA: THE MUSICAL (The Nocturne Theatre / Glendale)
SINK YOUR TEETH INTO THIS A gloriously excessive spectacle eventually falls victim to an overdose of songs The Nocturne Theatre in Glendale is quickly becoming one of my favorite venues in the City of Angels. Justin & Melissa Meyer are masters of high theatricality and demigods of over-the-top razzle-dazzle, what I have lovingly dubbed “Kitchen…
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Theater Review: GREASE (Altadena Music Theatre)
GREASE STILL HAS ITS GROOVE Altadena Music Theatre returns after devastating loss with Rydell High, right on schedule The year is 1959. Rock and roll is reshaping American culture, the Sexual Revolution is just around the corner, and Grease captures a generation on the cusp of change. In its original incarnation, the musical was a…
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Theater Review: SLAVA UKRAINI! (OR WAITING FOR ELON) (A Few Thoughts Theatre Company / Atwater Village Theatre / LA)
WHEN THE MESSAGE OUTSHOUTS THE DRAMA Keith Szarabajka’s timely war drama is fueled by conviction but overwhelmed by its own rhetoric Slava Ukraini! (Or Waiting for Elon) by Keith Szarabajka presents a reviewer with the worst possible dilemma. Produced by Brad Bentz and directed by Tony Pasqualini, the work is the inaugural production of A…
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Music Review: JOE HISAISHI FILM MUSIC CONCERT (LA Phil / Hollywood Bowl)
TOO MUCH AND NOT ENOUGH Glorious music, rushed through and overproduced Joe Hisaishi, one of the world’s great living composers, was last at the Hollywood Bowl in 2023, in what I considered one of the highlights of that year. Since then, he seems to be making Los Angeles a regular stop, which has me beyond…
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Theater Review: APPLAUSE (The Group Rep / Lonny Chapman Theatre / North Hollywood)
ALL ABOUT EVE… WITH JAZZ HANDS Bruce Kimmel’s affectionate revival proves that a sturdy backstage classic and a committed cast can still earn plenty of applause, even when there are reservations about the score Applause won the 1970 Tony Award for Best Musical. It was, unfortunately, a lackluster season, with the other nominees being Purlie…
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Theater Review: ALANIS MORISSETTE’S JAGGED LITTLE PILL: THE MUSICAL (Chance Theater / Anaheim)
A PILL THAT’S HARD TO SWALLOW Chance Theater’s committed cast sells the songs in this jukebox musical, but can’t overcome a sprawling script When Alanis Morissette released Jagged Little Pill in 1995, it sold thirty-three million copies because it sounded like one woman refusing to behave. She crammed syllables into measures that couldn’t hold them,…
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Theater Review: ROMEO AND JULIET (Will Geer Theatricum Botanicum / Topanga)
A TIMELESS TRAGEDY TAKES ON A GILDED GLOW A beautifully conceived update proves Shakespeare’s young lovers lose none of their power in a new era There’s something magical about sitting in the woods at Will Geer Theatricum Botanicum as the sun sets, when countless crickets and frogs add their songs to the sounds of nature…
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Concert Review: YOSHIKI: CLASSICAL 2026 WORLD TOUR (“Violet Night” / Disney Hall / LA)
PURPLE REIGN An evening of symphonic rock, devoted fans, and restless creativity celebrated an artist still refusing to slow down Under doctor’s orders to leave the drums behind following his third cervical-spine surgery in 2024, Yoshiki did what one might expect from a musician whose career has been built on grandeur, defiance, and theatrical risk:…
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Theater Review: THE IMPORTANCE OF BEING EARNEST (Long Beach Shakespeare Company)
MORE VICTORIAN THAN NEW ROMANTIC Long Beach Shakespeare Company delivers Wilde’s classic with clarity and charm, even if its concept never fully blossoms Oscar Wilde’s The Importance of Being Earnest hardly needs reinvention. More than a century after its premiere, its razor-sharp epigrams, social satire, and exquisitely constructed farce remain as funny as ever. Long…
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Theater Review: F**KING STRANGERS (Echo Theater Company / Los Angeles)
NO STRINGS ATTACHED? THINK AGAIN Erik Patterson’s provocative world premiere boasts superb performances but mistakes repetition for depth In F**king Strangers, receiving its world premiere from Echo Theater Company, playwright Erik Patterson begins with an arresting image: a terrified young man stranded beside a freeway, begging his mother to stay on the phone until help…
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Theater Preview: PROOF (El Portal Theatre / North Hollywood)
THE PROOF IS IN THE FAMILY Ed Begley Jr. and daughter Hayden Begley bring David Auburn’s Pulitzer Prize-winning drama to the stage for a four-performance benefit supporting Parkinson’s research Jason Jeske presents a special four-performance engagement of David Auburn’s Pulitzer Prize-winning Proof at the El Portal Theatre, starring Ed Begley Jr. and his daughter, Hayden…
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Theater Review: TREASURE ISLAND (Will Geer Theatricum Botanicum / Topanga)
WHERE THE WILD THINGS ARRRR A spirited cast and an unforgettable setting help this classic weather a few rough seas in Ellen Geer’s adaptation Driving up the twisty road along Topanga Creek to Will Geer’s Theatricum Botanicum for the first time and walking into the sprawling wooded compound, I was already halfway charmed before the…
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Movie Review: HARRY POTTER AND THE SORCERER’S STONE (Shared Reality at Cosm)
THE BEST MAGIC KNOWS WHEN TO STOP Restraint proves more magical than excess Early in Harry Potter and the Sorcerer’s Stone (2001), Vernon and Petunia Dursley barricade the house against the acceptance letters from Hogwarts. The letters come anyway, down the chimney, through the windows, a blizzard of paper that no locked door can hold….
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Exhibit Review: MACHINE DREAMS: RAINFOREST (DATALAND / Los Angeles)
ALL SENSATION, LITTLE REVELATION A high-tech amusement park disguised as a museum. While the world loses its collective mind over artificial intelligence’s encroachment on every facet of our lives, with calls to restrict AI, Refik Anadol Studio has plunged wholeheartedly in the opposite direction with the opening of DATALAND, the world’s first Museum of AI…
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Theater Review: ANOTHER DISTRACTION FROM THE EPSTEIN FILES (Hollywood Fringe Festival)
THE POLITICS OF MARRIAGE Strong writing and performances outweigh a staging that plays it safe The worst that can be said of Ray Richmond‘s Another Distraction From the Epstein Files at Bad Ladder is that it’s not very “fringy.” Richmond’s smart two-hander is a homage to the works of Clifford Odets (1906–1963), a classic kitchen…
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Exhibit Review: MARILYN MONROE: HOLLYWOOD ICON (Academy Museum of Motion Pictures / LA)
THE ART OF BEING MARILYN The woman, the myth, and the image she carefully controlled Superstar Marilyn Monroe was born one hundred years ago this summer. In honor of the centennial of her birth, the Academy Museum of Motion Pictures presents Marilyn Monroe: Hollywood Icon, now on display through Feb. 28, 2027. Covering Monroe’s entire…
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Theater Review: JIMMY STEWART ON THE FRONT OF LIFE (Hollywood Fringe Festival / Los Angeles)
THE WAR THAT FOLLOWED HIM HOME Rather than celebrate a legend, Brian Rohan reveals the man still haunted by war At the outset of World War II, Jimmy Stewart (1908–1997) became the first major Hollywood star to enlist. A flying enthusiast from early on, Stewart was already a licensed pilot when he joined the Army…
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Theater Review: MY ONE WOMAN SHOW (THE SEARCH FOR A TRUTHFUL MOMENT) (Madnani Theatre / Hollywood Fringe Festival)
ONE MAN, MANY TRUTHS An extraordinary performer turns theatrical self-examination into something unexpectedly profound Stefan Marks is a spellbinding storyteller, and My One Woman Show (The Search for a Truthful Moment) at The Hollywood Fringe is far more than a clever send-up of the solo-performance genre. Beginning as a funny, self-aware examination of the agonies of…
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Theater Review: ARMY BRAT (Broadwater Second Stage / Hollywood Fringe Festival)
LIFE IN A BLENDER A chaotic solo show anchored by an engaging performer. Kelly Mullis‘s solo show Army Brat at the Broadwater Second Stage carries a very accurate subtitle: “The Fever Dream into the Life of a Military Kid.” As penned by the performer, the show is a splattering of her life, her father’s life,…



















