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Off-Broadway Review: PORTRAITS OF GAYS IN DESPAIR (HB Playwrights Theatre)
PORTRAIT OF THE ARTIST AS FIVE GAYS Paul Kubicki’s wildly inventive cycle of short plays finds humor, heartbreak, and humanity in unexpected places If Tennessee Williams and Cole Escola had an artistic progeny, the result might look something like Paul Kubicki’s Portraits of Gays in Despair: A Cycle of 5 Plays. Beginning with a vignette…
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Theater Review: THE GREAT GATSBY (National Tour)
GREAT LOOKS, LITTLE GATSBY Too loud, too repetitive, and nowhere near the Jazz Age The touring production of The Great Gatsby, now at the Citizens Opera House in Boston, gives us Linda Cho‘s Tony Award-winning costumes and great sets by Paul Tate dePoo III, but neither the book by Kait Kerrigan nor the score by…
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Off-Off-Broadway Review: WHAT A WORLD! WHAT A WORLD! (The Tank / New York City)
NOT WAITING FOR GODOT… WAITING FOR THE DINOSAUR This delightfully confounding absurdist comedy won’t convert skeptics, but devotees of the genre may find much to admire Halfway through What a World! What a World!, a pink dinosaur toy interrupts the action and powers onstage. The actors stop and stare. The toy stops and turns upstage…
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Off-Broadway Review: PORTRAITS OF GAYS IN DESPAIR (HB Playwrights Theatre)
SAD BOYS, WILD PLAYS Where Peter Thiel, Judy Garland, and anal warts somehow make perfect sense Theatrical experiences often move us with realism. Other times we end up with a musical number featuring an actor in drag portraying Judy Garland seeking treatment for anal warts. That’s the kind of outlandish novelty inside Portraits of Gays…
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Concert Review: LIZZO & THE NATIONAL SYMPHONY ORCHESTRA (Wolf Trap / Vienna, VA)
GOOD AS HELL… WITH STRINGS Lizzo and the National Symphony Orchestra prove that pop and classical music make exhilarating partners The National Symphony Orchestra’s collaboration with Lizzo at Wolf Trap’s Filene Center proved that when classical and pop are treated as equal partners, the results can be exhilarating. Under the baton of Steven Reineke, the…
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Off-Broadway Review: GIULIA: THE POISON QUEEN OF PALERMO (PAC NYC)
A TOAST TO TOXIC JUSTICE A visually ravishing musical transforms vengeance into exhilarating theater Thanks to director Mary Zimmerman, scenic designer Daniel Ostling, and lighting designer T.J. Gerckens, there is remarkable artistry on display at PAC NYC, where the thrilling new musical Giulia: The Poison Queen of Palermo opened tonight. Topping off this impressive creative…
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Theater Review: CRAZY FOR YOU (Goodspeed Opera House / East Haddam, CT)
NOTHING CRAZY ABOUT LOVING THIS SHOW This joyful revival earns every smile I admit that I am crazy for Crazy For You, and this feel-good production is quite a delight in Connecticut at the Goodspeed Opera House (now celebrating its 150th anniversary). This merry 1992 musical is a solid, splashy audience-pleaser, stuffed with swell old…
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Movie Review: HARRY POTTER AND THE SORCERER’S STONE (Shared Reality at Cosm)
THE BEST MAGIC KNOWS WHEN TO STOP Restraint proves more magical than excess Early in Harry Potter and the Sorcerer’s Stone (2001), Vernon and Petunia Dursley barricade the house against the acceptance letters from Hogwarts. The letters come anyway, down the chimney, through the windows, a blizzard of paper that no locked door can hold….
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Theater Review: SUFFS (First National Tour)
VOTES FOR WOMEN… AND A VICTORY FOR MUSICAL THEATER History marches forward with intelligence, heart, and exhilarating conviction The national tour of Suffs, Shaina Taub‘s Tony Award-winning musical about the fight for women’s suffrage, arrives in Chicago with its urgency, humor, and emotional power fully intact. More than a history lesson, it presents the movement…
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Exhibit Review: MACHINE DREAMS: RAINFOREST (DATALAND / Los Angeles)
ALL SENSATION, LITTLE REVELATION A high-tech amusement park disguised as a museum. While the world loses its collective mind over artificial intelligence’s encroachment on every facet of our lives, with calls to restrict AI, Refik Anadol Studio has plunged wholeheartedly in the opposite direction with the opening of DATALAND, the world’s first Museum of AI…
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HOW DO YOU CHOOSE YOUR FIRST KALIMBA?
Welcome to the enchanting world of the kalimba, a captivating instrument that has charmed musicians and hobbyists alike. Known for its gentle, melodic tones, the kalimba is easy to learn and offers a delightful playing experience. With a variety of options available, selecting the right kalimba can feel overwhelming. From compact 10-key models to expansive…
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Theater Review: ICEBOY! OR THE COMPLETELY UNTRUE STORY OF HOW EUGENE O’NEILL CAME TO WRITE “THE ICEMAN COMETH” (The Goodman Theatre / Chicago)
THE HAIRY APE COMETH This gleefully unhinged musical comedy is a strong play’s journey into wisecracks The Goodman closes out its centennial season in spectacular fashion with a big, brash new musical composed by Mark Hollmann (Urinetown), lyrics by Hollmann and Jay Reiss (Spelling Bee), and book by Reiss and Erin Quinn Purcell. Directed by…
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Dance Review: DON QUIXOTE (American Ballet Theatre / Metropolitan Opera House / New York)
VIVA DON QUIXOTE! A joyful production welcomes seasoned ballet lovers and newcomers alike For many people today, going to see a ballet is a fun idea that no longer has the air of distancing class systems and forbidding hierarchy. Gone are the days when prevailing wisdom said classical dance can only truly be appreciated by…
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Theater Review: ANOTHER DISTRACTION FROM THE EPSTEIN FILES (Hollywood Fringe Festival)
THE POLITICS OF MARRIAGE Strong writing and performances outweigh a staging that plays it safe The worst that can be said of Ray Richmond‘s Another Distraction From the Epstein Files at Bad Ladder is that it’s not very “fringy.” Richmond’s smart two-hander is a homage to the works of Clifford Odets (1906–1963), a classic kitchen…
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Exhibit Review: MARILYN MONROE: HOLLYWOOD ICON (Academy Museum of Motion Pictures / LA)
THE ART OF BEING MARILYN The woman, the myth, and the image she carefully controlled Superstar Marilyn Monroe was born one hundred years ago this summer. In honor of the centennial of her birth, the Academy Museum of Motion Pictures presents Marilyn Monroe: Hollywood Icon, now on display through Feb. 28, 2027. Covering Monroe’s entire…
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Theater Review: ST. NICHOLAS (Black Button Eyes / City Lit / Chicago)
CRITIC’S BITE A gripping solo performance anchors this haunting tale I had not encountered arithmomania in any form of entertainment media in well over two decades. Now it’s popped up twice in a few weeks on two different Chicago stages: in Kevin Douglas’ hilarious Untitled Vampire Play at Lookingglass, and now in Black Button Eyes‘ sharp…
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Concert Review: TONY DANZA AND THE STARS OF TOMORROW (The Triad Theatre / New York City)
THEY’RE GONNA SHINE Young performers take center stage with heart and hope A sold-out fundraiser on Feb. 26 at The Triad offered a fast-moving night of entertainment and an emotionally moving glimpse into the Stars of Tomorrow Project, introducing many of its current and former participants through song, dance, and heartfelt testimonials. Opening eyes and…
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Concert Review: CHANGED FOR GOOD: A CELEBRATION OF STEPHEN SCHWARTZ (The New York Pops / Carnegie Hall)
NO PLACE LIKE SCHWARTZ A star-studded birthday gala honors one of musical theater’s most enduring songwriters The New York Pops celebrated its 43rd Birthday Gala at Carnegie Hall on April 27 with Changed for Good: A Celebration of Stephen Schwartz, honoring the Academy, Grammy, and Tony Award-winning composer-lyricist. Led by music director Steven Reineke, an…
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