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Theater Review: (RE)DRESSING MISS HAVISHAM (Boston Playwrights’ Theatre)
GREAT EXPECTATIONS, OR GREAT DECEPTIONS? Miranda Jonte and playwright John Minigan turn Dickens into the subject of a witty and compelling literary cold case Despite the broken air-conditioning on a hot and sticky night, Miranda Jonte kept me engaged and curious with her spirited portrayal of both a literary sleuth and one of literature’s iconic…
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Theater Review: LA CAGE AUX FOLLES (Theatre Rhinoceros / San Francisco)
WE ARE WHAT WE ARE Theatre Rhinoceros turns its intimate Castro venue into a joyous explosion of feathers, farce, and fierce self-acceptance Since 1977, Theatre Rhinoceros has produced theater celebrating the LGBTQ community. This month, they’re presenting the classic Broadway musical La Cage Aux Folles. Originally written as a French play by Jean Poiret in…
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Theater Review: SCARAMOUCHE (City Lit Theater / Edgewater Presbyterian Church / Chicago)
EN GARDE, YOU FOOLS A spirited cast and plenty of swashbuckling fun can’t quite compensate for a forgettable score “He was born with a gift of laughter and a sense that the world was mad.” That terrific sentence opens Rafael Sabatini’s 1921 novel Scaramouche. A smash hit on publication, this swashbuckling adventure has been adapted…
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Theater Review: BRIGADOON (Pasadena Playhouse)
BRIGADOON EARNS ITS MIRACLE Pasadena Playhouse’s revelatory new production treats Lerner and Loewe’s fable not as nostalgia, but as a question of faith, sacrifice, and survival Dormancy is a survival strategy. Seeds use it. Bears use it. A village in the Scottish Highlands uses it in Brigadoon, which premiered on Broadway in 1947 — the…
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Theater Review: OEDIPUS EL REY (Huntington Theatre Company / Boston)
GREEK TRAGEDY WITH A LOWRIDER HEART Luis Alfaro’s barrio reimagining of Sophocles turns Greek tragedy into a vibrant, joyous story of identity, fate, and survival Playwright Luis Alfaro’s reimagining of Sophocles’ Oedipus Rex, Oedipus El Rey, relocates the ancient tragedy to a Los Angeles barrio, where hope is hard to come by—especially for the four…
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Theater Review: THE HULA-HOOPIN’ QUEEN (Young People’s Theatre Chicago)
HOOP DREAMS IN HARLEM Young People’s Theatre closes its season with a charming, energetic celebration of childhood, friendship, and community In The Hula-Hoopin’ Queen, the stakes are very low; to an adult, that is. But if you’re a 10-year-old girl like Kameeka (or her friend Jamara), being crowned the Hula-Hoopin’ Queen of 139th Street is…
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Off-Broadway Review: THE MYSTERY OF EDWIN DROOD (J2 Spotlight Musical Theater Company at AMT Theater)
WHO KILLED EDWIN DROOD? WELL, IT’S UP TO THE AUDIENCE The musical whodunit is done with panache by the reliable J2 Musical Theater Company The unpleasant fact about life is that everybody dies. In 1870, before completing his last novel The Mystery of Edwin Drood, in which the title character dies—apparently by murder—the author himself…
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Theater Review: EXIT THE KING (A Noise Within / Pasadena)
LONG LIVE THE ABSURD Michael Michetti’s visually stunning staging transforms Ionesco’s meditation on death into a thing of eerie beauty It is rare, nowadays, when a play by the Romanian Godfather of absurdist theatre, Eugène Ionesco, is staged, and rarer still when it is staged well. That happy convergence can be currently experienced at the…
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Theater Review: A MAN OF NO IMPORTANCE (The Bent / Palm Springs)
A LITTLE SHOW WITH A VERY BIG HEART The Bent’s first musical proves this company is ready for anything The Bent, Palm Springs’ queer theatre company, closes its fourth season with its first musical, A Man of No Importance — and what a debut it is. This intimate chamber piece proves the company’s trademark excellence…
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Theater Preview: AIN’T MISBEHAVIN’ (Ebony Rep / Nate Holden Performing Arts Center / Los Angeles)
FATS WALLER’S JOINT IS JUMPIN’ AGAIN Ledisi and an all-star cast bring the Harlem Renaissance roaring back to life at the Nate Holden Center Ain’t Misbehavin’ is a sizzling celebration of Fats Waller’s music—songs that he made famous in a career that ranged from uptown clubs to downtown Tin Pan Alley to Hollywood and concert…
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Theater Review: CRIME AND PUNISHMENT (TUTA Theatre / Chicago)
GUILT TRIP TUTA Theatre turns Dostoevsky’s sprawling masterpiece into a feverish psychological horror story of conscience, damnation, and salvation Fyodor Dostoevsky’s masterpiece Crime and Punishment runs around 700 pages and involves close to two dozen significant characters. TUTA Theatre’s production uses as its text a 2003 adaptation by Marilyn Campbell and Curt Columbus: this version…
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Theater Review: A ROOM IN THE CASTLE (Moxie Theatre / San Diego)
THE WOMEN LEFT OFFSTAGE Lauren Gunderson reclaims Shakespeare’s sidelined women in a sharp, emotionally intelligent companion piece to Hamlet The women in Hamlet exist largely to reflect Hamlet’s choices and actions. They are little more than props to propel the plot, with no backstory or motivation. Playwright Lauren M. Gunderson clearly feels frustration at this…
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Theater Review: OCTET (Raven Theatre / Chicago)
LOG OFF AND SING Dave Malloy’s brilliant chamber musical turns doomscrolling, loneliness, and internet addiction into something unexpectedly humane I don’t know what I was expecting when I walked into Raven Theatre’s first ever mounting of a musical, but it wasn’t the basement of a church (rec center? YMCA?). Closing out Raven’s triumphant 43rd season,…
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Off-Broadway Review: THE PEOPLE VERSUS LENNY BRUCE (Cause Célèbre at Theatre Row)
A TRIAL FOR LENNY—AND SOMETIMES THE VIEWER A courtroom drama that probes language, censorship, and the cost of pushing boundaries Unique among the performing arts, standup comedy is the only craft that cannot be sharpened without an audience. And, ironically, the only performing art that we allow, even expect, to deeply offend. Who ever heard…
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LIGHTING ON A SHOESTRING: HOW INDIE THEATERS CAN UPGRADE THEIR STAGE LIGHTS WITHOUT BLOWING THE BUDGET
For small and mid-size theaters, keeping the lights on is more than a figure of speech. Older tungsten rigs gulp electricity, chew through gel rolls, and leave crews sweating under followspots that double as space heaters. The good news: you don’t have to choose between artistic ambition and the utility bill. With a targeted, fixture-by-fixture…
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Theater Review: BIRTHDAY CANDLES (Buffalo Theatre Ensemble / Glen Ellyn)
MAKING A LIFE, ONE BIRTHDAY AT A TIME A meditation on aging, loss, and the small rituals that shape a lifetime After leaving Buffalo Theatre Ensemble’s sweet little play Birthday Candles last Sunday, another story that also looks at the sweep of time soon rushed to mind: Thornton Wilder’s The Long Christmas Dinner, a play…
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Concert Review: CONCERT OF THE CENTURY (Carnegie Hall / New York City)
FIFTY YEARS LATER, STILL MAKING HISTORY A glittering lineup of musical giants turned Carnegie Hall’s anniversary celebration into an overwhelming tribute to artistic endurance Move over MET Gala: Carnegie Hall has just celebrated its Concert of the Century with another once-in-a-lifetime summoning of all-stars. Organized 50 years ago by Isaac Stern, the original event brought…
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THE HISTORY OF MOVIES: FROM SILENT FILMS TO MODERN STREAMING
Movies have become one of the most influential forms of entertainment in human history. From black-and-white silent films shown in small theaters to today’s massive blockbuster franchises and online streaming platforms, cinema has continuously evolved alongside technology and culture. The history of movies is a fascinating journey filled with innovation, creativity, and groundbreaking storytelling that…
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LOKI – THE END OF THE WORLD TOUR (World Premiere at Lifeline Theatre / Chicago)
IT’S TIME TO RAGNARÖK ‘N’ ROLL An exuberant Norse rock opera with enough swagger to survive the apocalypse A corner of a decrepit night club greets you as you walk into Lifeline Theatre’s performance space. Shabby chandeliers hang from the ceiling. Tinsel and trash are everywhere. Above the instruments, a broken entablature hangs askew, with…
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Theater Review: PICASSO: LE MONSTRE SACRÉ (Odyssey Theatre Ensemble / Los Angeles)
THE MINOTAUR IN THE MIRROR A powerful performance anchors a portrait that never fully reveals its subject The journey of Picasso: Le Monstre Sacré to the Odyssey Theatre in L.A. is both convoluted and tragic. It began with Terri D’Alfonso (also spelled “Terry” in the program). An American with a long career in Italian Swiss…
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