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Theater Review: RHINOCEROS (American Repertory Theater / Cambridge, MA)
THE RHINOCEROSES ARE AMONG US; HERE COMES THE CRASH A.R.T.’s chillingly funny absurdist classic asks what happens when everyone else joins the herd Since its 1959 debut, Eugène Ionesco’s famed Rhinoceros has likely felt chillingly topical to every generation that has encountered it. Writing about American Repertory Theater’s new production from that angle may seem…
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Concert Review: JON BATISTE WITH THE NATIONAL SYMPHONY ORCHESTRA (Wolf Trap)
BATISTE INFECTION Jon Batiste and the NSO make musical boundaries disappear From the very start of Jon Batiste’s performance with the National Symphony Orchestra at Wolf Trap last night, I couldn’t stop smiling, and I couldn’t stop shimmying in my seat. That was the first clue that this was going to be more than a…
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Broadway Opening: THE IMAGINARY INVALID (Roundabout Theatre Company)
THE DOCTOR WILL SEE YOU NOW, WHETHER YOU NEED ONE OR NOT Bill Irwin makes a house call on Molière There are hypochondriacs, and then there is Argan, the gloriously self-absorbed “professional patient” at the center of Molière’s The Imaginary Invalid. This fall, Tony winner Bill Irwin returns to Broadway, and to a playwright particularly…
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Music Preview: LOOKING WEST (MUSE/IQUE)
GO WEST, MUSE/IQUE From the open range to Hollywood, MUSE/IQUE explores the music that made the West a legend Just what made the cowboy one of America’s most enduring exports? The hat? The horse? Gary Cooper? Clint Eastwood squinting into the sun? MUSE/IQUE has another answer: the music. For Looking West: How the Myth of…
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Theater Review: THE 17TH ANNUAL LIVING NEWSPAPER FESTIVAL (Jackalope Theatre Company)
GOOD NEWS, BAD NEWS Five headlines become five new plays, with one terrific entry leading the edition Jackalope Theatre Company’s 17th Annual Living Newspaper Festival, currently being performed at the Jackalope Theatre in the Broadway Armory, is an anthology show. Conceived as a discovery showcase for writing talent, the festival comprises five new plays. The…
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Film Festival Preview: CINEMA DIVERSE (19th Edition in Palm Springs)
Now in its nineteenth year, Cinema Diverse returns to Palm Springs with another terrific lineup of queer cinema, offering an impressive selection of features and shorts from established and emerging filmmakers. With screenings spread across two weekends, September 17–20 and 24–27, 2026, the festival offers plenty to discover, making a pass especially tempting for movie…
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Album Review: FOR BILLIE — STELLA HEATH
BILLIE’S SPIRIT, STELLA’S VOICE Stella Heath honors Billie Holiday not through imitation, but through the rhythmic freedom and emotional intimacy that made Lady Day singular Stella Heath is the sort of singer old-school jazz aficionados ought to know, but her phenomenal debut album, For Billie, deserves an audience far beyond that circle. Rather than imitate…
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Film Preview: 10 KILOS (directed by Doron Eran)
TEN KILOS, FIVE YEARS A trip to Bolivia lands a 20-year-old inside a prison ruled by violence, corruption, and cartels At 20, Sharon Yitzhaki traveled to Bolivia and wound up accused of trying to smuggle 10 kilos of cocaine. The charge landed her in Mira Flores women’s prison, where she would spend nearly five years…
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DAZZLE, MINGLE AND ENJOY: 6 TIPS FOR COSPLAYERS ATTENDING A COMIC CON FOR THE FIRST TIME
Without a doubt, comic conventions (or comic con) are the biggest events pop culture aficionados can and should join. Comic cons are packed with different activities and events that will surely delight fans. You get to meet and greet celebrities, creators and other experts in the fields of cinema, animation, comic books and gaming. You…
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Theater Preview: TARTUFFE (REMIXED) (Marylebone Theatre / London)
TARTUFFE GETS A REMIX Mark Rylance meets Molière in a Nigerian-Jamaican reimagining of the classic comedy Molière is getting quite the makeover in London this fall. Oscar and Olivier Award winner Mark Rylance stars as Pastor Terrance Blake in the world premiere of Tartuffe (Remixed), Darren Raymond’s new adaptation of the 17th-century comedy, opening 4…
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Theater Preview: HANGMEN (by Martin McDonagh / Long Beach Playhouse)
HANG ON TO YOUR SEATS Gallows humor meets murder and mystery in Martin McDonagh’s wicked comedy I saw this play on Broadway and it rocked my world! Fun, intrigue, mystery and some jolts that only Martin McDonagh can provide. So I’m particularly excited that Long Beach Playhouse is bringing McDonagh’s Hangmen to its intimate Studio…
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Opera Review: MEROLA GRAND FINALE (War Memorial Opera House / San Francisco)
A FINALE WITH A BRIGHT FUTURE Merola’s newest generation of opera artists brings plenty of promise to the War Memorial Opera House The Merola Opera Program’s 2026 Summer Festival came to a celebratory close with its annual Merola Grand Finale at the War Memorial Opera House. Conducted by William Long and directed with aplomb by…
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Off-Broadway Preview: TOC TOC (Repertorio Español)
KNOCK, KNOCK. WHO’S THERE? TOC TOC. Six strangers, one missing psychiatrist, and a waiting room full of compulsions Six patients walk into a psychiatrist’s waiting room. No, that’s not the setup for a joke—although in Laurent Baffie’s international hit comedy TOC TOC, it certainly becomes one. Repertorio Español brings the play to New York in…
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Off-Broadway Review: THE BATHROOM ATTENDANT (SparkPlug Productions / 124 Bank Street Theater)
A THRILLER THAT TAKES A WHILE TO FLUSH OUT A perfectly matched cast and Andrew Block’s resourceful staging eventually ignite Tom Kelly’s pitch-black thriller, but the promised comedy rarely surfaces No, The Bathroom Attendant doesn’t take place in a public bathroom. The title refers to how far into indigence its protagonist has fallen—a condition made…
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Concert Review: CÉCILE MCLORIN SALVANT: WITH EVERY BREATH I TAKE (Carnegie Hall)
EVERY BREATH WAS BREATHTAKING Cécile McLorin Salvant, Sullivan Fortner and The Knights turn a night of ballads into the greatest concert I have ever seen I thought I knew Cécile McLorin Salvant. I had seen this extraordinary singer in different incarnations, from the intimacy of a trio to the sweep of a big band, and…
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Theater Review: HEROES OF THE FOURTH TURNING (Catharsis Theatre Collective / Broadwater Black Box / Los Angeles)
RIGHT, LEFT AND NO WAY OUT Faith, politics and generational divides collide in a provocative portrait of an America at war with itself Will Arbery’s haunting Pulitzer Prize finalist Heroes of the Fourth Turning, now playing at The Broadwater by Catharsis Theatre Collective, speaks to the heart of a country at war with itself, offering…
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Theater Review: MAMMA MIA! (Transcendence Theatre Co. / Broadway Under the Stars / Sonoma)
MAMMA MIA! WHAT A NIGHT A terrific cast and irresistible ABBA score turn Sonoma’s Field of Dreams into a joyous summer dance party Several Broadway stars have escaped New York’s scorching heat to show up on the bucolic Sonoma stage under the stars in Transcendence Theatre Company’s Mamma Mia! They are part of a sensational…
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Theater Review: KIMBERLY AKIMBO (Theatre Palisades / Odyssey Theatre / West LA)
AGING GRACELESSLY A superb cast can’t keep David Lindsay-Abaire’s dark comedy from showing its age in a production that never finds its pulse There’s a very good reason Kimberly Akimbo became a better musical than it is a play. David Lindsay-Abaire’s original dark comedy, now revived by Theatre Palisades at the Odyssey Theatre, has a…
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Concert Review: GERSHWIN, BERNSTEIN & AMERICAN MOSAIC (National Symphony Orchestra / Renée Fleming / Wolf Trap / Vienna, VA)
AMERICA, ORCHESTRATED Bernstein and Gershwin soar, Renée Fleming enchants, and even the Virginia wildlife gets into the act Saturday night’s National Symphony Orchestra (NSO) concert at Wolf Trap is part of the nation’s America250 celebrations, marking the 250th anniversary of the Declaration of Independence. Conducted by Gianandrea Noseda, the wide-ranging program offers several perspectives on…
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Regional Theater Preview: FORBIDDEN! (Plays of Wilton / The Foundry / Wilton Manors, FL)
OUT OF THE CLOSET, OUT OF THE ARCHIVES Silenced after two performances in 1922, a remarkably progressive Dutch drama finally receives its U.S. premiere A play that scandalized Rotterdam in 1922 is finally getting its American premiere more than a century later. Written by Dutch novelist and playwright Jo M. van Ijssel de Schepper-Becker (pronouned…
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