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Theater Review: WITCH (Idle Muse / Chicago)
SCRATCH IT Silverman’s Jacobean reworking is hilarious, dark, and exhilarating How does one determine if an adaptation is a success? Does it require rigorous fidelity to the source material? What if it honors the spirit of the material but not its text? Or what if it just uses the bare bones of its source as…
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Theater Review: WATER FOR ELEPHANTS (National Tour / Los Angeles)
THE ELEPHANT IN THE MUSICAL Circus artistry and inventive puppetry soar where the musical itself falls short Water for Elephants, based on Sara Gruen’s bestselling novel, with a book by Rick Elice and music and lyrics by PigPen Theatre Co., opened Wednesday, September 9 at the Hollywood Pantages Theatre. The musical follows Jacob Jankowski (Zachary…
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Music Review: BAY STATE HOT JAZZ FESTIVAL (Medford, MA)
HOT JAZZ, COOL COMMUNITY Eight bands, two days, and a lively crowd keep traditional jazz swinging in Medford Now in its fourth year, the Bay State Hot Jazz Festival brought eight traditional jazz acts to the banks of the Mystic River for two days at the end of August. Organized by Annie Linders, band leader…
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Album Review: WHISKY SCENTED KISSES (Daphne Roubini and Black Gardenia / Cellar Live)
A LITTLE WHISKY, A LOT OF SPACE Daphne Roubini makes restraint the defining virtue of a quietly distinctive jazz album Start with the credits. Voice, two guitars, bass, tenor, trumpet. Nobody keeping time. Most singers would fall straight through that hole. Daphne Roubini builds on it. Her voice is small and sits high, and with…
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Theater Review: THE BLOOD OF THE LAMB (Promethean Theatre Ensemble / Chicago)
THE CASE AGAINST AN EASY OUT A darkly funny, anxiety-inducing thriller loses its footing in the final stretch In the skies over Texas, a pregnant young woman called Nessa faints on a plane en route to New York. The plane is diverted to Dallas/Fort Worth, and she is rushed to the emergency room, where she…
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Off-Broadway Preview: IMITATION OF LIFE (The Shed / New York)
AN AMERICAN STORY GETS A NEW LIFE Lynn Nottage, John Legend, Whitney White, and Adrienne Warren take on a story that has been provoking America for nearly a century Some source material arrives onstage carrying more baggage than most shows acquire in a lifetime. Imitation of Life has had nearly a century to accumulate its…
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Theater Preview: A SLOW FIRE (Steep Theatre / Chicago)
HOME IS WHERE THE FIRE STARTS Steep Theatre opens its new home with the U.S. premiere of Simon Stephens’ post-apocalyptic drama What use is hope after the world has ended? That question sits at the center of A Slow Fire, the newest play by Tony and Olivier Award winner Simon Stephens, which will receive its…
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Theater Review: WINTER’S BENCH (24th Street Theatre / Los Angeles)
A TREE GROWS ON 24TH STREET Mike Kenny’s lyrical world premiere makes magic Simplicity fused with memory is one of the foundations of poetry, and truth finds its most eloquent expression in an economy of words. This is certainly exquisitely exhibited in Mike Kenny’s Winter’s Bench, presently enhancing the stage of the 24th Street Theatre….
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Theater Review: SISTERS (Writers Theatre / Chicago)
A GLITCH IN THE FAMILY Brenda Barrie shines, but this AI drama does not compute A spare stage greets you as you walk into the Gillian Theatre for Matthew Libby’s Sisters, the opening play of the 35th season of Writers Theatre. A leather armchair, an accent table, and a lamp sit on an elevated platform,…
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Theater Preview: BOSTON MARRIAGE (Creative Coven / Los Angeles)
MAMET MAKES A PASS AT THE LADIES Three women turn Victorian propriety into a wicked game of lust, jealousy, and verbal warfare David Mamet is best known for plays populated by men who lie, bully, bargain, betray, and verbally bludgeon one another. Then there’s Boston Marriage. Written in 1999, the comedy centers on three women…
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Opera Review: IL FORTUNATO INGANNO (Pacific Opera Project / Los Angeles)
DONIZETTI’S BURIED TREASURE AND RUBBLE POP finds music worth hearing in a comedy better left buried Pacific Opera Project did not pull Il fortunato inganno (The Fortunate Deception) from a library shelf. Artistic director Josh Shaw traced the score to Italy and a 1998 revival at the Festival della Valle d’Itria, three years after its…
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Theater Review: THE WHITE CHIP (Marin Theatre / SF Bay Area)
SOBERING THOUGHTS A funny, affecting recovery comedy that lingers too long on relapse Kicking off its 60th season, Marin Theatre presents the Bay Area premiere of The White Chip: A Sobering Comedy of Errors. In the fellowship of Alcoholics Anonymous, there are various traditions in the process of recovery. A “white chip” (similar to a…
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Theater Review: THE PRODUCERS (Ogunquit Playhouse / Maine)
THE BEST FLOP MONEY CAN BUY Mel Brooks’s gloriously audacious musical remains impossible to kill Just as novelists love to write about writers and filmmakers love to make films about Hollywood, Broadway loves shows about Broadway and its people. According to The Producers, that includes lots of Jews, gay people, elderly women, and thieving, lying…
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Concert Preview: KUKIEL–LAMCELLARI–GLICKLICH PIANO TRIO (The Music Guild / Los Angeles)
A SEASON BEGINS IN THREES Three young musicians open the Music Guild season with Rachmaninov, Shostakovich, and Brahms The Music Guild opens its 82nd season on Monday, Sept. 14, with the Kukiel–Lamcellari–Glicklich Piano Trio, bringing together three accomplished young musicians: Los Angeles Philharmonic violinist Vivian Kukiel, cellist Jayden Lamcellari, and pianist Samuel Glicklich. The program,…
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Theater Review: THE ARSONISTS (Skylight Theatre / Los Angeles)
A MOST ACCOMMODATING DISASTER Frisch’s comedy leaves no one comfortably outside the joke Gottlieb Biedermann tells his wife and his maid that even if he had three spare beds standing empty, taking in a stranger would still be out of the question. He says this in one breath. In the next, he offers the stranger…
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Theater Review: SAFE HOUSE (Theatre Row / New York)
THE TROUBLE WITH PLAYING IT SAFE Fine performances keep an overloaded family drama on solid ground It is ironic how some wealthy folks convince themselves that they can trust luxurious bunkers with thick walls and armed guards to survive the collapse of society, without thinking that hired helpers are human. Even a modest, hidden bunker…
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Theater Review: MA RAINEY’S BLACK BOTTOM (A Noise Within / Pasadena)
THE BLUES COME WITH A PRICE Power, ownership, and exploitation run through a sharply realized production of August Wilson’s classic A stew uses whatever is in the house. Carrots. Potatoes. A piece of meat, if there is one. Maybe the marrow worked out of the bone. Then dinner ends. What remains sits in the pot,…
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Theater Review: THE PHANTOM OF THE OPERA (National Tour / San Diego)
OLD-SCHOOL PHANTOM, FIRST-RATE RESULTS This return to Phantom’s original theatrical roots delivers spectacle, superb singing, and one nagging sound problem Gaston Leroux’s The Phantom of the Opera was first published as a French newspaper serial from 1909 to 1910, after which Leroux compiled it into a popular novel. His inspiration was the famed Parisian opera…
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Theater Review: JOAN CRAWFORD GOES TO HELL (Hell in a Handbag / Chicago)
HELL HATH NO FURY LIKE JOAN CRAWFORD Four Joans, three Christinas, and a torrent of gags make this trip to hell devilishly funny Beginning her film career as a body double for Norma Shearer, the Hollywood star she went on to overshadow in the classic MGM comedy The Women (1939), Joan Crawford’s success owed as…
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Theater Review: SUNDAY IN THE PARK WITH GEORGE (Kokandy / Chicago)
KOKANDY GETS THE PICTURE A splendid revival turns this cranky critic into a dewy-eyed theatre kid again “Work is what you do for others, Liebchen. Art is what you do for yourself.” In a sense, I guess it’s appropriate that Sunday in the Park with George, Stephen Sondheim and James Lapine’s Pulitzer-winning musical, should be staged…
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