Chicago

WHAT’S GOOD FOR OTTO ISN’T GOOD ENOUGH FOR GIFT Seldom have I sat through such a long-winded play (nearly three hours!) that said so little. I struggled in vain to find some deeper meaning in David Rabe’s Good for Otto. Instead it just seems to be filled with all the usual tired tropes of counselor-patient…

I DID IT FOR THE DAUGHTERS Does evil alter when it switches sexes? Right now the Storefront Theatre is hosting  No Beast So Fierce, adaptor/director Max Traux’s gender-bending exploration of equal-opportunity malevolence. In 95 minutes Oracle Productions’ free-form reinterpretation of  Richard III  (which, however truncated, also includes a Shakespeare sonnet and allusions to  Macbeth) turns Shakespeare’s hunch-backed monster, the…

A CINDERELLA FOR ALL AGES You might think you know the story if you’ve seen Disney’s animated version, but Rossini’s Cinderella (or La Cenerentola, literally “little girl of the cinders”) is intriguingly different. Rossini’s collaborator, librettist Jacopo Ferretti, hews rather closer to Charles Perrault’s 1697 fairy tale Cendrillon’”not the tale’s first telling, but certainly one…

I’M FEELING UNLUCKY The (curious case of the) Watson Intelligence is Theatre Wit’s latest local premiere by Madeleine George, author of Seven Homeless Mammoths Wander New England, a 2014 production that succeeded beyond its script. A wonderment and a puzzlement, George’s creation, rewritten for this production, is an action-based appraisal of how machinery shapes humanity….

OSCAR’S JUKEBOX It’s a title to win a crowd on the spot: The revue Hollywood’s Greatest Song Hits just requires the right arrangements for a cabaret showcase of four solid talents. Add to that a strategic song selection to do justice to seven decades, celebrated notes that chronicle a near-century of American life and love….

LUCIO SILLA REVELS IN YOUTH’S BEAUTY Mozart’s early chamber opera Lucio Silla, written at the precocious age of sixteen, is an excellent example of the bel canto style. Not only is the singing, quite literally, “beautiful,” but there is a steady progression of recitative, solo arias, duets, etc. that showcase the extraordinary capabilities of the…

THE OLD TESTAMENT MEETS THE NEW WORLD A saga of American origins, John Steinbeck’s most ambitious novel was published in 1952 and, three years later, starred James Dean and Julie Harris in a seminal film version. Archly aphoristic, portentous with easy wisdom, East of Eden is a solemn and serious California update of the Biblical…

A MARRIAGE MADE IN CHICAGO Lyric Opera’s season-opening production of Mozart’s The Marriage of Figaro celebrates love and beauty with vibrant colors, light-hearted laughter and sublime music. It is a joyful celebration, one that minimizes some of the darker elements and revolutionary undercurrents in Lorenzo da Ponte’s libretto, based on Pierre Beaumarchais’ 1778 play. Hungarian…

DRAMATIC PROFILING In the three years since American Theater Company debuted this corrosive cultural tragicomedy on the North Side, Disgraced has become a massive hit, with revivals on Broadway, slated productions at 10 major regional theaters, as well as 32 more in the next two years and a film version with HBO. Now, helmed by…

A TRAGICOMEDY WITH TRICKS Well, why not do The Tempest as a magic show? It comes with Shakespeare’s territory. During the Duke of Milan’s unhappy exile, deposed by his nefarious brother, with only his daughter and two supernatural beings as companions, Prospero has become a sorcerer on an empty island. He’s able to cast spells,…

COMING CHOREOGRAPHY Opening its 60th season, the Joffrey Ballet literally leaps into the future with Millennials, a three-part program at the Auditorium Theatre. Closing Sunday, it features many bold new moves within two world premieres and one Chicago debut. Even if the majority of Joffrey dancers  qualify as  millennials, the rationale to showcase  today’s  dance is reason enough to…

BOYS WILL BE PIGS The title can mislead: Dogfight is not about World War I flying aces Eddie Rickenbacker and The Red Baron doing loop-the-loops as they shoot each other out of the sky. Dogfight does take place during war, but the title refers to a  much more cowardly act. Conducted by raw Marines in 1963…

THEY DO IT ALL FOR US 14 years ago, terror became a date in the calendar. “9/11” casts an ever darker shadow onto the future. It also remains the latest official loss of American innocence. (Happily, we suffer from such convenient cultural amnesia that we’ll regain it soon enough.) Lest we forget, here’s a two-person…

WHEN GETTING THERE ISN’T HALF THE FUN Call it a combination of Locked Up Abroad and Coming to America. In 90 gorgeously pictured minutes, “multi-racial” performer Debra Erhardt thrillingly chronicles her escape to America 35 years ago when she was 18. Her riveting narration turns  a one-person odyssey into a lavish epic: It enlists our imagination…

DELIVERANCE FROM DROUGHT It’s a terrific recipe for powerful theater. Confront audiences with an unfinished situation amid a collective challenge–with seemingly no way out. Then introduce a mysterious stranger who, like a catalyst, changes everything, maybe even himself. It works wonders with The Music Man, The Petrified Forest, Holiday, Shane, The Lone Ranger, Peter Pan,…

A POOR MAN’S PETER PAN Let’s put two prequels in perspective: What the novel-based Wicked is to The Wizard of Oz, Peter and the Starcatcher, a novel-derived “origins tale,” is for Sir James Barrie’s wonderful Peter Pan. Both “earlier versions” were written long after their celebrated “sequels.” Retrospectively, both provide complementary or alternate explanations for…

BEYOND THE PALE Bad Jews (the provocative title not as anti-Semitic as it sounds) was a 2015 hit at London’s St. James and New York’s Roundabout theaters. In the Chicago area Jeremy Wechsler’s staging has already packed them in at Theater Wit, Northlight Theatre, and now the Royal George Cabaret. Clearly, Bad Jews found its…

PLOYS IN THE ATTIC It’s noble to sacrifice for loved ones who need you. But what if it was for nothing? Arthur Miller’s 1968 family play The Price puts its title to rich use. Ostensibly, it’s about the purchase value of the heirlooms, keepsakes, and antiques in the cluttered attic of a Manhattan brownstone soon…