Chicago

WE SHALL DANCE! It’s no puzzlement why this sumptuous reclamation of Broadway greatness, Marriott Theatre’s The King and I, is such a grand night for singing, an enchanted evening, and, like its song, “Something Wonderful.” Rodgers and Hammerstein’s semi-historical domestic drama’”the unlikely alliance between a Siamese monarch in the 1860s and a British governess/tutor’”shows how…

A TREASURE TROVATORE There’s nothing subtle about Verdi’s ambitiously conceived Il Trovatore (The Troubadour). Grandly realized and magnificently staged by Lyric Opera, it is one of the three triumphs of Verdi’s “middle period.” Preceded by Rigoletto, the composer followed it with La Traviata, with which it shares more than just a similar-sounding title. Both are…

PRIDE COMETH BEFORE AN ICEBERG Griffin Theatre Company’s total triumph is a strange success. It’s odd that a more intimate version of a musical called Titanic can so succeed. The cast is reduced from 45 to 20, and Jonathan Tunick’s original orchestrations, updated by Ian Weinberger, are closer to the actual ship’s itinerant band. Not…

EXCELLENT BY ALL APPEARANCES It is rare enough to find early operas staged in the U.S., so to find a whole company devoted to their performance is truly extraordinary. Haymarket Opera Company performs them authentically, too, using baroque instruments and staging techniques current at the time of composition. Haymarket opens their short 2014-2015 season with…

FACELESS FOLLOWERS OF TWITTER AND MAO There’s a fascinating paradigm shift in the middle of The Hundred Flowers Project, Christopher Chen’s cautionary stage and video thriller. Whether you can believe it or not, the first-act rehearsal of a play about Mao Tse Tung’s propagandistic   “Hundred Flowers Project,” “Great Leap Forward,” and Cultural Revolution becomes, in…

LEAPING BIPEDS! There’s one more chance’”tonight’”to see five intriguing dances on display at the Harris Theater, exciting work from the reliable 52-year-old Giordano Dance Chicago troupe. Kinetic and percussive both in sound and steps, these are go-for-broke showcases of stamina as much as grace under literal pressure. The stand-out, as much for style as notability,…

WHERE BLACK BOX EQUALS COFFIN Just in time for Halloween, The Chicago Mammals are performing their All Girl Edgar Allan Poe. Apart from the original source material, most everything about this show is the work of women, from the adapting and directing, to the performing, staging and costuming. While the all-girl aspect showcases the variety…

GRACE TO THE FINISH John Newton (1725-1807) was many things: a slave trader, a sailor and a clergyman. Yet today he is chiefly remembered as the author of “Amazing Grace,” perhaps the most well-known and beloved of English hymns. In the  new musical Amazing Grace, Christopher Smith (book, music, and lyrics) and co-librettist Arthur Giron tell…

IN SOME WAYS, THIS PARADE PASSED ITSELF  BY First performed in Chicago by Bailiwick Repertory, now dutifully revived by BoHo Theatre, the potentially pile-driving Parade by bookwriter Alfred Uhry and composer/lyricist Jason Robert Brown reprises an ugly and evergreen tragedy. Their driven musical chronicles the reflexive racism that, a century ago, doomed a suspect stranger. Here…

THE FARM-TO-FABLE REVOLUTION IS HERE One of the most extraordinary things about George Orwell’s novels is their prophetic power; they are perhaps even more relevant now than when he wrote them. Thus, it is incredibly timely that Steppenwolf for Young Adults should mount the present production of Animal Farm. Instead of reading it in light…

LEAPS AND LAUGHS: A STRANGE AMALGAM It’s a worthy experiment, even if the eclectic results seem maddeningly inconclusive. For three more performances, two very different Chicago arts troupes share the same Harris Theater stage in a curious merger of movement and comedy. Hubbard Street Dance Chicago and The Second City, bastions of contemporary dance and…

A DREAM WITHIN A DANCE Borrowed from the Pennsylvania Ballet, Joffrey Ballet’s latest offering (running through Oct. 26 at the Auditorium Theatre) is not your usual Swan Lake. Not to be compared with the Trocks’ respectful travesty, the original 1877 production by the Bolshoi, or the psychodrama of the film Black Swan, Christopher Wheeldon’s invigorating…

STEALING CREDIT WHERE IT’S DUE The Submission is a devious, double-edged title for Jeff Talbott’s equally transgressive play. It refers both to the cold (as in out-of-nowhere) entry of a script for production consideration in the prestigious Humana Festival, and to the endgame of an ugly quest for dominance between a black actress and a…

MISSING MECHE Although Nobel Prize-winning writer Vargas Llosa is known primarily as a novelist, he has also written nine plays spanning a period of sixty years. La Chunga,written in 1986, is the fourth. Its 1945 setting in the city of Piura, Peru, founded by conquistador Francisco Pizarro in 1532, gives the play a somewhat nostalgic…

TWILIGHT IN TIVOLI Following their productions of Brecht’s The Mother and Upton Sinclair’s The Jungle, venturesome Oracle Theatre brings us another thespian rarity. This fall’s find is Gore Vidal’s adaptation of Romulus by Friedrich Dí¼rrenmatt (The Physicists, The Visit). Cleverly staged by Kasey Foster, this 90-minute curiosity is a playful, anachronistic, and subversive look at…

ALICE IN ANDERSONVILLELAND Fall down the rabbit hole of the thoughtfully absurd Alice, written and directed  by Noelle Krimm. This performance’”a reprise of the popular 2004 staging’”showcases work by multiple companies as well as individual artists. Loose interpretations of Alice in Wonderland’s twelve chapters are executed in local businesses, alleys, and street corners. Upon arriving at…

PARTY LIKE IT’S 1928 A riot from start to finish, Bailiwick Chicago’s The Wild Party is a breathless, exuberant, fast-paced production running for an hour and forty minutes without pause or intermission. Based on New Yorker editor Joseph Moncure March’s narrative poem of the same name, Michael John LaChiusa’s musical adaptation is a colorful celebration…

EARNING THEIR FUTURE At 25 years young, River North Dance Chicago is as old as its current dancers, most born when it began. They grew up to find the perfect home for their non-negotiable talent. Celebrating that quarter century at River North’s Harris Theater home, Frank Chaves’s troupe displays its wares with a program featuring…