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Film Review: DARK CIRCLE (Newly Restored; directed by Judy Irving, Christopher Beaver & Ruth Landy)
WHAT GOES AROUND… It’s been 75 years this month since the start of the Atomic Age, with the U.S. nuclear bombing of Hiroshima and Nagasaki killing hundreds of thousands of civilians, but its trail of destruction has never ended. Dark Circle covers both the period’s beginnings and its aftermath, providing a scientific primer on the…
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Film Review: MONSOON (directed by Hong Khaou)
REFLECTIONS OF CULTURAL IDENTITY IN A BEAUTIFUL, GRACEFUL FILM An affecting and sturdy Henry Golding (who made his feature debut with Crazy Rich Asians), plays Kit, who hasn’t been to Ho Chi Minh City since he was six, when he was taken to England with his family so they could escape the brutal Vietnam War….
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Film Review: BARE (directed by Aleksandr M. Vinogradov)
THE TITLE SAYS IT ALL More prurient than incisive, Bare documents the creation of an all-male, all-naked modern dance piece by Belgian dancemaker Thierry Smits. From audition to opening night, there are so many wondrous money shots here, artful in a Robert Mapplethorpe style, that we are almost willing to forgive the fact we never…
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Film Review: CRUTCH (directed by Sachi Cunningham and Chandler Evans | DOC NYC Film Festival)
TOUCHED BY CRUTCH If you’re looking for inspiration (and who isn’t these days?), check out the documentary Crutch, which is having its world premiere at the DOC NYC festival from November 11-19. I confess I knew little about Bill Shannon, an almost uncategorizable performance artist who break dances and skates on crutches. Diagnosed in childhood…
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Film Review: DROWNING (directed by Melora Walters)
DROWNING UNDER TOO MANY HATS It’s unimaginable to think what parents go through when their child has been deployed to war. The wait, the worry, the hand-wringing. For Rose (Melora Walters), her son’s deployment has put her in an implacable funk. She found heroin in his room, and told him if he’s gonna die it…
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Film: SAN DIEGO INTERNATIONAL FILM FESTIVAL 2020
FILM FESTIVAL COMES HOME I’ve been struggling to find some kind of blessing about the COVID pandemic as it concerns the arts. But it doesn’t look good. Theaters are desperately delivering 10-minute plays and other frivolities; there are a few live music concerts at drive-ins; museums are showing art online; and music and dance organizations…
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Film Extras Review: BROADENING THE APERTURE OF EXCELLENCE (Academy of Motion Picture Arts and Sciences)
AVA DUVERNAY, JULIE DASH AND EUZHAN PALCY IN “ACADEMY DIALOGUES” SERIES FINALE Part of the Academy of Motion Picture Arts and Sciences’ Academy Aperture 2025 initiative, “Academy Dialogues: It Starts With Us” is a new series of virtual panels which, so far, have been graceful, eloquent and fascinating looks at race, ethnicity, gender, history, opportunity…
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Film Review: FRITZ LANG’S INDIAN EPIC (The Tiger of Eschnapur & The Indian Tomb)
EPIC LANG This 1959 diptych by the master director Fritz Lang is now released in splendid 4K restoration on two Blu-ray discs in a handsome package that includes documentaries and a twenty-four-page booklet with essays about the movies. The two parts, The Tiger of Eschnapur and The Indian Tomb, each running at one hour, forty-one minutes, comprise what…
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Review: FATE OF THE LHAPA (soundtrack by William Susman)
IT’S FATE THAT THIS SOUNDTRACK IS AVAILABLE It amazes me how many films today have a soundtrack that isn’t informed by the movie itself. This interchangeable claptrap has made it almost impossible to review. But composer William Susman flavors the setting of Sarah Sifer’s Fate of the Lhapa beautifully. Interestingly enough, I saw this documentary…
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Film Review: NAIL IN THE COFFIN: THE FALL AND RISE OF VAMPIRO (directed by Michael Paszt)
YOU GOTTA HAVE A GIMMICK I know little in the way of pro-wrestling, but I most certainly understand about the audience. Since well before Rome’s Coliseum was built, people’s, especially men’s, fascination with the battle for dominion has been at the forefront of history — you know, things like gladiators, box office champs and war….
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Film Review: MY NAME IS PEDRO (directed by Lillian LaSalle)
REMEMBER HIS NAME I like when some experts discuss global warming with a realistic bent, but allow that the subject may be too overwhelming for some, causing inertia. The best thing, we are told, is to start now with whatever steps we can take so that it doesn’t seem so daunting to fix a huge…
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Film Preview: IF THESE WALLS COULD TALK (documentary on Newport Music Hall in Ohio)
THE WALLS ARE TALKING NOW A musical mecca of the Midwest, the Newport Music Hall holds the honor of being the Longest Continually Running Rock Club in the country. Originally built in 1923 as a movie theatre, the facility was converted into The Agora Ballroom in 1970 until purchased by PromoWest in 1984, reopening as…
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Film: FANDANGO AT THE WALL (directed by Varda Bar-Kar)
OVER THE WALL At the heart of the the feature music documentary Fandango at the Wall — which HBO premieres beginning Friday, September 25 — is the “Fandango Fronterizo” music festival that takes place annually on both sides of the Tijuana-San Diego border. In the film, Jorge Francisco Castillo, who founded the festival, invites producer…
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Film Preview: DTF (directed by Al Bailey)
WHEN FRIENDLY SKIES GET TESTED Over the course of 18 months, director Al Bailey followed his friend “Christian” as his career as a long-haul pilot takes him to the far corners of the Earth. Widowed and lonely, “Christian” uses his career to find new love in far-off lands as the camera captures his misadventures in…
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Film Preview: THE DARK DIVIDE (directed by Tom Putnam)
THE DIVIDE BETWEEN NATURE AND CIVILIZATION IS DARK INDEED The new film The Dark Divide tells the true story of renowned lepidopterist and nature writer Dr. Robert Pyle’s perilous 1995 journey across one of America’s largest undeveloped wildlands. Based on Pyle’s terrific book Where Bigfoot Walks: Crossing the Dark Divide, the picture opens with a…
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Film Preview: SHIT & CHAMPAGNE (Frameline 44)
SOMETHING IS ABOUT TO POP We have the new trailer for D’Arcy Drollinger‘s new comedy, Shit & Champagne. Kicking off Frameline44 — the world’s largest virtual Queer film festival — this world premiere hits the West Wind Solano Drive-In Theater in Concord, CA, on Thursday, September 17, 2020. About Shit & Champagne San Francisco’s own drag queen extraordinaire D’Arcy…
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Film Review: THE GODDESS OF FORTUNE [LA DEA FORTUNA] (directed by Ferzan Özpetek)
THE GODDESS OF FORTUNE SMILES ON THIS AMAZING FILM Two standout movies in this year’s Frameline Festival contemplate, each in its own way, men suffering mid-life crises. One, from Ireland, is the contemplative Rialto (review here). This one, The Goddess of Fortune from Italy, is an endearing comedy/drama set in Rome. Diverging from his Antonioni-like…
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Film Review: RIALTO (directed by Peter Mackie Burns)
ON THE RIALTO Two standout movies in this year’s Frameline Festival contemplate, each in its own way, men suffering mid-life crises. One is the terrific The Goddess of Fortune from Italy (review here). The other, from Ireland, is Rialto. Based on Mark O’Halloran’s play Trade, and directed by Peter Mackie Burns, this perfectly paced and…
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Film Feature: 2020 SCREENCRAFT FILM FUND
SCREENCRAFT’S 2020 FILM FUND READY FOR APPLICANTS; DIVERSITY AWARD ADDED THIS YEAR Leading screenplay discovery and development organization, ScreenCraft, and Santa Monica-based media financier BondIt Media Capital, announced that submissions for the 2020 ScreenCraft Film Fund program are now open. The fifth annual fund supports emerging filmmakers worldwide with production grants to help complete their…
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Film Preview: FIRST ONE IN (directed by Gina O’Brien)
BE THE FIRST ONE IN TO SEE IT After accidentally killing an endangered animal on a popular reality TV show, Madi Cooke (Kat Foster) is labeled an eco-terrorist, is fired from her job, and believes she now is the most hated woman in America. She changes her look and last name to interview with Bobbi…



















