Los Angeles

THE DAY AFTER THE WORLD CHANGED Red and blue emergency vehicle lights cut across the New York City skyline outside Abby’s comfortable high rise apartment. It is September 12, 2001, and lovers Abby and Ben delve into the caustic Ground Zero of their relationship in Vs. Theatre Company’s compelling Los Angeles premiere of The Mercy…

I’M A CY-CLOOOOOOPS One of Stage and Cinema‘s favorite Los Angeles Theatre Companies, Psittacus Productions, has announced that Cyclops: A Rock Opera will be moving to the Carrie Hamilton Theatre at Pasadena Playhouse. It opens April 9 (with a preview on April 7), and runs through May 8, 2011. Their previous production, A Tale Told…

THE STURDIEST DILAPIDATED HOUSE IN TOWN When she enters her house, so badly in need of repair that it might as well be razed as restored, she walks with a strange somnambulistic slowness, one foot seeming to go forward and the other simultaneously taking a step backward. She doesn’t seem to mind being drenched, as…

CUT THE PRE-CURTAIN SPEECH! If any evidence is needed to prove that Los Angeles is – as a theater town – still somewhat provincial, I present, for your delectation, the pre-curtain speech. At the Odyssey production of Adding Machine: A Musical, Ron Sossi encouraged the audience to tell their friends about it’¦whether they liked it…

TOSS IT IN THE WOOD PILE One wonders if Deaf West Theatre’s production of The Adventures of Pinocchio could have ever taken off. This remarkably plodding production already has a strike against it by choosing the choppy adaptation by Billy Elliot’s Lee Hall: it’s a hodgepodge of children’s theatre, adult humor, and a series of…

WE LOVES IT I’ll be the first to admit that it may be impossible to create a bad production of the 1963 musical She Loves Me; this perfect show, based on the 1937 play Parfumerie by Miklos Laszlo, is so resplendent, so charming, and so well-constructed that a recent gathering of literati for New York…

SCAT ON A HOT TIN ROOF Casey Smith is an unedited, unexpurgated, nasty and playful little boy who delights in farting, defecating, vomiting and bouncing around the stage with so much hyperactive energy that you may be tempted to toss him some Ritalin and Handy-Wipes. Casey Smith is not a character in a play; this…

WHO SAYS I DON’T LIKE FLUFF? Some readers have taken umbrage with me when I criticize shows that are meant to be nothing more than entertaining light comedies, such as Rock Of Ages and The Catholic Girl’s Guide To Losing Your Virginity, insinuating that only intellectual stimulation will suffice for a satisfying theatrical experience. Well,…

WELL, NOT EVERYTHING’S COMING UP ROSES Prior to the opening of Ethel Merman’s Broadway at the El Portal, Mitzi Gaynor, close friend to Merman, comes walking out to introduce the show (don’t expect Mitzi at subsequent performances). As Mitzi recalls what a larger-than-life character Ethel could be, an audience member said, “We can’t hear you. 

MASTERPIECE IN THE MAKING When an art curator X-rays a famous painting, they occasionally unmask the artist’s original painting underneath the masterpiece; often, it proves to be no less striking, but it illuminates why the artist altered hues, shifted brush strokes, or placed the arm of a sitter in a different position. Nick Salamone’s new…

PROMISING BOOMERS YIELD TOO MANY BUMMERS Six highly energetic triple-threat performers hit the ground running at the El Portal Theatre during the opening number of Boomermania. With a lacquered glee that one can only find in a cruise ship showroom (containing all the subtlety of a tidal wave), it serves as a warning of the…

BRUSH UP YOUR LOPE DE VEGA How easy life would be for reviewers if every time they went to the theater, they could see something as absolutely delightful and as thoroughly skillful as The Capulets And The Montagues happens to be. The coup here is the discovery that Lope de Vega, a Spanish contemporary of…