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  • Theater Review: EVERYTHING IS ILLUMINATED (Ensemble Theatre Company in Santa Barbara)

    SOME, NOT ALL, IS ILLUMINATED Sadly, not everything is illuminated in British playwright Simon Block’s fascinating but problematic adaptation of Jonathan Safran Foer’s best-selling novel about a young American writer who hires a Ukrainian translator to take him to the town where a woman named Augustine saved his grandfather’s life in WWII. Or so Jonathan…

  • Los Angeles Theater Review: TINY BEAUTIFUL THINGS (Pasadena Playhouse)

    CHICKEN SOUP FOR THE THEATER Well, there certainly is nothing wrong with good advice. And there’s plenty of that in the structurally unconventional Tiny Beautiful Things, Nia Vardalos’s stage adaptation of Cheryl Strayed’s epistolary best-selling book which, in the incarnation at Pasadena Playhouse starring Vardalos herself, feels like a warm little hug when it could…

  • Chicago Theater Review: HANNAH AND MARTIN (Shattered Globe Theatre at Theater Wit)

    CAN LOVE ENABLE EVIL? There is no last supper or cross on Golgotha but, yes,  Hannah and Martin  is a true passion play. What makes this even stranger is that it’s as much about clashing ideologies as characters in conflict. Both pile-driving and even-handed, it presents a true-life struggle between famous lover-thinkers caught up in the ugliness…

  • Chicago Theater Review: A CHORUS LINE (Porchlight)

    GOTTA DANCE! Now 44 years old, which means that a third generation of hoofers is now recreating it,  A Chorus Line remains the late Michael Bennett’s breakthrough backstage musical, winner of nine Tony Awards and the Pulitzer Prize. In this show before a show, the parts — 17 dancers auditioning for a Broadway outing — outweigh…

  • Chicago Theater Review: CAMBODIAN ROCK BAND (Victory Gardens)

    HATE VS. MUSIC It’s impossible to grasp a monster evil like genocide as a whole, to weigh it as so many calculable, tangible acts of human failure that yield a vast vileness and a terrible waste. To hold it hard, it has to be broken down into the choices and values of flawed or heroic…

  • Music Review: MIRGA LEADS TCHAIKOVSKY & DEBUSSY (LA Phil)

    MIRGA DESERVES THE HEADLINE, BUT PATRICIA STEALS THE SHOW Here’s how it starts: Violinist Patricia Kopatchinskaja — born in Moldova, trained in Vienna — saunters onstage at Disney Hall as if she’s headed to the beach; she wears a comfy lived-in black outfit that says “flea market” more than “concert hall”; then, she slips off…

  • DVD Review: THE MINIATURIST (PBS)

    MINIATURIST BIG IN THRILLS & DETAIL It’s late 17th century just after the fourth Anglo-Dutch war, and since Britain and the Netherlands are no longer fighting at sea, an 18-year-old Englishwoman, Petronella “Nella” Oortman (Anya Taylor-Joy), is chosen to marry rich sugar-merchant, Johannes Brandt (Alex Hassell), and brought to his home. Also in the household…

  • Theater Review: SOUTHERNMOST (Playwrights’ Arena)

    VOLCANOES WITHIN AND WITHOUT When you walk into the theater for playwright Mary Lyon Kamitaki’s Southernmost, Justin Huen’s scenic design transports you immediately into another world: An indoor-outdoor ramshackle house in Naalehu, on the coast of a largely unpopulated area on the Big Island of Hawaii. It is the southernmost inhabited space in the United…

  • Theater Review: MY LIFE ON A DIET (Renée Taylor at The Wallis in Beverly Hills)

    TAYLOR MADE If timing is everything with comedy Renée Taylor in My Life on a Diet is proof positive. This revival of her one-woman show, based on her 1986 memoir of the same title, is a master class in getting laughs. She takes sentences that wouldn’t necessarily be funny on the page and makes them…

  • DVD Review: THE WOMAN IN WHITE (PBS)

    WHAT WOULD WILKIE WANT WITH WOMAN IN WHITE? Wilkie Collins (1824-1889) was a well-recognized English novelist, one who specialized in “sensational” novels, including his first big hit, The Woman in White (1859), and who, with Charles Dickens, co-wrote a stage adaptation of it, which had a successful London run. This latest television version — written…

  • Film Review: DUMBO (directed by Tim Burton)

    STOP REMAKING ANIMATED CLASSICS As is too be expected, Tim Burton’s Dumbo has a beautiful and somewhat strange looking design and a disastrous third act. At times he captures a sympathetic and lovable flying elephant but the tinkering of the story is where this film goes awry. Maybe children who are new to this tale…

  • Las Vegas Theater Review: V – THE ULTIMATE VARIETY SHOW (V Theater at Planet Hollywood Resort)

    A VIRTUAL VOLCANO OF VISCERALLY VIVACIOUS VARIETY Not every rewarding entertainment experience in Las Vegas tries to blow audiences’ minds with a massive cast, dazzling special effects, and topless dancers. Consider V – The Ultimate Variety Show at the V Theatre inside the Miracle Mile Shops at Planet Hollywood Resort. The variety show is housed…

  • Theater Review: JERSEY BOYS (2018-19 National Tour)

    THE BOYFRIENDS ARE BACK Back by popular demand but for only one week at the Auditorium Theatre,  the mega-jukebox musical  Jersey Boys continues to stir up a perfect storm of industrial-strength nostalgia. Replete with doo-wop harmonies, pile-driving rock anthems and blue-collar verismo, the trademarks of Frankie Valli and The Four Seasons, this well-packaged blast from the past…

  • Theater Review: THE MEATBALL CHRONICLES (Hudson Guild Theatre in Hollywood)

    HERE’S THE BEEF What happens when you’re brought up to feel invisible? Where do you go for solace? Where do you go to find your identity? For actress Debrianna Mansini it was in cooking; this was her joy, her salvation, her escape and most importantly it was the only way she was able to communicate…

  • Music Preview: MONTEREY JAZZ FESTIVAL ON TOUR (Disney Hall)

    GET YOUR JAZZ ON Hooray and hallelujah! Long before her third Grammy win, I have always been a fan of jazz vocalist and song interpreter extraordinaire Cécile McLorin Salvant. But seeing her live three times now has not only cemented my opinion that this is the most exciting thing in all music ’” not just…

  • Chicago Theater Review: ADMISSIONS (Theater Wit)

    AFFIRMATIVE RE-ACTION Don’t let the title fool you. Produced last year at Lincoln Center Theater, Admissions arrived too early to address the recent scandal involving illegal offenses in college admissions — bribes, cheating and gaming the system by rich parents with underachieving children. Felicity Huffman was still in the future (and past). But this one-act…

  • Theater Review: AFTERGLOW (Pride Films and Plays)

    DOES LOVE NEED A LEASH? “The heart wants what the heart wants.” Emily Dickinson’s seemingly simple saying (akin to Gertrude Stein’s “A rose is a rose is a rose”) in fact packs a lot of wary resignation into a vote of confidence. So does the 2017 off-Broadway hit  Afterglow, 80 minutes of theatrical “comfort food” that…

  • Theater Review: CHARLIE AND THE CHOCOLATE FACTORY (National Tour)

    THE CANDY MAN CAN’T The stage musical adaptation of Charlie and the Chocolate Factory — Roald Dahl’s beloved children-of-all-ages’ story — has spun into town just, it seems, to make your teeth ache. Directed by Jack O’Brien, this already extended national tour arrives to a city near you even though it flopped on Broadway (27…

  • Theater Review: CHAPS (Lamb’s Players in San Diego)

    CHAPSCHTICK It’s 1944. The war is raging across the English Channel and the Germans could invade at any moment. Britain needs levity to get through these tough days. Miles (Charles Evans, Jr.) is the station manager for a BBC program and he’s got the solution. BBC has announced that a famous, beloved American country band…

  • Off-Broadway Theater Review: IF PRETTY HURTS UGLY MUST BE A MUHFUCKA (Playwrights Horizon)

    PRETTY HURTS SO GOOD The title of Tori Sampson’s If Pretty Hurts Ugly Must Be a Muhfucka is a sly retort to Beyoncé’s 2013 song “Pretty Hurts,” both of which lament the negative impacts of rigid, Eurocentric beauty standards on young women — especially young black women. Beyoncé is not the only iconically beautiful woman…

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