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Chicago Theater Review: RING OF FIRE: THE MUSIC OF JOHNNY CASH (Mercury Theater Chicago)
BLACK IS BACK The “Man in Black” is back. Actually, it’s more like a non sci-fi “Men in Black”: It takes both Kent M. Lewis and Michael Monroe Goodman to play, respectively, the mature and younger Johnny Cash. Ring of Fire: The Music of Johnny Cash, a sensation at Indiana’s Theater at the Center, is…
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Los Angeles Theater Review: IMMEDIATE FAMILY (Mark Taper Forum)
COMMERCIAL WITHOUT COMMERCIALS Imagine if the ‘70s sitcom Good Times did not hit TV until 2007. Now imagine a 3-episode arc about the coming out of a black man who brings his white boyfriend home for his brother’s wedding. Toss into the racial and gay humor some dysfunctional family drama revelations and old-fashioned sight gags,…
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Off-Off-Broadway Theater Review: DORUNTINE (Blessed Unrest and Teatri ODA at The Interart Theatre)
ALBANIAN/AMERICAN STORYTELLING As my Albanian friend put it: “The legend of Doruntine is the very core around which the Albanians’ national code of morals is organized (say those who believe in such bullshit).” Alternately known as “Constantine and Dorantine” and “Constantine’s Besa,” the legend goes something like this: Doruntine is an Albanian maiden whom a…
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Chicago Theater Review: SIDE MAN (American Blues Theater at Greenhouse Theater Center)
BLUES IN THE NIGHT Side Man is a superb title. It fits the story/situation splendidly. Warren Leight’s 1999 Tony-winning memory play is narrated by a son named Clifford, its subject his jazz musician dad Gene and his hardluck mother Terry. Moving laterally from gig to gig, prospering only between Sinatra and Elvis, Gene’s only musical…
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Chicago Theater Review: SENSE AND SENSIBILITY (Chicago Shakespeare Theater)
PRUDENCE AND PASSION Offhand, sense and sensibility hardly seem antonyms. As the Brits say, it’s a distinction without a difference. But in Jane Austen’s 1811 novel of the same name (her first success) two sisters set each other off (in every sense) by hewing to supposed extremes. Daughters whose father’s death has lost them Norland,…
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Chicago Theater Review: THREE SISTERS (The Hypocrites at The Den Theatre)
SISTERS AND SOLDIERS Following their rather loose and unconventional takes on Greek tragedy and Gilbert and Sullivan, The Hypocrites return to a more classic approach with Anton Chekhov’s Three Sisters. What gives the production its freshness is the use of a contemporary, idiomatic translation. This helps smooth over some of the awkwardness of the narrative…
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Film Review: HYENA (written & directed by Gerard Johnson / US premiere at Tribeca Film Festival)
HYENA DROPS ITS BALLS Michael (a sympathetic Peter Ferdinando) is a coke-addled member of a violent four-man narcotics taskforce that goes about robbing, beating, intimidating, cooperating with, working for, and sometimes arresting drug gangs. But with internal affairs on his back, and having been put under the command of a former partner he’d fallen out…
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Chicago Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Porchlight at Stage 773)
ANCIENT LAUGHS TIMES TEN An irresistible mix of Roman “new comedy,” commedia dell’arte, and vaudeville, A Funny Thing Happened on the Way to the Forum rivals The Producers as the funniest musical comedy ever–and the future seems no threat. Not seen in Chicago since Goodman Theatre’s lavish 1988 production, the once and future 1962 smasheroo…
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Film Review: SUNRISE (written & directed by Partho Sen-Gupta / North American premiere at Tribeca Film Festival)
THE SUN DOESN’T RISE Set in Mumbai, Partho Sen-Gupta’s Sunrise seems ostensibly to be about the child sex trade in India; in fact it appears to be more concerned with exploring the mental state of Lakshman Joshi (Adil Hussain from Life of Pi), a law enforcement officer in charge of finding missing/kidnapped children, whose own…
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Theater Review: ALL’S WELL THAT ENDS WELL (Stage Left Theatre at Theater Wit)
AN OFFER HE CAN’T REFUSE It’s easy to dislike this alleged 511-year-old comedy. All’s Well That Ends Well (originally Love’s Labors Won) is the wrong title: It should be “The End Justifies The Means.” The end is for the sadly smitten Helena to successfully fornicate with Bertram, her attractive and worthless spouse. The means is…
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Los Angeles Theater Preview: GUS’S FASHIONS & SHOES (Vs. Theatre Company)
THE LATEST FASHION Since its founding in 2004, Vs. Theatre Company has upped the ante for storefront theater in Los Angeles, offering both original works and LA premieres with the kind of love and professionalism I associate with Chicago theater (the best in the nation). Among Vs.’s productions are In Arabia We’d All Be Kings,…
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Chicago Theater Review: LADY WINDERMERE’S FAN (Dead Writers Theatre Collective at Stage 773)
OSCAR PLEADS FOR MERCY “We are all of us lying in the gutter–but some of us are staring at the stars.” This fusion of original sin and the saving power of grace fuels the artful ambivalences in Lady Windermere’s Fan. A well-made play with an untidy moral, Oscar Wilde’s four-act 1892 comedy traces the fault…
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Film Review: FAR FROM MEN (written and directed by David Oelhoffen / US premiere at Tribeca Film Festival)
MORTENSEN SHINES IN FAR FROM MEN The more I watch Viggo Mortensen act the more I enjoy his performances; there is something inherently compelling about the dichotomy between his ruggedly handsome leading-man shell and the awkwardness and vulnerability one senses on second glance coming from within. I empathize with his characters as I would with…
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Chicago Theater Review: THE BLOODHOUND LAW (City Lit)
CHICAGO’S CIVIL WAR A grand dream is now completed. Over the last five years City Lit has delivered five old and new works to mark the Sesquicentennial of the Civil War, now finished with the 150th anniversary of the Appomattox surrender. Ending the reckoning is the series’ most documentary-like drama: Set in Illinois in the…
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Film Review: APPLESAUCE (written and directed by Onur Tukel / World Premiere at Tribeca Film Festival)
TASTY POISONOUS APPLESAUCE Written, directed and starring the delightful and multitalented Onur Tukel, the dark comedy Applesauce centers on the conflicts that arise between two hip married Brooklyn couples in their 30s after the spouses make the mistake of revealing to each other “the worst thing they’ve ever done.” Oh, and somebody is sending one…
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L. A. Dance Preview: AMERICAN CONTEMPORARY BALLET 2015 (Gensler and Farmers and Merchants Bank in downtown)
GO FACE THE MUSIC+DANCE Assuredly, Artistic Director Lincoln Jones’ American Contemporary Ballet (ACB) has become the go-to organization for thrilling dance in Los Angeles. Along with his muse Theresa Farrell (ACB’s associate director), Jones offers two programs that are always accompanied by live music. The polished technique of the company’s dancers combined with highly original…
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Los Angeles Film Event Preview: LAST REMAINING SEATS (Los Angeles Conservancy)
MOVIES THE WAY THEY WERE MEANT TO BE SEEN 28 years ago, a handful of volunteers from The Los Angeles Conservancy, a nonprofit that recognizes, preserves, and revitalizes the historic architectural of L.A. County, dreamt up Last Remaining Seats, a summertime program which presents classic films and live entertainment in historic movie palaces. The brilliantly…
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Chicago Theater Review: SOUNDS SO SWEET (Black Ensemble Theater)
MUSICAL MEASURES Grandstine, the beloved Mississippi matriarch of the Harris clan, has died and gone to her reward. Her many loved ones return to their roots for a “going to heaven” sendoff for the founder of the feast. That’s the premise–and it’s excuse enough–for Sounds So Sweet, a fulsome tribute to one family’s values and…
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Film Review: NECKTIE YOUTH (written and directed by Sibs Shongwe-La Mer / North American premiere at Tribeca Film Festival)
AS DULL AS ITS SUBJECTS Necktie Youth, scripted and directed by Sibs Shongwe-La Mer and shot in black and white, follows aimless 20-something acquaintances from upper-middle-class families in a South African suburb as they hang out, party, get high, and talk and talk and talk about how nobody really cares about anybody else; all of…
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Chicago Theater Review: RED HANDED OTTER (A Red Orchid Theatre in Old Town)
THE CONTINUUM OF LOVE Ethan Lipton is a magic maker who’s mastered the art of intertwining characters. The five lost and found souls in his 2012 offering Red Handed Otter are security-guard colleagues at an unnamed facility. They come together or fall apart as naturally as any rival representations from real life. The hilarious anecdotes they share,…
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