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National Tour Review: ONCE (Oriental Theatre in Chicago)
LOVE IMITATES ART Ironically, the real-life love affair celebrated on film and in the theater by co-creators Glen Hasard, an Irish composer, and Marketa Irglova, a Czech songwriter, fizzled after John Carney’s 2007 film of Once became a success. (Well, it’s not called Once for nothing.) But its Tony-triumphant musical version, now in a soaring…
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Chicago Theater Review: DIRECTIONS FOR RESTORING THE APPARENTLY DEAD (Stage 773)
FRIENDS DISCOVERING BENEFITS Familiarity needn’t breed contempt. An old-fashioned “coming out” drama can reinvent the wheel with charm enough to distract from any cloying sense of déjí vu. A world premiere and winner of Pride Films and Plays’ “2013 Gay Play Contest” (beating out 75 scripts), Martin Casella’s Directions for Restoring the Apparently Dead uses…
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Los Angeles Theater Review: THE LIGHT BULB (NoHo Arts Center in North Hollywood)
SAY WATT? While it is probably safe to assume that the NoHo Arts Center Ensemble’s “playwright in residence,” Joshua Ravetch, had some bright idea in mind when writing The Light Bulb, I must admit that after sitting through the uninterrupted 90 minutes I was left totally in the dark. Try though I did, I simply…
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Chicago Theater Review: NORTHANGER ABBEY (Remy Bumppo at Greenhouse Theater Center)
ROMANCE MEETS REALITY Written early but published posthumously (1817), Jane Austen’s most comical novel, Northanger Abbey, works equally well as a literary satire and a psychologically probing courtship chronicle. Inventively adapted by Tim Luscombe, who has as much fun as the author in contrasting thought and action, Remy Bumppo’s delightful U.S. premiere faithfully follows the…
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Los Angeles Theater Review: THE GUARDSMAN (A Noise Within in Pasadena)
BE ON YOUR GUARDSMAN Nationwide, nearly half the couples that get married today end up divorced. The aphorism about the difference between the way relationships are handled by this generation and the so-called greatest generation is “back then when something was broke, we tried to fix it, not buy a new one.” Since the 1911…
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San Diego Theater Review: THE FEW (Old Globe)
TOO FEW Samuel D. Hunter’s slice-of-life one-act, The Few, returns to familiar territory for this up-and-coming playwright. As in his previous plays, Hunter takes us to small-town Idaho; this time, it’s 1999 and we are in the ramshackle trailer office of DZ (Eva Kaminsky), publisher of a small newspaper for truckers. Enter the paper’s founder,…
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Chicago Theater Review: WRECKS (Profiles Theatre)
CLUELESS CORRUPTION Much has been said about Neil LaBute’s work at Profiles, but there’s so much that can’t be given away about Wrecks (2005), a 70-minute solo show by the ever-controversial LaBute, now enjoying his 11th production at this theater, that this review will be sparingly short. The setting is a Chicago funeral parlor where the ashes of…
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Off-Off-Broadway Theater Review: SARAH FLOOD IN SALEM MASS (The Flea Theater)
BACK TO THE SALEM WITCH TRIALS Definitely thoughtful, at times charming, occasionally compelling, but mostly tedious, Adriano Shaplin’s new play Sarah Flood in Salem Mass, tells of two girls from the future – Sara (Kate Thulin) and Juyoung (Jamie Bock) – who illegally use mom’s time machine and go back to 17th century Salem, Massachusetts,…
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Chicago Theater Review: THE NORTH CHINA LOVER (Lookingglass Theatre Company)
THE TALE OF A LOVE THAT LINGERS TOO LONG Freud said that an unfinished task is never forgotten. But the inability to forget is nothing to the life-long longing of an aborted romance. For novelist Marguerite Duras, a love affair cut short in 1930 fueled her masterpiece Hiroshima Mon Amour, as well as the novels The Lover and The…
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Los Angeles Music Review: LOS ANGELES MASTER CHORALE: 50TH SEASON CELEBRATION (Disney Hall)
WORDS FAIL TO EXPRESS THE TRIUMPH When one of the finest chorales in the world offers a musical compendium from their last five decades, one expects a sterling program. Yet the Los Angeles Master Chorale’s 50th Season Celebration at Disney Hall went beyond mere expectation. LAMC cleverly compiled signature works heard under the leadership of…
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Film Review: GRAVITY (directed by Alfonso Cuaron)
SPACE CADET Alfonso Cuaron’s space station disaster saga Gravity is an intellectually soft video game’”a SuperMario of space debris, and a disappointment as a space survival story. A great deal of praise is being heaped on the 3-D outer space experience, labeled as immersive and hypnotic. Comparisons are being drawn to the upside-down, gravity-free experience…
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Los Angeles Music Review: LA PHILHARMONIC: DUDAMEL & BRONFMAN (Walt Disney Concert Hall)
MORE THAN A CELEBRATION The Walt Disney Concert Hall celebrates its 10th anniversary this week, but the program last night was more of a celebration of The Los Angeles Philharmonic. Do Angelinos truly understand that one of the finest orchestras in the world is in their own backyard? Even with Gustavo Dudamel at the helm,…
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Chicago Dance Review: THE SLEEPING BEAUTY (Ballet West at the Auditorium Theatre)
A REAL BEAUTY Reality T.V. meets classical ballet and the latter wins: The stars of the CW’s Breaking Pointe have teamed up at Chicago’s Auditorium Theatre through Oct. 6 to produce a dazzling and faithful version of Tchaikovsky’s sweeping and soaring three-act ballet. Adam Sklute’s staging honors the gorgeous fairy tale and even more sumptuous…
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Bay Area Theater Review: A WINTER’S TALE (California Shakespeare Theater)
TO UPDATE OR NOT UPDATE: THAT IS THE QUESTION If, as described in its publicity, Cal Shakes’ A Winter’s Tale takes viewers through “a Narnia-esque door to fantastical lands” to fulfill the Bard’s vision of “a family-friendly fairy tale featuring music, miracles, dance, audience participation,” then this production succeeds – fully and satisfyingly realizing Shakespeare’s…
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Chicago Theater Review: CYRANO DE BERGERAC (Chicago Shakespeare Theater)
PANACHE, YES’”PASSION, LESS If a story’s strong enough, you just need to rekindle the plot. Edmond Rostand’s timeless love story celebrates the one-sided love between the famous 17th century swordsman-poet disfigured with a humongous schnoz and Roxane, his beautiful cousin. Roxane is initially infatuated with Christian, her younger, handsome suitor who nonetheless can’t win her without…
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Film Review: A RIVER CHANGES COURSE (directed by Kalyanee Mam)
VANISHING CULTURES Kalyanee Mam’s refreshingly quiet and cinematic documentary A River Changes Course follows families in rural Cambodia as they struggle with the effects of global progress on their simple way of life. A fisherman is forced to send his son off to work as a laborer because overfishing has decimated the rivers. A rice…
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Los Angeles Opera Preview: EINSTEIN ON THE BEACH (Dorothy Chandler Pavilion)
RELATIVITY, STAGED A trusty theater friend witnessed Einstein on the Beach at BAM in New York last year, and she told me it was not just one of the greatest theatrical experiences of her life, but one of the greatest experiences she had ever had, period. I have consistently heard that the 1976 opera by Philip…
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Los Angeles Music Review: EMMYLOU HARRIS & RODNEY CROWELL (Valley Performing Arts Center)
AMERICAN LEGENDS Emmylou Harris and Rodney Crowell took the stage at Valley Performing Arts Center to deliver a hot set of good old-fashioned country-flavored Americana music. It was an evening of legends paying tribute to those whom they revere and love, not excluding each other. Since their first meeting forty years ago, these highly regarded…
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Los Angeles Theater Review: FLOWERS FOR ALGERNON (Deaf West)
MOUSE TRAP Flowers for Algernon has had many incarnations since it was first published as a short story in 1959 in The Magazine of Fantasy and Science Fiction: a novel, a telecast, a film (which won an Oscar for actor Cliff Robertson) and a Broadway musical. At its heart, the story is a moving account…
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Los Angeles Theater Review: HUMOR ABUSE (Mark Taper Forum)
A THREE-RING ONE-MAN SHOW Start with a true story about a family circus that shot to prominence even though it eschewed big-business-conglomerate backing, ran in a single ring without exotic animals, and interacted with and embraced the communities where it performed. Spice it up with superbly executed acrobatics. Top it off by having it performed…
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