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Chicago Theater Review: SHE KILLS MONSTERS (Steppenwolf)
NOT JUST FOR DUNGEONS & DRAGONS FANS Early in She Kills Monsters, the play’s protagonist, Agnes (Katherine Banks), strikes up a conversation with Chuck (Richard Traub), a high school student working at a comic book store. There’s a glimpse of what this scene might look like in a lesser production that chose to just play…
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Film Review: THE INCREDIBLE BURT WONDERSTONE (directed by Dan Scardino)
WHERE’S THE MAGIC? Whatever positives and negatives lay within The Incredible Burt Wonderstone – the latest Steve Carell mass-market comedy – all I could do was wonder what happened to Steve Buscemi and the Coen Brothers. At one time Buscemi was arguably the foremost actor associated with the reticent Minnesota siblings, playing roles in all five of…
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Chicago Dance Review: HUBBARD STREET DANCE CHICAGO SPRING SERIES (Harris Theater)
THE NEXT STEP(S) It’s an impressive lineup for this respected Chicago company’s annual “Spring Series”’”not just the always impressive Hubbard Street Dance Chicago but, here and elsewhere, the San Francisco-based Alonzo King LINES Ballet. That means that one dance features a sprawling expanse of 28 dancers on the Harris Theater stage, a crowd-control extravaganza to…
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Los Angeles Music Review: LE SALON DE MUSIQUE (Season 3, Concert 6 at the Dorothy Chandler Pavilion)
SOUL MASSAGE It’s easy to walk into a salon and pamper your body with a facial, pedicure, or rubdown, but there is a different salon in town where once a month there is an opportunity to have your soul massaged: a Chamber Music Concert Series called Le Salon de Musiques, a compendium of LA’s most…
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Off-Broadway Theater Review: THE LYING LESSON (Atlantic Theater Company at the Linda Gross Theater)
A LESSON IN CHARACTERIZATION Carol Kane’s magnetic performance turns Craig Lucas’s dramatically thin comic thriller The Lying Lesson into compelling entertainment. Ms. Kane plays Bette Davis (the movie star, in her November years), who arrives incognito to an empty house in Maine that she is the process of purchasing, a couple of days prior to…
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New York Opera Review: OTELLO (Metropolitan Opera)
AN OPERATIC DEATH IN VENICE A storm blackens the skies, casting a shadow on the land. The citizens and soldiers of Venice sway with anticipation, waiting for their mighty general to triumphantly return. In the center of an impressive, multi-tiered wartime display embellished with cannons, hangs Jesus Christ on a crucifix, his light shrouded by…
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Off-Broadway Theater Review: NEVA (Public Theater)
ACTING ON THE POLITICAL STAGE “Another play about Chekhov?” I thought as I settled into my seat for Neva, written and directed by Guillermo Calderón. Contemporary theater often seems plagued by insularity: artists write plays about other artists, which in turn attract an audience of artists. Rather than direct our attention to the world beyond…
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Los Angeles Theater Review: TRIBES (Center Theatre Group at Mark Taper Forum)
FINDING YOUR TRIBE Theatre of Identity, aka Social Issues Theatre, is a fascinating phenomenon: this genre promotes a particular people’s cultural identity and invites members of that culture and other cultures to experience that culture’s joys, problems, history, traditions, and point of view. Plays like Torch Song Trilogy, The Boys Next Door, and Yellow Face…
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Los Angeles Theater Review: URBAN DEATH (Zombie Joe’s Underground in North Hollywood)
L. A. THEATER RISES FROM THE DEAD With an assemblage of the bravest actors in Los Angeles, Zombie Joe returns with an all-new Urban Death, the naturalistic horror show in the style of Le Théâtre du Grand-Guignol. In just under an hour, this ghoulishly delightful series of vignettes serves up unfathomable repulsions, profound evils, distressed…
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Los Angeles Theater Review: SONGS OF BILITIS (Rogue Artists Ensemble at the Bootleg)
FAKE BOOK COMES TO TRUE LIFE Published in Paris in 1894, The Songs of Bilitis is a book of poems and epitaphs describing the life and loves of an ancient lesbian heroine named Bilitis. With emotional flourish, author Pierre Louí¿s biographically describes her simple country upbringing, pinnacles of romantic love and sexual gratification, and eventual…
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Los Angeles Theater Review: MOMMUNE (Chalk Repertory Theatre)
WHAT DO YOU DO WITH A BAD MOM? Chalk Repertory Theatre continues presenting non-traditional, site-specific theatre with the world premiere of Dorothy Fortenberry’s newest work, Mommune. “Mommune” is the name of a childcare center, and the two-hour real-time melodrama about motherhood – featuring an all-woman ensemble – takes place at an actual day care center,…
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Chicago Theater Review: AN AMERICAN STORY FOR ACTOR AND ORCHESTRA (Royal George Theatre)
A DEATH IN THE UNION Hershey Felder has already regaled audiences at the Royal George Theatre with his uncanny and heartfelt recreations of George Gershwin, George M. Cohan, Frederic Chopin, Leonard Bernstein and Ludwig van Beethoven, honoring and invigorating the music as much as he concentrated their life stories. Now he delivers a solo tour…
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Theater Review: THE TROUBLE WITH WORDS (Coeurage Theatre Company at Lost Studio)
THE TROUBLE WITH THE TROUBLE WITH WORDS In 2011, I stumbled upon a refreshing new composer at the Hollywood Fringe Festival. The extraordinarily encouraging work in Gregory Nabours’ song cycle, The Trouble with Words, was thrilling. Comparable to the work of Duncan Sheik (Spring Awakening), the music, whether bouncy or haunting, incorporated innovative harmonies with…
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Los Angeles Opera Review: THE FLYING DUTCHMAN (LA Opera at Dorothy Chandler Pavilion)
SALVATION IN A STORM Who is the titular Flying Dutchman? Is he a mythological figure, a type of the wandering Jew bound to traverse the earth in travail until his day of salvation comes? Is he in some way the composer, an outsider and a genius yearning for acceptance and recognition? Or he is simply…
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Off-Off-Broadway Theater Review: EASTER (August Strindberg Repertory Theatre)
NO RESURRECTION HERE While the snow is thawing and the flowers are getting ready to shoot out of the soil, the August Strindberg Repertory Theatre, a newly-formed company that’s dedicated to bringing Strindberg to American audiences, presents an ambitious production of Easter which is sure to get you reflecting on, and perhaps preparing for, the…
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Chicago Dance Review: MADE IN SPAIN (Luna Negra Dance Theater)
WRITHING INTO REVELATION Alas, it’s over – and way too soon. Luna Negra Dance Theater’s 2013 spring program celebrated works by two contemporary Spanish choreographers: guest artist Fernando Hernando Magadan and Luna Negra company member Mónica Cervantes. Last night’s one-time-only performance at the Harris Theatre in Millennium Park, Made in Spain, confirms the troupe’s reputation for…
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San Francisco Opera Review: GREEN SNEAKERS (composed by Ricky Ian Gordon)
GRIEF TURNS TO POETRY AND MUSIC Composer and poet Ricky Ian Gordon’s partner, Jeffrey Michael Grossi, died of AIDS in 1996, at the age of 32. In response, Gordon created, among his many other works, Dream True (1998 – book and lyrics Tina Landau) and the song cycle Orpheus and Euridice (2005), which Long Beach…
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Theater Review: WOLVES (Celebration Theatre)
HOWLER Steve Yockey’s new play isn’t new, and it isn’t a play. The first contention first: Part of a new promotional concept of “rolling world premieres” designed specifically to hype theaters and the scripts they mount, Wolves already played in Atlanta, New Orleans, and Tempe last year. This isn’t a tour; it’s four different productions…
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Los Angeles Theater/Dance Review: KEN ROHT’S MISS JULIE(N) (MorYork Gallery in Highland Park)
GAY ABSTRACTION For years, Ken Roht has proved himself to be one of the most inventive theater practitioners in Los Angeles. His avant-garde works include the renowned 99 Cent Only shows, which contain extravagant costumes by Ann Closs-Farley and sets wholly manufactured with items acquired at the 99 Cent Only Store. The original, entertaining and…
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Chicago/Tour Dance Review: ALVIN AILEY AMERICAN DANCE THEATER (Auditorium Theatre)
A TRUE SPRING FLING Returning to new glory and restoring golden memories after many happy visits to Chicago, Alvin Ailey Dance Theater just unleashed an unprecedented two-week, three-program showcase, part of a 21-city tour by the evergreen troupe. Opening night at the beautiful Auditorium Theatre ignited three pieces as fresh as they are familiar and…
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