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Chicago
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Chicago Dance Review: HUBBARD STREET DANCE CHICAGO (2019 Summer Series at the Harris)
SUMMER HEATS UP WITH THE CUTTING EDGE OF MOVING BODIES Talk about springing toward the solstice. Literally leaping into summer, this season’s edition of Hubbard Street Dance Chicago’s Summer Series is not the place for premieres. Instead, retrospectively honoring four crowd-pleasing repertory highlights with faithful revivals, this weekend’s program at the Harris Theatre reprises works that didn’t…
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Theater Review: MS. BLAKK FOR PRESIDENT (Steppenwolf)
THE ULTIMATE DRAG RACE It’s both louder than life and strident with substance. The perfect play for Pride Month and a deafening blast from the past, Ms. Blakk for President, an uproarious and rambunctious rouser, gives a magnificent cause future reference. Created by ensemble members Tina Landau and Tarell Alvin McCraney for Steppenwolf, this 100-minute jubilee…
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Theater Review: DESIRE IN A TINIER HOUSE (Pride Films and Plays at the Pride Arts Center)
POINTLESS PERPLEXITY Sometimes what you see is much less than what you get. Case in point: Pride Films and Plays is closing its season with a daunting new work written by Ryan Oliveira and directed by Topher Leon. Desire in a Tinier House (its title as mystifying as most of its plot) is a two-hour, two-act, two-character…
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Theater Review: FALSETTOS (National Tour in Chicago)
WHAT MORE CAN THEY SING? By its riveting end Falsettos, a fusion of March of the Falsettos (1981) and Falsettoland (1990), has jolted us with its heartbreak and won us with its wit. This very grown-up musical by composer/lyricist William Finn and bookwriter James Lapine still delivers a daring plot: Marvin leaves wife Trina and son Jason for…
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Theater Review: SIX (The Yard at Chicago Shakespeare)
SIX CHICKS REMIX TO NIX PRICKS Singing well is the best revenge, especially if you married the spouse from hell. So runs the cunning concept behind Six. This raucous pop concert joyously restores to very loud life the six ex-wives of Henry VIII. The rampaging result, recalling the hip-hop irreverence of the Q Brothers’Othello: The Remix and Christmas…
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Theater Review: STYLE AND GRACE: IN TRIBUTE TO LENA HORNE AND NANCY WILSON (Black Ensemble Theater in Chicago)
SINGING UP STORMY STUFF With this theater everything good is new again — and never old. The latest homage from Black Ensemble Theater, Style and Grace: In Tribute to Lena Horne and Nancy Wilson honors stellar singers whose consummate talents we lost in 2010 and 2018, respectively. Incarnating “impeccable style and enduring grace,” these divas…
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Theater Review: MARY SHELLEY’S FRANKENSTEIN (Lookingglass Theatre Company in Chicago)
THE MONSTER WITHIN It was a dark and stormy night. Escaping a tempest by seeking shelter in the Villa Diodati on a summer night in 1814, good friends Mary Shelley (as she would later be called), her future husband and Romantic poet Percy Bysshe Shelley, the infamous George Gordon Lord Bryon, affable Dr. John Polidori,…
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Theater Review: BLOOMSDAY (Remy Bumppo Theatre Company at Theater Wit)
DÉJí€ VU VS. NEVERMORE A very prolific playwright, Steven Dietz can deliver dense dramatic homage. In his 2013 Mad Beat Hip & Gone, now playing at The Edge Theater Off Broadway, his dialogue dives into a recreation of beatnik Jack Kerouac’s road-trip fantasies. Another very recent work, his 2016 Bloomsday, incarnates and embodies James Joyce, specifically the…
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Chicago Theater Review: THE CROWD YOU’RE IN WITH (AstonRep Theatre Company at The Raven)
RETHINKING REPRODUCTION A very pointed question arrives near the end of Rebecca Gilman’s useful 2007 drama The Crowd You’re in With, first produced in Chicago ten years ago by Goodman Theatre. It’s posed by a young husband to a wife who badly wants to be a mother: “Do we love each other enough not to need to have a…
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Chicago Theater Review: THE WINTER’S TALE (Goodman Theatre)
A FRACTURED FAIRY TALE Shakespeare’s strange romance, which begins with gratuitous jealousy and ends with gratuitous forgiveness, is best savored as a fairy tale for grownups: A virtuous queen is condemned for adultery, her supposed despoiler her husband’s equally honest best friend. It seems as if we’ve blundered from courtly courtesies into an Othello-like tragedy. But…
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Theater Review: THE UNDENIABLE SOUND OF RIGHT NOW (Raven Theatre in Chicago)
KEEPING ROCK REAL Letting a good thing go is a hard fate: Change is always constant but it’s never guaranteed to be good. A tough transition in Chicago’s indie rock scene is feelingly chronicled in Laura Eason’s The Undeniable Sound of Right Now, a Chicago premiere at Raven Theatre. The title sounds like a visceral response to an expiration date —…
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Theater Review: FIDDLER ON THE ROOF (Tour)
AS RELEVANT AND CELEBRATORY AS EVER, FIDDLER GETS A POWERFUL REVIVAL It takes a musical to make a village: At nearly three hours, this very replete revival, which plays the Segerstrom Center in Costa Mesa through May 17, takes its time — but not ours. Fiddler on the Roof, the beloved 1964 musical, richly rewards…
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Theater Review: MAD BEAT HIP & GONE (Promethean Theatre Ensemble)
TAKE TO THE ROAD Walt Whitman may have patented the “song of the open road,” but the Beat Generation gave it their own course correction and made it into a map. These writers of the Eisenhower Era, most notably Jack Kerouac in On the Road, turned bittersweet wanderlust into their own manifest destiny. In a time before…
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Theater Review: TOO HEAVY FOR YOUR POCKET (TimeLine Theatre)
ANOTHER DREAM DEFERRED The price of progress is no abstraction, not during the fully-freighted 160 minutes of Jiréh Breon Holder’s civil rights drama Too Heavy for Your Pocket. A TimeLine Theatre time capsule thrillingly staged by Ron OJ Parson, this blast from the past goes beyond yesterday’s infamous clash of activists against fire hoses to…
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Theater Review: THE CHILDREN (Steppenwolf)
THE PARENTS CRUSADE The setting is the story in The Children, Steppenwolf Theatre Company’s Chicago premiere. Set designer Chelsea M. Warren depicts a cluttered seaside cottage off the east coast of England. It’s seen from across a cliff, as if an exhibit in a human zoo. This remote shelter is located just outside an “exclusion zone,” the site…
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Theater Review: HAMLET (Chicago Shakespeare)
THE PARALYZED PRINCE Century after century, thespian tyro after marquee headliner, something remains rotten in the state of Denmark. A defining challenge for thousands of careers, Hamlet persists as both a title and a test, Shakespeare’s longest if not deepest tragedy. At nearly three hours, Barbara Gaines’ magisterial modern-dress revival is a valuable and workmanlike continuation…
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Opera Review: MOBY-DICK (Chicago Opera Theater at the Harris Theater)
THE WHALE WINS There’s only one more performance — on Sunday at 3 at the Harris Theatre — of Chicago Opera Theater’s awesomely ambitious Moby-Dick, a nearly-three-hour 2010 epic with music by Jake Heggie and a libretto by Gene Scheer. As much an exercise in mounting hubris and ironclad obsession as was Captain Ahab’s pursuit…
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Dance Review: ACROSS THE POND (Joffrey Ballet at the Auditorium Theatre)
BRITAIN’S BALLET FINDS CHICAGO Springing into the season, the Joffrey Ballet’s current visit to the Auditorium Theatre delivers very welcome art — two world premieres and a Chicago first. Across the Pond, with accompaniment by the Chicago Philharmonic conducted by Scott Speck, proves a stirring showcase for three cutting-edge choreographers. It’s an equal opportunity for…
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Theater Review: TWO DAYS IN COURT: Benet’s THE DEVIL AND DANIEL WEBSTER and Gilbert and Sullivan’s TRIAL BY JURY (City Lit)
TWIN TRAVESTIES (OF JUSTICE) ARE DOUBLE THE FUN Order in the court! Closing its season with dueling gavels, City Lit Theater offers Two Days in Court in only 90 minutes. Merrily combining Gilbert and Sullivan’s first hit, the “dramatic cantata” Trial by Jury, with Stephen Vincent Benet’s historical romp The Devil and Daniel Webster, it’s a charming…
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Chicago Theater Review: HANNAH AND MARTIN (Shattered Globe Theatre at Theater Wit)
CAN LOVE ENABLE EVIL? There is no last supper or cross on Golgotha but, yes, Hannah and Martin is a true passion play. What makes this even stranger is that it’s as much about clashing ideologies as characters in conflict. Both pile-driving and even-handed, it presents a true-life struggle between famous lover-thinkers caught up in the ugliness…



















