Chicago

DÉJí€ VU MEETS GROUNDHOG DAY “Birth was the death of him”: Terse to the point of cruelty, Samuel Beckett devours the human experience in six words, repeatedly juxtaposing graves with cradles.  Waiting for Godot, his minimalist masterpiece, takes nearly three hours for the same result. But Beckett succeeds in his life-long task — to “find the…

AN EDWARDIAN WAKE-UP CALL You can’t keep a good play down. Produced under the pseudonym of K.G. Sowerby, the Edwardian drama  Rutherford and Son  was a huge hit in 1912 — until the playwright was later revealed as a woman, Githa Sowerby. Perhaps due to male resentment of the play’s depiction of a brutish dad, it disappeared…

PICKED, PECKED, AND PACKED Some solo shows can be valued simply for their superb simulations of someone else’s story. Others succeed because we pay extra special attention when the chronicler actually experienced what they’re sharing. Packing, an About Face Theatre world premiere by and from Chicago theater artist Scott Bradley, has the best of both…

A SHOW THAT CASTS A SPELL Whether it really works or it’s just self-fulfilling wishful thinking, magic can misfire.   Detailing a downhome tragedy set in Memphis during the Depression, Hoodoo Love, Katori Hall’s 2007 musical drama tells a sad and simple story of thwarted and twisted passion so strong it needs the blues to chronicle…

IT WOULD BE A CIN TO MISS THIS Forty-three years ago, the Black Ensemble Theater produced their first and most definitive musical, a promissory note that’s been richly redeemed over five decades. Just as  The Wiz  opened up a childhood classic to even more make-believe, in 1976 –and now–The Other Cinderella  represented playful revisionism in action. Created, composed…

THE HURT OF HATE Dirty laundry demands an airing. Given the disunion afflicting our republic, a play like  N  (short for the “N word”) has healing to share. A provocative world premiere by Chicago writer David Alex at the Greenhouse Theater Center, this 100-minute character piece stirs up the sometimes static tale of an evolving relationship between…

HATE CRIMES ROCK A SUBVERSIVE COMEDY This show can never be nice: Along with  The Taming of the Shrew, a comedy built squarely on misogyny,  The Merchant of Venice, a tragicomedy festering with anti-Semitism, remains the Bard’s most problematic play. But Shakespeare wrote it. Felt from all sides, there’s humanity to spare. Truth overcomes prejudice as an…

UP CLOSE, SHE’S BIGGER THAN EVEN PEANUT BUTTER From the start it seemed strange that anyone would make a musical out of a movie that embodies its medium so completely. Yes, the film  All About Eve  deserved to become the musical  Applause. Both were obsessed with the theater. But Billy Wilder’s consummately cinematic 1950 masterpiece was a cautionary…

A FAMILY IN KEY SIGNATURES As she showed in Â Five Mile Lake, Â Rachel Bonds works with a small brush. She lays low before her subject in order to convey tender, unassuming connections between the characters. The result: inconclusive plots that suggest so much more life around these souls — ones that we can only assume but nonetheless…

THE CURIOUS CASE OF THE DOG IN THE NIGHT-TIME Terry McCabe, artistic director of City Lit Theater, knows Sherlock Holmes and his shadow sleuth Dr. Watson almost as well as author Sir Arthur Conan Doyle. His adaptations of their adventures combine storytelling urgency and narrative drive with crime solving at a perfect fever. Ever at…

WELL, LERNER & LOEWE ME DOWN Seldom has a dream team had a shorter span: It was all over in only 13 years. But between 1947 and 1960 Alan J. Lerner and Frederick Loewe ran a glorious gamut. It happened both on Broadway and in Hollywood transfers of five very different successes. The powerful partnership…

TO BE OR NOT TO BE SARAH BERNHARDT Well, with “Bernhardt” and “Hamlet” sharing the marquee, Goodman Theatre’s season-opener must be larger than life if not literature. Sprawling and stuffed at 150 minutes, Theresa Rebeck’s multi-focused 2018 drama  Bernhardt/Hamlet  takes a quizzical look at a bizarre chapter of theater lore. We’re witness to the sensation-seeking choice of…