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Chicago
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Theater Review: GOODNIGHT MOON (Chicago Children’s Theatre)
A GREAT, GREEN ROOM YOU’LL NEVER WANT TO LEAVE Chicago Children’s Theatre closes out its 20th anniversary season with a picture(book)-perfect triumph! “I wish I might, I wish I may / go live inside my book / to stay in the great, green room” There have been some remarkably effective immersive sets in Chicago black-box…
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Theater Review: THE MERRY WIVES OF WINDSOR (Chicago Shakespeare Theater)
WHEN SHAKESPEARE NEEDS A LITTLE HELP Physical comedy drives the laughs—sometimes to excess—in Phillip Breen’s energetic production The Merry Wives of Windsor is not one of Shakespeare’s most popular comedies, and its origins may partly explain why: Falstaff appeared in the Henry plays, and his character became immensely popular. Queen Elizabeth I reportedly commissioned Shakespeare…
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Theater Review: MA RAINEY’S BLACK BOTTOM (Goodman Theatre, Chicago)
THE BLUES THAT BUILT AMERICA— AND THE COST OF SINGING THEM August Wilson’s masterpiece lands with devastating force in a blazing Goodman revival Four black musicians amble into a recording studio in Chicago in 1927. They are met by two nervous white men; one a manager, the other the owner of the studio. Both demand…
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Theater Review: THE OFFICIAL BIOGRAPHY (Her Story Theatre at The Den, Chicago)
A GREAT PERFORMANCE IN SEARCH OF A BETTER PLAY Gary Houston towers in a two-hander that never quite lives up to its premise Outside a run-down cottage in rural Connecticut, a white-haired man in his 80s sits in a pleather armchair. The ground is littered with balls of paper. A few feet from the chair…
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Theater Review: THE SUGAR WIFE (The Artistic Home at Theater Wit, Chicago)
THIS SLOW-BURNING, DEVASTATING DRAMA REFUSES EASY ANSWERS The Sugar Wife is a gripping and complex examination of morality and the individual’s responsibility towards society The Sugar Wife is set in Ireland in 1850. That year is very important; the middle-class and poor were right in the midst of the Great Famine, while across the Atlantic,…
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Theater Review: THE ALLY (Theater Wit, Chicago)
ARGUMENTS WITHIN ARGUMENTS A fiercely intelligent play that challenges ideas more than it deepens character A large, welcoming room lined with stained wood bookshelves greets you when you walk into Theater #2 at Theater Wit’s home on Belmont Avenue in Lakeview. There are three study tables with lamps emitting a soft light. The shelves are…
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Theater Review: THE THREE MUSKETEERS (Idle Muse Theatre Company, Chicago)
ALL FOR ONE—AND A WHOLE LOT OF MEANWHILES A rollicking, cleverly staged adventure that balances spectacle with comic flair Xavier Lagunas, Jack Sharkey and Boomer Lusink Swash your buckler and brandish your sword! Idle Muse Theatre opens its 20th year with a new production of The Three Musketeers, adapted by local playwright Robert Kauzlaric from…
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Theater Review: THEATER OF THE MIND (Goodman Theatre at the Reid Murdoch Building)
MEMORY PLAYS TRICKS— AND SO DOES EVERYTHING ELSE An immersive maze where perception falters and certainty slips through your fingers Unreliable narrators everywhere—but not the ones you think. The Persistence of Memory by Salvador Dalí is one of the most famous paintings in the world, so iconic that even if you do not know its…
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Theater Review: THE CUTTLEFISH, OR THE HYRCANIAN WORLDVIEW (Trap Door Theatre)
PHILOSOPHY, FARCE, AND ART UNDER SIEGE Witkiewicz’s dense, absurdist text sparks to life— until unnecessary asides break the spell Gus Thomas and Venice Averyheart Theatre does not get much more high-minded than The Cuttlefish, or the Hyrcanian Worldview, now on stage at Trap Door Theatre in Bucktown. This 1922 play from Polish surrealist Stanisław I….
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Theater Review: WHITE ROOSTER (Lookingglass Theatre)
FOLKLORE, GHOSTS, AND THE WEIGHT OF THE DEAD Matthew C. Yee’s wildly ambitious world premiere dazzles, even as its larger shape remains elusive Death, and coming to terms with it, have been fertile ground for the theatre since its inception. In White Rooster, multi-hyphenate Matthew C. Yee—he writes! He directs! He acts! He composes!—examines death…
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Opera Review: MADAMA BUTTERFLY (Lyric Opera)
A REIMAGINED BUTTERFLY WHERE REALITY MEETS FANTASY What is it about Giacomo Puccini’s Madama Butterfly (1904) that lures audiences back year after year, especially in the United States? Madama Butterfly might be one of the few canonical operas featuring an American character (Pinkerton), but it is by no means a flattering portrait of him. The…
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Theater Review: IN PURSUIT OF (Sub Rosa Theatre Collective at Greenhouse Theatre Center)
CRIME, PUNISHMENT, AND TOO MANY SET CHANGES A sharp modern riff on Dostoevsky boasts strong performances and ideas, but it’s a production that won’t stop getting in its own way The opening scene of Zoé Soteres’s In Pursuit Of is a case study in narrative efficiency. A young man steps into a disheveled room with…
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Dance Preview: JOFFREY BALLET’S 16TH ANNUAL WINNING WORKS (Museum of Contemporary Art)
FIVE CHOREOGRAPHERS, FIVE PREMIERES Winning Works gives emerging dancemakers a coveted professional stage—and a glimpse of dance’s next generation The Joffrey Ballet’s Winning Works initiative has quietly become one of the most influential launching pads for emerging choreographers in American dance. Now in its 16th year, the program returns to Chicago’s Museum of Contemporary Art…
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Theater Review: TWO SISTERS AND A PIANO (Writers Theatre in Glencoe)
ART, DESIRE, AND SURVEILLANCE IN CASTRO’S CUBA Scheherazade spins a tale of longing in this richly acted production In the middle of the night, two sisters are violently yanked from their beds by armed militia. Pulled into their living room, their assailants scream at them, demanding the location of banned print materials. When their search…
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Theater Review: THE BRIEF WONDROUS LIFE OF OSCAR WAO (Goodman Theatre)
NOT QUITE WONDROUS A Pulitzer winner takes a bumpy trip to the Goodman stage Fans of Junot Díaz’s Pulitzer-Prize-winning novel The Brief Wondrous Life of Oscar Wao are in for a bit of a shock with the world premiere of the English-language stage adaptation by Marco Antonio Rodríguez, now being performed at the Goodman. Examining…
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Theater Review: MORNING, NOON, AND NIGHT (Shattered Globe at Theater Wit)
A POST-PANDEMIC RECKONING WITH ISOLATION AND MENTAL HEALTH A moving character study elevated by a nuanced central performance The oddest thing about Kirsten Greenidge’s Morning, Noon, and Night is how fundamentally conventional its construction is. Not that this is necessarily a negative, but for a play that involves eco-doom-scrolling, cheating on exams with Google, and…
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Theater Review: POT GIRLS (The Story Theater at The Raven)
A SMART, PLAYFUL SPIN ON A FEMINIST CLASSIC Paul Michael Thomson’s witty homage to Top Girls is dazzling—if occasionally too clever for comfort Myah Bridgewater and Laney Rodriguez A world premiere from Story Theatre, performed at the Raven, Paul Michael Thomson’s Pot Girls is a charming update on Caryl Churchill’s Thatcher-era feminist classic Top Girls,…
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Theater Review: TOP GIRLS (Raven Theatre)
A 1982 CLASSIC THAT REFUSES TO AGE Raven Theatre’s revival lets Churchill’s blistering feminist satire land without cosmetic updates Yourtana Sulaiman, Hannah Kato, Claire Kaplan, Luke Halpern, Morgan Lavenstein, and Susaan Jamshidi Almost 45 years after its debut, Caryl Churchill’s seminal play is as depressingly relevant as ever. In 1982, three years after Margaret Thatcher…



















