Areas We Cover
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Chicago
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Chicago Theater Review: JERSEY BOYS (Bank of America Theatre in Chicago and National Tour)
THE BOYS ARE BACK, AND BETTER THAN EVER Maybe it’s the law of averages. Put enough jukebox musicals on the American stage and one of them is bound to come up a classic. That may explain the hit status of Jersey Boys, the musical inspired by the male quartet Frankie Valli and the Four Seasons…
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Chicago Theater Review: THE BUTCHER OF BARABOO (A Red Orchid Theatre)
IT’S NOT SAFE TO GO BACK IN THE KITCHEN Along with cutting meat for a living, Valerie, the butcher in Marisa Wegrzyn’s impressive The Butcher of Baraboo, is a middle-aged woman who is the center of an over-the-top dysfunctional family that takes the audience on a funny, disturbing, sometimes harrowing ride at A Red Orchid Theater….
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Chicago Theater Review: CHESAPEAKE (Remy Bumppo at the Greenhouse Theater)
THE PLAY’S ACTING’S THE THING Plenty of negatives can be directed toward Lee Blessing’s Chesapeake, which suffers from personality disorder: Is it a satire? A comedy? A fantasy? Does it even know, or care? Fortunately, these critical reservations are mostly disarmed by Greg Matthew Anderson’s brilliant performance. This is a good thing because Mr. Anderson…
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Chicago Theater Review: THE TURN OF THE SCREW (First Folio Theatre in Oakbrook)
HAUNTINGLY INTIMATE Ghost stories are difficult to bring off on stage. The physical reality of flesh and blood actors works against the sense of the supernatural and the suspense and horror that give the genre its distinctive flavor. That’s why ghost stories are generally more effective on the printed page or in the movies or…
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Theater Review: CASCABEL (Lookingglass Theatre in Chicago)
IF FOOD BE THE MUSIC OF LOVE, EAT ON The Lookingglass production of Cascabel is the toughest ticket in Chicago this side of The Book of Mormon. The hook of the show is the menu prepared by celebrity chef Rick Bayless, who operates the renowned Frontera Grill among other high end eating establishments in Chicago….
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Theater Review: FELA! (National Tour at the Oriental Theatre in Chicago)
ONE EXCLAMATION POINT IN THE TITLE IS NOT ENOUGH Audience enjoyment of Fela! at the Oriental Theatre will be in direct proportion to the viewer’s capacity to absorb more than two hours of non-stop high-energy music and dance. For some (probably most) patrons, the musical will be a continuous high of propulsive music and dancing….
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Chicago Theater Review: FREUD’S LAST SESSION (Mercury Theater)
A FREUDIAN TRIP Freud’s Last Session at the Mercury Theater is a “what if” play. What if the Austrian psychoanalyst Sigmund Freud and the English professor and author C. S. Lewis met in Freud’s study in London for a morning of conversation? What if that meeting took place in 1939 on the day World War…
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Chicago Theater Review: FUCKING A (UrbanTheater)
FOR BETTER OR WORSE, IT’S A TELLTALE TITLE Suzan-Lori Parks claimed that her play Fucking A, now playing at the Urban Theater Company, was inspired by Nathaniel Hawthorne’s novel The Scarlet Letter. The Hawthorne work centers on a strong-willed Puritan woman named Hester who is forced to wear a scarlet letter by her community as…
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Chicago Theater Review: TEN CHIMNEYS (Northlight Theatre in Skokie)
ALL ABOUT ALFRED AND LYNN Ten Chimneys is the name of the estate near Madison, Wisconsin, where the famous American husband-and-wife acting team of Alfred Lunt and Lynn Fontanne retreated annually to prepare for their season on the American stage. The estate is now a major tourist attraction, a monument to the lives and careers…
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Chicago Theater Review: THE LARAMIE PROJECT: TEN YEARS LATER (Redtwist Theatre)
WHAT A DIFFERENCE TEN YEARS MAKE The Laramie Project: Ten Years Later tells the story of Matthew Shepard and how it affected those involved a decade after his 1998 murder. As with its point of origin The Laramie Project (also running concurrently as staged readings) disparate denizens of this infamous town in Wyoming have been…
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Chicago Theater Review: CAMINO REAL (Goodman)
REAL GENIUS OR REAL CLUNKER? Tennessee Williams wrote at least 10 plays that are more accessible and commercially viable than his Camino Real (pronounced CA-mino Reel). Even the most zealous playgoer likely has never seen a production of this perplexing symbolic drama. So when the Goodman Theatre placed the 1953 play on the company’s 2011-2012…
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World Tour Theater Review: RIVERDANCE (Oriental Theatre in Chicago)
RIVER OF DREAMS All good things must come to an end, they say, so it was inevitable that Riverdance would finally end its run, at least in the United States. But will it ever be missed. Playing for a paltry week of performances at the Oriental Theatre, the show bids farewell to Chicago, but it’s…
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Chicago Theater Review: BRING IT ON: THE MUSICAL (Cadillac Palace Theatre in Chicago)
THE BOOK ISN’T READY, BUT BRING IT ON ANYWAY Bring It On at the Cadillac Palace Theatre is cut from the Legally Blonde cloth of contemporary musical theater: they are both inspired by motion pictures (Bring It On spun off into five movies from 2000 to 2009), and feature a lithe young blonde heroine, a…
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Chicago Theater Review: THE PRICE (Raven Theatre in Chicago)
A REVIVAL THAT’S WORTH THE PRICE The Price (1968), in a solid revival at the Raven Theatre, demonstrates Arthur Miller at the top of his game – writing intense, eloquent, densely textured dramas about families under stress. The production may have been marred a bit on opening night by some line-reading glitches, but the staging…
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Chicago Theater Review: THE NORTH PLAN (Theater Wit in Chicago)
A STRANGE MIXTURE OF BELLY-LAUGH FARCE AND POLITICAL INTRIGUE The North Plan at Theater Wit is either a farce with dark political conspiracy overtones or a political conspiracy drama played heavily for farce. Playwright Jason Wells may intend to say serious things about the political state of the nation, but if the audience doesn’t take…
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Chicago Theater Review: TOO MUCH LIGHT MAKES THE BABY GO BLIND (The Neo-Futurarists)
A BLUEPRINT FOR ACTIVISM The Occupy Wall Street movement would do well to take a tip from the longest running show in Chicago, Too Much Light Makes the Baby Go Blind (TML). The event may take place every week indoors at the Neo-Futurarium — above a funeral home in the Andersonville neighborhood — but it…
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Chicago Theater Review: SEX, LOVE & THE SECOND CITY: A ROMANTIC DOT COMEDY (Second City)
SECOND CITY GROWS UP Second City is expanding its cabaret empire in a new Chicago venue currently housing five shows. The operation carries the umbrella title of the UP Comedy Club, located on the third floor of Piper’s Alley near the Second City Mainstage and e.t.c. performance spaces. One of three Second City cabaret spaces,…
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Chicago Theater Review: HUNGER (Lifeline Theatre)
THE ACTING FILLS YOU UP BUT THE ADAPTATION LEAVES YOU HUNGRY FOR LESS Elise Blackwell’s slender 2003 novel Hunger tells the harrowing story of a group of Russian scientists trying to survive the siege of Leningrad during World War II. Blackwell’s novel has been adapted into a drama receiving its world premiere at the Lifeline…
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Chicago Theater Review: THE GIRL IN THE YELLOW DRESS (Next Theatre Company in Evanston)
A DRESS THAT’S ALREADY OUT OF STYLE The two-character romantic play typically follows a set pattern. A man and a woman have just met. They are very different in lifestyles and initially they don’t hit it off. But gradually they connect, and by the end of the story they are either in a happy-ever-after clinch…
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Chicago Theater Review: ENRON (TimeLine Theatre)
A CRIMINAL SCRIPT OF AN EVIL STORY Lucy Prebble’s play Enron tries to dramatize the Enron financial scandal, one which serves as a poster child for everything greedy and immoral and corrupt in the American financial system. The play was a big hit in London, but the Broadway outing died after a few performances. Interestingly,…



















