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Chicago

  • Chicago Theater Review: REEFER MADNESS (Circle Theatre in Oak Park)

    REEFER MADNESS IS SUCH A HIGH THAT YOU DON’T HAVE TO BE STONED TO ENJOY IT In 1936, a church group sponsored a motion picture aimed at warning young people about the dangers of marijuana. The film, called Reefer Madness, was a cheesy combination of over the top acting by Hollywood bit players and laughable…

  • Chicago Theater Review: LITTLE SHOP OF HORRORS (Theatre at the Center)

    A SHOW WHICH PLANTS ITSELF IN YOUR MEMORY Back in 1985, Bill Pullinsi staged a satirical musical called Little Shop of Horrors at his Candlelight Dinner Playhouse in Summit that was one of the joyous entertainments of the decade. Pullinsi is now the artistic director of Theatre at the Center, which is reviving the musical…

  • Chicago Theater Review: THE 39 STEPS (Drury Lane Theatre in Oakbrook Terrace)

    THE STEPS TO SUCCESS They say that timing is everything. Timing certainly is everything in The 39 Steps, the English spy spoof that occupies a delightful, often amazing, and even suspenseful two hours at the Drury Lane Theatre. The antecedents of The 39 Steps go back almost 100 years to John Buchan’s 1915 thriller novel…

  • Chicago Theater Review: A STEADY RAIN (Chicago Dramatists Theatre)

    STEADY AS IT GOES A Steady Rain, Chicago Dramatists’ prodigal son, has finally come home, giving audiences a chance to sit down again with Denny and Joey, the two cops that disturbed the hell out of them back in 2007. Keith Huff’s play has had a whirlwind several years, produced in major theatres across the…

  • Chicago Theater Review: CROWNS (Goodman Theatre)

    IF YOU LET IT, FERVENCY AND JOY COMPENSATE FOR TROUBLING SCRIPT A joyful noise is rising out of the Goodman Theatre this summer. With hearty vibrato and a religious fervor rivaled only by televangelists, writer/director Regina Taylor’s revamped hit Crowns is shaking the rafters, and will have you nodding and tapping and humming for the…

  • Chicago Theater Review: BEAUTY AND THE BEAST (Chicago Shakespeare)

    NOTHING BEASTLY ABOUT IT The Chicago Shakespeare Theater is presenting the best musical production of the summer, but audiences will have to see it in the daytime. The production is Disney’s Beauty and the Beast, and while it’s billed as a family musical (a code phrase for children’s show), this show distributes its pleasures equally…

  • Chicago Theater Review: OEDIPUS EL REY (Victory Gardens Theater)

    OEDIPUS  REX POTENTLY UPDATED  TO THE BARRIO Oedipus El Rey is Luis Alfaro’s vision of Sophocles’ Oedipus Rex seen through the prism of modern Latino life, specifically gang culture as it melds with the traditions and values of the barrio in east Los Angeles. The drama at Victory Gardens is powerful and riveting, which proves that a…

  • Theater Review: THREE SISTERS (Steppenwolf Theatre)

    TRACY LETTS ADAPTS THREE SISTERS FOR STEPPENWOLF Tracy Letts calls his version of Anton Chekhov’s Three Sisters an adaptation, but other than some changes in language it’s still the great Russian dramatist’s play, a human and humane account of characters mired in boredom, disappointment, failure, loneliness, and frustration. The Steppenwolf is premiering Letts’ revision in…

  • Chicago Theater Review: THE MAGIC PARLOUR (The House Theatre at The Palmer House Hilton Hotel)

    WATKINS HAS US IN THE PALM OF HIS HANDS I had one reservation headed into The House Theatre of Chicago’s The Magic Parlour: almost every magic show I had ever been to has been obnoxiously showy, laughably cheap, or both. I grew up seeing magicians at birthday parties, went to magic shops and learned card…

  • Theater Review: DEATH AND HARRY HOUDINI (House Theatre of Chicago)

    MAGIC ALL AROUND Death and Harry Houdini was the House Theatre’s first production back in 2001 and it’s been something of a meal ticket for the company over the years. The production played in Chicago earlier this year, transferred to Miami for a successful run, and is now back at the Chopin Theatre, selling out…

  • Chicago Theater Review: REFERENCES TO SALVADOR DALI MAKE ME HOT (National Pastime)

    A LUKEWARM PRODUCTION OF A HOT SCRIPT This July, Pastime Theatre is ripping off their clothes and inviting audiences to join in on the fun. “Naked July: Art Stripped Down” is a theatre festival, part in celebration of the human body, part in celebration of the opening of Pastime’s new space – which, oddly enough,…

  • Chicago Theater Review: FLOYD COLLINS (BoHo Theatre Ensemble at Theater Wit)

    THE YODELING ROCKS, THE SHOW DOES NOT Before Adam Guettel was declared the next Sondheim by many for his beautiful, swelling Light in the Piazza score, he drew on the rich folk sounds of Kentucky for the tale of Floyd Collins. This lesser-known musical is the true-life story about a passionate Kentucky spelunker whose foot…

  • Chicago Theater Review: THE LOVER (Soul Theatre at A Red Orchid Theatre)

    LET ME GO, LOVER I’ll be the first to admit as a twenty-something that  I don’t know what it’s like to feel like your sex life has passed you by – something I’m told that many couples experience in their later years. Harold Pinter’s one-act The Lover seeks to explore one middle-aged couple’s attempt to spice…

  • Chicago Theater Review: WE’RE ALL IN THIS ROOM TOGETHER (Second City’s 46th Revue in Chicago)

    FRESH NEW REVUE AT SECOND CITY Four of the six performers in the new Second City e.t.c. revue We’re All in This Room Together never appeared on a Second City mainstage before. And this is only the second show for the other two players. But youth and inexperience were not a factor on the opening…

  • Chicago Theater Review: HERO (Marriott Theatre)

    HERO NEEDS TO ZERO IN ON THE BOOK Hero, a brand new musical at the Marriott Theatre, has enough warmth and humor to provide a pleasant evening of light summer entertainment, but the work of composer/lyricist Michael Mahler outshines that of the problematic book by Aaron Thielen, so whether or not the show has the…

  • Chicago Theater Review: RAIN: A TRIBUTE TO THE BEATLES (Oriental Theater in Chicago)

    YOU REALLY GOT A HOLD ON ME The baby boomers were out in force at the Oriental Theatre Tuesday night, reveling in a Beatles nostalgia fest called Rain: A Tribute to the Beatles. The show is a note-for-note replication of about 30 of Beatles’ greatest, and not so greatest, songs, as performed by four young…

  • Chicago Theater Review: THE SANDMAN (Oracle)

    MR. SANDMAN, BRING ME A NIGHTMARE There is something passing strange at the Oracle Theatre, and you won’t want to miss it. In Oracle’s The Sandman, dreams are not to be trusted, illusion and reality are constantly confused, and childhood fairytales prove to be fatal. Bob Fisher’s stage adaptation of E.T.A Hoffman’s 1816 fantastical, somewhat…

  • Chicago Theater Review: SOUTH OF SETTLING (Steppenwolf’s Garage Theatre)

    SOUTH OF SETTLING PROVIDES AN INTIMATE LOOK AT FAMILY LIFE The best part of the Emmy-winning television series Friday Night Lights isn’t the football drama, but the amazing chemistry between the actors that play the power couple of Coach Eric and Tami Taylor as they navigate life in small town Texas. Set in neighboring Louisiana,…

  • Theatre Review: CIRQUE SHANGHAI: YEAR OF THE DRAGON (Navy Pier Pepsi Skyline Stage)

    SHANGHAIED It takes a rare courage to brave Chicago’s Navy Pier during the summer. A combination of lines and advertisements threaten to ensnare you and your wallet with just a simple misstep. And amongst all this, Chicagoans like myself will be confronted with the Kafka-esque fear of feeling like one of them’”by “them,” I of…

  • Tour Review: DRALION (Cirque du Soleil)

    TO SEASONED VIEWERS, THE FACE OF CIRQUE DU SOLEIL COULD USE A LIFT The Cirque du Soleil production of Dralion should be the most fun for audiences unfamiliar with the Cirque’s unique blend of spectacle and variety acts. For veteran observers, the law of diminishing returns may be setting in. During the late 1980’s and…

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