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Dan Zeff
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Theater Review: THE NOTEBOOK (North American Tour at San Diego Civic Theatre)
LOVE, LOSS, AND LYRICS An earnest musical adaptation that leans into memory, even when it leans too hard The touring production of The Notebook arrives at the Civic Theatre with a built-in audience and a well-worn story to tell. Based on Nicholas Sparks’ bestselling novel and the beloved 2004 film, the musical adaptation leans into…
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Theater Review: HEDDA GABLER (The Old Globe)
BEAUTIFUL, BORED, AND BENT ON DESTRUCTION A brisk new adaptation of Ibsen’s classic showcases Katie Holmes’s ferocious Hedda—while questioning the modern impulse to excuse her behavior The Old Globe is staging Henrik Ibsen’s Hedda Gabler in a streamlined adaptation by Erin Cressida Wilson. First performed in 1891, the play has seen countless English-language productions, usually…
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Theater Review: THE MALTESE FALCON (World Premiere at North Coast Rep)
THREE FELLAS, TWO DAMES, ONE BIRD, AND A LOT OF DOUBLE-CROSSING North Coast Rep’s five-actor adaptation of The Maltese Falcon mixes mystery with nimble theatrical trickery The North Coast Repertory Theatre is presenting the world premiere stage adaptation of the classic detective story The Maltese Falcon. Rather than turning the material into a patronizing spoof,…
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Theater Review: SOMEWHERE OVER THE BORDER (Cygnet Theatre Company)
A LATINO MUSICAL ODYSSEY INSPIRED BY IMMIGRATION AND THE WIZARD OF OZ A heartfelt journey centered on resilience, with fantasy touches along the way The Cygnet Theatre is presenting the local premiere of Somewhere Over the Border, a Latino musical by playwright Brian Quijada. He based his story on his mother’s real-life struggles in the…
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Theater Review: THE RECIPE (La Jolla Playhouse)
A WORLD PREMIERE CHARTING JULIA CHILD’S RISE FROM RESTLESSNESS TO CULINARY ICON A biographical play that finds its flavor in a stronger, more compelling second act The La Jolla Playhouse is presenting the world premiere of The Recipe, Claudia Shear’s biographical play about the early life and culinary career of American chef and author Julia…
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Theater Review: LOUISA GILLIS (North Coast Rep)
A FAMILY POISONED BY THE PAST Joanna McClelland Glass’s intimate drama lands like overhearing a quarrel— and keeps paying off thanks to a first-rate cast. Modern American theater does not lack for theatrical, intense plays. These works typically explore family secrets, betrayal, revenge, trust and mistrust, plot twists and turns, and psychological (and sometimes physical)…
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Theater Review: EBENEZER SCROOGE’S BIG SAN DIEGO CHRISTMAS SHOW (The Old Globe)
SUN, SAND & SCROOGE, DICKENS IN THE GASLAMP The Old Globe is presenting Charles Dickens’ A Christmas Carol, reshaping the classic short novel into a parody titled Ebenezer Scrooge’s BIG San Diego Christmas Show. The one-act play provides 80 minutes of jokes, wisecracks, quips, wit, and asides, dispensed at warp speed by a cast of…
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Theater Review: JEKYLL & HYDE (San Diego Musical Theatre)
RICHARD BERMUDEZ SLAYS TWICE IN SDMT’S JEKYLL & HYDE San Diego Musical Theatre is presenting a gripping revival of the 1997 Broadway musical adaptation of Robert Louis Stevenson’s 1886 horror short novel The Strange Case of Dr. Jekyll and Mr. Hyde, commonly called Jekyll & Hyde. The story follows idealistic London physician Henry Jekyll, who…
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Theater Review: PIPPIN (Coronado Playhouse)
DON’T EVEN THINK ABOUT SKIPPIN’ PIPPIN Pippin offers musical theater lovers the complete package: brilliant performances, terrific directing, a stimulating book by Roger O. Hirson and a cheeky, sophisticated score by Stephen Schwartz of Wicked fame that got more than one kid addicted to its still-in-print cast album and its soaring ballads and bouncy Broadway…
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Theater Review: DECEIVED (The Old Globe)
In the 1940s, Hollywood seemed awash in films that can be grouped as psychological thrillers. There were variations on the plot, but essentially the films all portrayed a sheltered and sensitive young woman married to an older man who tries to manipulate her into believing she is descending into madness. The man may be emotionally…
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Theater Review: HEAD OVER HEELS (Coronado Playhouse)
GO-GO SEE THIS SHOW-SHOW The jukebox musical Head Over Heels is a mash-up of Sir Philip Sidney’s long 1590s poem Arcadia and the songs of the iconic 1980s’ female rock band The Go-Go’s, the all-female American rock band which may be the best women’s group ever assembled. Avenue Q’s Jeff Whitty conceived the show and original…
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Theater Review: THE COMEDY OF ERRORS (The Old Globe’s Lowell Davies Festival Theatre)
TWINS, TWISTS, AND A TENDER TOUCH The Old Globe Theatre closes out its summer Shakespeare Festival at the outdoor Lowell Davies Festival Theatre in Balboa Park with a zippy 90-minute one-act production of the Bard’s early farce The Comedy of Errors. Grounded in the farcical confusions and mistaken identities that have made this play such…
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Theater Review: NOISES OFF (The Old Globe)
NOISES OFF, LAUGHS ON English playwright Michael Frayn debuted his farce Noises Off in 1982, and decades of audiences and reviewers have since happily applauded Frayn’s work as perhaps the funniest as well as the most challenging comedy in the canon of English-language theater. The Old Globe has accepted the Noises Off challenge this summer,…
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Theater Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER (North Coast Rep)
MURDER MOST TUNEFUL In 2013 a new musical called A Gentleman’s Guide to Love & Murder played San Diego’s Old Globe on its way to a prizewinning run on Broadway. The show is now back for a season-ending run at the North Coast Repertory Theatre, Though perhaps a bit less effective than the 2013 version,…
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Theater Review: ALL’S WELL THAT ENDS WELL (Old Globe)
WELL… The Old Globe Theatre is opening its summer Shakespeare season with the comedy All’s Well That Ends Well, one of the Bard’s least presented (and least admired) works. Completists who wish to add the play to their list of missing Shakespeare shows may want to catch the Old Globe revival while they have a…
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Theater Review: BIRTHDAY CANDLES (North Coast Rep)
NINETY YEARS IN NINETY MINUTES Playwright Noah Haidel compresses 90 years of story into his 90-minute one-act comedy-drama Birthday Candles at North Coast Rep. However, that’s sufficient time to portray Ernestine Ashworth’s five-generation journey through her life in Grand Rapids, Michigan. Matthew Grondin, Emelie O’Hara, Margot White Specifically, we observe Ernestine spending much of her…
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Theater Review: CURTAINS (Coronado Playhouse, San Diego)
Coronado Playhouse is reviving the 2007 musical comedy/murder mystery Curtains through March 30. The show is the final collaboration of the great music theater team of composer John Kander and lyricist Fred Ebb (the team was working on The Visit when Ebb died in 2004). After original book author Peter Stone died in 2003, Rupert…
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Theater Review: 3 SUMMERS OF LINCOLN (La Jolla Playhouse)
A HOUSE DIVIDED, A MUSICAL UNITED La Jolla Playhouse has struck gold with 3 Summers of Lincoln, a bold world premiere musical that dives into the three critical summers—1862, 1863, and 1864—when President Abraham Lincoln fought to hold the Union together amid the country’s deep divisions over slavery. With a book by Joe DiPietro (Memphis,…
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Theater Review: OTHER DESERT CITIES (Cygnet Theatre)
LEARNING HOW TO SURVIVE IN THE DESERT Jon Robin Baitz‘s Other Desert Cities—which opened at Cygnet Theatre last weekend—portrays about 24 hours in the upscale home of the Wyeth home in Palm Springs, California, and it’s an emotional stunner. Baitz sets his play over a 24-hour period in 2004. All the action takes place in the…
Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
by Rob Lester | April 17, 2026
in New York, TheaterFilm Review: BRUTE 1976 (Directed by Marcel Walz)
by Allen Tellis | April 16, 2026
in FilmCabaret Review: MARILYN MAYE (54 Below, NY)
by Rob Lester | April 16, 2026
in Cabaret, New YorkComedy Club Review: GREENPOINT COMEDY CLUB (Brooklyn)
by Alex Simmons | April 15, 2026
in Cabaret, New York, TheaterTheater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
by Alex Simmons | April 14, 2026
in New York, TheaterTheater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
by Lynne Weiss | April 14, 2026
in Boston, TheaterBroadway Review: BECKY SHAW (Helen Hayes)
by Carol Rocamora | April 14, 2026
in New York, Theater



















