Dance

ACB’S JOURNEY INTO HELL: THE ONE TIME YOU MIGHT WISH THE TRIP WERE LONGER Inferno, American Contemporary Ballet (ACB)’s season opener was a musical blast from the past with a twist. Just in time for Halloween, Artistic Director Lincoln Jones’ latest ballet—set to music from Charles Wuorinen’s seven-part opus The Mission of Virgil—was one for…

IS THAT ALL THERE IS? For his intriguing but overlong new work Second Quartet, which received its U.S. premiere at The Wallis last weekend, young French choreographer Noé Soulier writes in the program about his 28-minute piece: “Without the spectator having to recognize the motivations behind these complete movements, they are intended to stimulate his…

WHO’S EXCITED ABOUT VIRGINIA WOOLF? Inspired by Virginia Woolf’s Mrs. Dalloway, NW Dance Project’s Artistic Director Sarah Slipper’s Woolf Papers—a reinvention of the classic novel—is an outstanding model of contemporary dance, provocative, theatrical, and deeply moving. Now, this exciting new piece is coming to the Carpenter Center in Long Beach for one night only on…

THE BLIND DANCE COMPANY’S EMOTIONAL VISION Hydeia Muhammad’s Blind Dance Company premiered its first show, Emotions, in the Los Angeles Fashion District to a well-deserved roar of applause. Performed at a building called The Lazarus Experience, the company’s production proved that an all-blind ensemble was no miracle, but rather came to life from CRE Outreach…

ACB’S MODERN THROWBACK American Contemporary Ballet’s final production of the season reworks an old favorite and breathes life into once forgotten characters from another well-known ballet. The combination of singing and dancing was an innovative conclusion to a trilogy’s worth of education in the classics. Aside from a few logistical problems, the show was very…

FANTASM’S FANTASTIC FORAY INTO BELLYDANCING Bellydance Evolution’s  Fantasm’”Odyssey of Dreams  is a well-interpreted and abridged re-telling of  One Thousand and One Nights,  the Arabian tale that combines the legend of Queen Scheherazade with her stories about fictional celebrated sailor Sinbad. Portrayed by a multi-cultural cast assembled by choreographer Jillina Carlano, the ensemble successfully brings the story-telling aspects of bellydancing…

BALLETNOW AND FOREVER New York City Ballet (NYCB) principal dancer Tiler Peck’s curation of BalletNOW was an elegant and enticing mash-up of well-known excerpts that would satisfy both first-timers and connoisseurs expecting excellence from ballet’s best performers. Three days of shows at L.A.’s Music Center featured a varied repertoire of fast- and slow–paced dances with…

PRIMA PARTE PASSA, SECONDA È MIGLIORE Primo Passo explores life’s first steps through a compilation of dance features from choreographer Daniel Ezralow’s 30-year repertoire in a hit-and-miss retrospective that ranged from trite to enthralling. The seven pieces fit the theme of “new beginnings” well, showcasing movements that reflected an air of childlike curiosity or enthusiasm…

BALLET’S HIDDEN BEGINNINGS “There is only now.” American Contemporary Ballet (ACB)’s Artistic Director, Lincoln Jones, quoted famed choreographer George Balanchine at the premiere of the company’s latest performance high above the Los Angeles skyline on the 32nd floor of downtown’s BLOC building. The quote described the fleeting nature of dance, which has always been difficult…