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Dance
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Los Angeles Dance Review: FANTASM–”ODYSSEY OF DREAMS (Bellydance Evolution at The Ford Theatres)
FANTASM’S FANTASTIC FORAY INTO BELLYDANCING Bellydance Evolution’s Fantasm’”Odyssey of Dreams is a well-interpreted and abridged re-telling of One Thousand and One Nights, the Arabian tale that combines the legend of Queen Scheherazade with her stories about fictional celebrated sailor Sinbad. Portrayed by a multi-cultural cast assembled by choreographer Jillina Carlano, the ensemble successfully brings the story-telling aspects of bellydancing…
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Los Angeles Dance Review: BALLETNOW (The Music Center’s Dorothy Chandler Pavilion)
BALLETNOW AND FOREVER New York City Ballet (NYCB) principal dancer Tiler Peck’s curation of BalletNOW was an elegant and enticing mash-up of well-known excerpts that would satisfy both first-timers and connoisseurs expecting excellence from ballet’s best performers. Three days of shows at L.A.’s Music Center featured a varied repertoire of fast- and slow–paced dances with…
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Dance Review: EZRALOW DANCE: PRIMO PASSO (The Wallis in Beverly Hills)
PRIMA PARTE PASSA, SECONDA È MIGLIORE Primo Passo explores life’s first steps through a compilation of dance features from choreographer Daniel Ezralow’s 30-year repertoire in a hit-and-miss retrospective that ranged from trite to enthralling. The seven pieces fit the theme of “new beginnings” well, showcasing movements that reflected an air of childlike curiosity or enthusiasm…
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Dance Preview: THE RED SHOES (National Tour of Matthew Bourne’s Production)
MATTHEW BOURNE’S THE RED SHOES: U.S. TOUR BEGINS IN L.A. SEPTEMBER 15 Inspired by Hans Christian Andersen’s beloved fairy tale and Michael Powell and Emeric Pressburger’s legendary 1948 film The Red Shoes, Matthew Bourne and company (New Adventures) adapted the breathtaking story and created a theatrical ballet which took the U.K. by storm last year. After winding up its tour across…
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Los Angeles Theater, Music & Dance Preview: CULTURE CLASH’S OG SUMMER DESMADRE (John Anson Ford Amphitheatre in Hollywood)
CURE YOUR POLITICAL HANGOVER WITH CULTURE CLASH Founded in 1984, L.A.’s very own veteran satirical Latino comedy troupe, “Culture Clash” (Herbert Siguenza, Ric Salinas and Richard Montoya) is headlining a one-night-only variety-extravaganza on Sunday, July 16, 2017 at the Ford Amphitheatre (newly revamped to the tune of $72.2 million), opposite the Hollywood Bowl. Now in their mid-to-late…
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Theater Review: THE CLIFTON’S CANTEEN (Concert at Clifton’s Republic / Los Angeles)
A BOOGIE-WOOGIE BLAST A one-time good-time event that will surely return next year, this sense-surrounding salute to USO shows of the WWII era was a perfect way to spend a Fourth of July holiday. Taking place on all four floors of the newly refurbished Clifton’s Republic in downtown, Clifton’s Canteen contained contagious crooning, dynamic dancing,…
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Dance Review: TCHAIKOVSKY (Eifman Ballet of St. Petersburg at the Music Center)
UNDERSTANDING TCHAIKOVSKY Eifman Ballet of St. Petersburg’s production of Tchaikovsky. PRO et CONTRA explores duality, loneliness and the price of fame in an emotional and technically brilliant production that takes storytelling to new heights. Artistic director Boris Eifman’s portrayal of the composer’s life through first person perspective and a doppelganger that is at his side at…
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Los Angeles Dance Review: TCHAIKOVSKY IN BALLET (American Contemporary Ballet)
BALLET’S HIDDEN BEGINNINGS “There is only now.” American Contemporary Ballet (ACB)’s Artistic Director, Lincoln Jones, quoted famed choreographer George Balanchine at the premiere of the company’s latest performance high above the Los Angeles skyline on the 32nd floor of downtown’s BLOC building. The quote described the fleeting nature of dance, which has always been difficult…
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Chicago Dance Review: HUBBARD STREET DANCE CHICAGO (Season 39 Summer Series at the Harris)
DANCE BEGINS AT 40 For Hubbard Street Dance Chicago, it’s time to take stock. This 100-minute evening does it all and well. It’s as much a showcase for seven seminal choreographers (Lou Conte, Twyla Tharp, Jim Vincent, Alejandro Cerrudo, Crystal Pite, William Forsythe and Lucas Crandall) as for one powerfully plucky Chicago troupe. Ending Sunday at…
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Los Angeles Dance Review: MARTHA GRAHAM AND AMERICAN MUSIC (Valley Performing Arts Center)
DESIRING MARTHA GRAHAM Presented at the Valley Performing Arts Center, Martha Graham and American Music took five dance pieces from within the Dance Company’s repertoire and matched them to live accompaniment by the L.A.-based music collective wild Up and its conductor Christopher Rountree. The result was a testament to Graham’s modern-day relevance as an artist, enhanced by a universal theme that…
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Dance Review: A STREETCAR NAMED DESIRE (Scottish Ballet)
A STREETCAR TO HEAVEN Thankfully not just a review of record. Still, you only have two more chances to catch what is surely the most phenomenal storytelling I have ever seen in a narrative ballet. The highest compliment I can offer director Nancy Meckler, choreographer Annabelle Lopez Ochoa, and composer Peter Salem is that you don’t…
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Los Angeles Theater Review: INGING (Jeanine Durning at Automata in Chinatown)
GERUNDING Multiple monitors flash images of choreographer and performer Jeanine Durning’s face as she filters through emotions of delight, amusement and pensiveness in the small, private Automata Theater in L.A.’s Chinatown. After pacing endlessly around the studio, Durning’”maneuvering through narrow gaps between the audience’s scattered folding chairs’”starts talking about the building’s exit and entrance. After this…
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Chicago Dance Review: DANC(E)VOLVE (Hubbard Street Dance Chicago at MCA)
LOOKING BEFORE THEY LEAP It’s a night of dance discoveries. Four Chicago-based choreographers create a splendid showcase in danc(e)volve, two world premieres and two nearly new offerings at the appropriate Museum of Contemporary Art. Celebrating Hubbard Street’s 39th season, a quartet of well-motivated movements puts the young troupe through perilous paces. These works are often…
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Dance Review: ASPEN SANTA FE BALLET (on tour at the Valley Performing Arts Center in Northridge)
FINDING HAPPINESS IN DANCE Just before Aspen Santa Fe Ballet’s (ASFB) program, Valley Performing Arts Center’s Executive Director Thor Steingraber announced that the outfit was signed to be in residence for two more years. Based on last night’s offering, the company’s second visit here, I hope to see much more of this 20-year-old company. Even with a world…
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Dance Preview: CHORÉ (Les Ballets de Monte-Carlo at Segerstrom Hall in Costa Mesa)
A HOLLYWOOD MUSICAL AS YOU’VE NEVER SEEN IT In 1993, H.R.H. the Princess of Hanover appointed Jean-Christophe Maillot as the head of Les Ballets de Monte-Carlo. Backed by his experience as a dancer under Rosella Hightower and Hamburg Ballet’s John Neumeier, Maillot – the previous choreographer-director of the National Choreographic Centre of Tours – has since…
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Dance Review: ALADDIN (Houston Ballet at Auditorium Theatre)
ABRACADABRA! In a welcome and overdue debut at Chicago’s Auditorium Theatre this weekend, Houston Ballet offers only two performances of their sumptuous three-act ballet Aladdin, an Arabian night choreographed to an inch of its life by David Bintley. (Originally created for the New National Ballet of Japan in Tokyo in 2008, it premiered in London…
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Dance Review: GISELLE (Royal New Zealand Ballet)
GISELLE’S GAZELLES First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the world’s leading prima ballerinas. Since its inception, the Romantic story ballet had several revisions, but most companies follow Marius Petipa’s fin de siècle version. The North…
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Chicago Dance Review: ONE THOUSAND PIECES (Hubbard Street Dance Chicago)
LIGHT BECOMES MOVEMENT: THE AMERICA WINDOWS BURST INTO BEING Following its world debut last year as a “gift to the city” (gratefully accepted by Mayor Rahm Emanuel, also in attendance for its revival last night), One Thousand Pieces pays its respects to The America Windows. Now a Chicago landmark, these are the Art Institute’s now famous…
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Dance Review: THE JOFFREY BALLET’S LE SACRE DU PRINTEMPS (Reconstructed Version at the Dorothy Chandler Pavilion in Los Angeles)
THE RITE OF JOFFREY One hundred years ago, a new ballet took place in Paris’ Théâtre des Champs-Élysées. This highly controversial work – for both its music and choreography – would revolutionize dance and thrust ballet and classical music into the modern era. As if the avant-garde nature of the dance was not enough to…
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Chicago Dance Feature: ONE THOUSAND PIECES (Hubbard Street Dance Chicago)
PIECES OF FATE There is quite a bit of buzz surrounding Hubbard Street Dance Chicago’s One Thousand Pieces, which will commence the company’s 35th season. Inspired by Chagall’s masterpiece, America Windows, Madrid-born resident choreographer Alejandro Cerrudo is creating his first full-length dance program, which happens also to be HSDC’s first full-evening presentation by a single…



















