Areas We Cover
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Los Angeles
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Los Angeles Theater Preview: THE OLD WOMAN (Mikhail Baryshnikov & Willem Dafoe at Royce Hall)
RUSSIAN AVANT-GARDE AS SURREAL BURLESQUE Delightful wouldn’t be a word I’d expect to use when describing a Robert Wilson show. But The Old Woman, adapted by Darryl Pinckney from an absurdist story by Daniil Kharms, and performed by Mikhail Baryshnikov and Willem Dafoe, is just that. Whimsical, darkly funny, and disquieting throughout, Wilson’s striking spectacle…
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L.A. Music Preview: THE CZECH PHILHARMONIC ORCHESTRA (Valley Performing Arts Center)
THE HEART OF THE MATER Decca just released a 6-CD box set by the Czech Philharmonic Orchestra (CPO) of the complete symphonies and concertos of Antonín Dvořák, and I don’t remember when I’ve been quite so taken with any interpretation of Dvořák’s work. Not only is the recording quality impeccable, but Maestro Jiří BÄ›lohlávek clearly has…
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Los Angeles Theater Review: A OR B? (Falcon Theatre)
SLIDING BORES A or B? The question of Ken Levine’s title refers to the choice between two parallel universes set forth in his two-act two-hour two-hander. Played out simultaneously with flip-flopping scenes that last anywhere from 30 seconds to a few minutes or longer, this seriously regrettable dumbed-down rom-com concerns a comely woman who interviews…
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Los Angeles Dance Review: L.A. DANCE PROJECT (Theater at Ace Hotel)
COOL AS A CUCUMBER BUT NOT AS REFRESHING In Boys in the Band, the character of Harold states: “Although I’ve never seen my soul, I understand from my mother’s Rabbi that it’s a knock-out. I, however, cannot seem to locate it for a gander. And if I could, I’d sell it in a flash, for…
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Regional Music Preview: THE CZECH PHILHARMONIC ORCHESTRA (Segerstrom Concert Hall in Costa Mesa)
A NEW WORLD OF DVOŘíK AT SEGERSTROM Decca just released a 6-CD box set by the Czech Philharmonic Orchestra (CPO) of the complete symphonies and concertos of Antonín Dvořák, and I don’t remember when I’ve been quite so taken with such an utterly certified interpretation of Dvořák’s work. Not only is the recording quality impeccable,…
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S.F. & L.A. Theater Preview: ARGUENDO (Elevator Repair Service at Z Space and REDCAT)
NUDITY IS AS NUDITY DOES For the sake of argument (“arguendo”), let us consider G-strings as tools of oppression, and pasties as violations of our First Amendment rights. This was the perspective presented by some exotic dancers from South Bend, Indiana, in the 1991 United States Supreme Court case Barnes v. Glen Theatre. Elevator Repair…
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Los Angeles Theater Review: WHAT OF THE NIGHT? (The Vagrancy at Studio/Stage)
WHAT INDEED The title of María Irene Fornés’ 1989 quartet of one-acts recalls a two-verse Old Testament passage in Isaiah. The wandering Jews cry out from the midst of war, famine, every calamity: “What of the night?”, i.e. “What are our prospects?” The prophet returns: “The morning cometh, and also the night” – things will…
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Regional Music Review: CATHEDRALS OF SOUND (Pacific Symphony in Costa Mesa)
HERE’S YOUR CHANTS A concert for the ages’”and all ages’”arrived at the stunningly gorgeous Segerstrom Concert Hall last night. The tremendous spirit of Pacific Symphony’s presentation of Ottorino Respighi’s Church Windows (1925) and Maurice Duruflé’s Requiem (1947) was more than matched by the sheer size of the event. Written for SATB choir and soloists, there…
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Los Angeles Theater Review: BROOMSTICK (Fountain)
STAY FOR DINNER, WON’T YOU? She’s an ancient crone who lives in a tiny cottage deep in the forest, feared by those near and far. She brews strange elixirs and ointments, and is rumored to have turned little boys into piglets to feed on during her midnight feasts. Her rivals end up drowned in the…
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Los Angeles Opera Preview: DIDO AND AENEAS & BLUEBEARD’S CASTLE (Los Angeles Opera)
KOSKY’S QUEEN AND CASTLE On the surface, there isn’t much that unites Henry Purcell’s 1688 Dido and Aeneas and Béla Bartók’s 1918 Bluebeard’s Castle, except perhaps that men are not to be trusted. But when you see Barrie Kosky’s fiery fabrication of these two short operas, presented by LA Opera beginning Saturday, expect to be…
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Los Angeles Music Review: BEHZOD ABDURAIMOV & JUANJO MENA (LA Phil at Disney Hall)
ABDURAIMOV TRIUMPHS IN DISNEY HALL DEBUT In the past five years, I have encountered only a handful of fresh-to-the-scene soloists who completely enraptured’”those who combine the old-school magnetic quality of superlative technique with energetic experimentation, soul, and discovery. Among the electrifying performers that have made me literally lean forward in my seat are cellist Alisa…
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Music & Film Preview: THE PASSION OF JOAN OF ARC & VOICES OF LIGHT (Los Angeles Master Chorale at Disney Hall)
THE VOICES OF LIGHT AND PASSION OF LAMC Considered to be one of the greatest films of all time, Carl Theodor Dreyer’s The Passion of Joan of Arc, a 1928 silent French film based on the actual record of the trial of Joan of Arc, opened to rave reviews, but the actual footage was plagued for…
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Los Angeles Theater Review: FOREVER (Kirk Douglas Theatre in Culver City)
ORLANDERSMITH CAN SEE FOREVER There is a timeless quality to stories about families, particularly families riddled with alcoholism, drug addiction, bitterness, hatred, sadness, and lost dreams. Whether in the canon of literature (O’Neill anyone?) or through personal experience held close to a shamed soul, these tales have a “forever” quality. Which brings us to Forever, Dael…
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Los Angeles Theater Review: BETTER (Echo Theatre Company at Atwater Village Theatre)
FOR BETTER OR WORSE Based on her own experience with a dying father and marital breakup with playwright Hamish Linklater (whose The Vandal is currently running in Chicago), Jessica Goldberg created Annie, a restaurateur whose troubled marriage is put on the back burner when she returns to her family’s Ohio home to bid farewell to her…
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Regional Theater Review: VENUS IN FUR (South Coast Repertory in Costa Mesa)
THIS VENUS HAS THE RIGHT PAGE David Ives’ two-character adaptation of Leopold von Sacher-Masoch’s 1870 novel Venus in Furs wowed New York in 2010, largely for its star turn by Nina Arianda as an actress auditioning for, and then auditing the deepest morality of, a playwright who has adapted Venus in Furs (but lopped off…
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Los Angeles Music Review: LONDON PHILHARMONIC ORCHESTRA (Valley Performing Arts Center)
NOTHING FOGGY ABOUT THIS LONDON OUTFIT Yet again, the Valley Performing Arts Center (VPAC) is proven to be one of the best venues for music concerts in this or any other city. Not only is the gorgeous hall blessed with terrific sight lines and extraordinary acoustics, but the ticket prices are basically half of what…
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Los Angeles / Tour Theater Review: THE MAGIC FLUTE (Isango Ensemble at The Broad in Santa Monica)
SOME MAGIC IS ADDED, SOME MAGIC IS TAKEN AWAY South Africa’s Isango Ensemble is undoubtedly full of talented actors, singers, and musicians, but doesn’t quite have the specialized skills required to pull of Mozart’s masterful The Magic Flute (Impempe Yomlingo). While the production doesn’t aim for a straightforward rendering of the original, it does retain…
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National Tour Theater Review: JERSEY BOYS (Pantages)
BOY OH BOYS With a career spanning over five decades, Frankie Valli and The Four Seasons have amassed an impressive catalog, including numerous #1 hits (“Sherry,” “Walk Like a Man”) and over 100 million record sales worldwide. Furthermore, countless covers have been done of the group’s work that extend far beyond the pop rock genre,…
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Los Angeles Theater Review: BITCHES (The Magnum Players in West Hollywood)
BITCHY, BITCHY If you like your camp served by the bucket, then this outlandish tour de farce is steaming with it. Imagine if you will one of those appalling movies from the 1990s in which a group of Mean Girls reign supreme and battle for the role of Top She-Devil in their school’s cheerleading squad….
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San Diego Theater Review: BRIGHT STAR (Old Globe)
THERE’S A BRIGHT STAR SOMEWHERE ON THE HORIZON It takes a while to get on board with Steve Martin and Edie Brickell’s new musical at The Old Globe. In fact, emotional involvement by intermission is as distant as the Big Dipper. It’s certainly not a complete wash up before the second half, but the unwieldy…



















