Areas We Cover
Categories
Los Angeles
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Los Angeles Theater Review: THE BAT (Theatre 40 in Beverly Hills)
THE BAT: A SWING AND A MISS Nowadays, more times than not, new plays are a wham-bam, down-and-dirty, in-and-out in 80 minutes “theater-lite” affair. Not that I’m complaining (I relish any chance to get to bed early), because even with their diminished running time, they are usually vapid, pointless exercises that delve no further than…
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Los Angeles Theater Review: THE PSYCHIC LIFE OF SAVAGES (LATC in Los Angeles)
POETRY OUT OF MOTION I was quite keen to see Amy Freed’s The Psychic Life of Savages; curious about its fictional take on Sylvia Plath and Anne Sexton, the dead, messy poet heroines of my angst-ridden teenaged years. I would read Plath’s ripe paean to father fixation and suicide, Lady Lazarus, over and over’”bathing in…
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Los Angeles Theater Review: FARM BOY (Matrix Theatre)
WHO NEEDS HORSES? FARM BOY GALLOPS ALL ON ITS OWN War Horse is the theatrical juggernaut that took London by storm, crossed the pond, swept the Tony Awards and hit the road, recently completing a run at the Ahmanson Theatre. The majesty of the fantastical staging’”especially the life-sized horses created by the Handspring Puppet Company’”provided…
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Los Angeles Theater Review: THE GOVERNMENT INSPECTOR (The Theatre @ Boston Court in Pasadena)
A GOGOL BORDELLO In adapting Nikolai Gogol’s 1836 comedy The Government Inspector (also known, in direct translation, as The Inspector General) for a modern idiom, Oded Gross has taken a work of enduring satire and made of it an instantly dated parody of 2011. The original stands outside nation, era, or political alignment as an…
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Los Angeles Theater Feature & Review: REDCAT’S NEW ORIGINAL WORKS FESTIVAL (Disney Hall)
BEST BE ON YOUR AVANT-GARDE Understanding the origins of REDCAT, the downtown center for innovative visual, performing, and media arts, will assist the uninitiated in preparation for the avant-garde 9th Annual New Original Works Festival, now playing through August 11, 2012. And if you don’t like some of what you see at the festival, knowing…
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Los Angeles Theater Review: THE FUNKY PUNKS (La Mirada Theatre for the Performing Arts)
SMART FOOLERY A young-audience offshoot of the Troubadour Theater Company, the Funky Punks seem dedicated to kiboshing the notion that a clown’s function is to scare children. At the hour of comic tumbling, dance, acrobatics and puppetry I attended, the only child who cried was merely afraid of being dragged onstage. In fact, except for…
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Los Angeles Theater Review: A RING IN BROOKLYN (NoHo Arts Center in North Hollywood)
DIS HERE’S A DIFF’RENT KIND OF HIGH SCHOOL MUSICAL There is something very sweet going on in Eric Dodson’s and Alan Ross Fleishman’s new musical A Ring in Brooklyn. The unusual pleasure of the unamplified human voice’”the performers use no microphones’”is coupled with the creators’ obvious affection for their characters, elevating a rather simple premise…
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Los Angeles Theater Review: SURF DOGS UNITE (Actors Circle Theater in West Hollywood)
IRREVERENT IN TRANSLATION In the same way that many really awful movies are actually good in the sense of being funny to laugh at (rather than laugh with), so the screenplays chosen by the Magnum Opus Players for stage use are so terrible that they make good comic theatre. And just to be absolutely clear,…
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Theater Review: STEPHEN SONDHEIM: IN CONVERSATION (Renée and Henry Segerstrom Concert Hall in Costa Mesa)
IT COULD HAVE BEEN WONDERFUL Attendees who had never seen Stephen Sondheim being interviewed in person must have been licking their chops with every juicy morsel that the legend said about himself to the packed house at Segerstrom Concert Hall–especially those who have been listening to Sondheim’s musicals for years. The great Broadway composer sat…
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Los Angeles Theater Review: MUTUALLY ASSURED DESTRUCTION (Odyssey Theatre in West L.A.)
A VERY COLD WAR BETWEEN THE SEXES I was a huge fan of Peter Lefcourt’s 1999-2001 Showtime series Beggars & Choosers. It was something of a bomb financially but a great favorite of those who work in the entertainment industry, who delighted in its dark yet fizzy take on the business of television — the…
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Los Angeles Theater Review: Macbeth (The Anteaus Company in North Hollywood)
ANTAEUS’ MACBETH ISN’T DREADFUL, BUT IT DIDN’T FILL ME WITH DREAD The Antaeus Company is not known for shying away from difficult material, especially when it comes to classical theatre, and their talented troupe typically breathes new life into old works with aplomb. Yet, their new double-cast production of Shakespeare’s Macbeth seemed somewhat flat, at…
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Los Angeles Theater Review: ALL YOUR HARD WORK (Lillian Theatre in Hollywood)
ALL YOUR HARD WORK NEEDS MORE HARD WORK It’s safe to say that no writer sets out to pen an unexceptional play, but despite all of his hard work, the end result falls short. Such is the case with Miles Brandman’s All Your Hard Work, presented by the Brimmer Street Theatre Company and making its…
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Los Angeles Theater Review: MENTAL CREATURES (Lounge Theatre 2 in Hollywood)
ALL FOR ONE Commonalities of the human experience take center stage in Mental Creatures: An Original Play With Music currently making its world premiere at the Lounge Theatre 2 in Hollywood. Written and performed by Jay Jacobson, the solo venture strives to show the sameness in all of us. Just in case the audience might…
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Los Angeles Theater Review: AS YOU LIKE IT (The Shakespeare Center of Los Angeles)
“TONGUES IN TREES, BOOKS IN THE RUNNING BROOKS” In order to make me laugh, a Shakespeare comedy must be well-cast. This man’s musings on the darker territories of the heart have never been exceeded in 400 years; nobody has come up with a better picture of human frailty than Macbeth and Lear, and if you…
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Los Angeles Theater Review: ON GOLDEN POND (The Glendale Centre Theatre)
AIMLESSLY ADRIFT ON GOLDEN POND After seeing the stage version of On Golden Pond, now playing at The Glendale Centre Theatre, it’s impossible not to think how much more rewarding it would have been to stay home, curl up on the couch with a big bowl of popcorn, and watch the 1981 film version starring…
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Los Angeles Theater Review: PAGEANT OF THE MASTERS: THE GENIUS (Irvine Bowl in Laguna Beach)
“BEAUTY IS A FORM OF GENIUS–IS HIGHER, INDEED, THAN GENIUS, AS IT NEEDS NO EXPLANATION.” Oscar Wilde Years ago, on a neighborhood stroll with my entourage of giggly young Girl Scouts, I caught my first glimpse of the Pageant of the Masters. Lured by faint orchestral strains, we happened upon the fence that bordered the…
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San Diego Theater Review: HARMONY, KANSAS (Diversionary Theatre)
GOLD DISCOVERED IN THE PLAINS I rolled my eyes when I heard about the plot of Harmony, Kansas, a musical having its world premiere at Divisionary Theatre in San Diego. Heath is a gay Kansan farmer who lives with his cultured boyfriend Julian in a rural community, but Julian longs for more than just an…
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Los Angeles Theater Review: LA CAGE AUX FOLLES (Pantages Theater in Hollywood)
COME FOR GEORGE HAMILTON, STAY FOR CHRISTOPHER SIEBER The national tour of La Cage aux Folles leaves its audience basking in the warm afterglow of a delightful musical comedy. As an enthused audience member behind me exclaimed at intermission, “I want to live inside this show!” – and no wonder. The Broadway revival of this…
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Theater Review: THE EXORCIST (Geffen Playhouse)
NO EVIL. NO GOOD. There are few who do not know the story. The devil possesses Regan, the innocent 12-year-old daughter of movie star Chris MacNeil, who is working on a film in Georgetown. A bevy of fascinating characters, most of whom are experiencing a crisis of faith (religious or otherwise), become tested to their…
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Los Angeles Theater Review: THE IRISH CURSE (Odyssey Theatre in West L.A.)
I AM NOT MY COCK When a new Godzilla movie came out in 1998 the marketing pundits urged, “Size does matter.” But when it comes to a woman’s sexual satisfaction with her partner’s penis size, apparently size doesn’t matter, at least, not to most women. Yet, many men seem to be obsessed with the size…



















