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Los Angeles
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Los Angeles Theater Preview: ONE TOUCH OF VENUS (Musical Theatre Guild)
YOU CAN GO BACK AGAIN The award-winning Musical Theatre Guild, a company of professional performers who present concert-staged readings of seldom seen musicals, will continue its 15th season with Kurt Weill and Ogden Nash’s rarely-produced classic One Touch of Venus (1943). I have been attending MTG for years and their one-night stands are more professional…
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Theater Review: TO KILL A MOCKINGBIRD (The Production Company / The Lex / Hollywood)
TO SAVE A MELODRAMATIC SCRIPT Harper Lee’s 1960 story about lawyer Atticus Finch, who defends Tom Robinson, a black man wrongfully accused of rape in 1935 Alabama, has lost none of its appeal. Although some have argued that many of the poor white Southerners and victimized black characters are one-dimensional (and that Atticus’s daughter, six-year-old…
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Circus Theater Reviews: TRACES; CAVALIA; CIRQUE BERZERK (North America Tours)
THIS CITY HAS BECOME A CIRCUS Erica Jong said, “Every country gets the circus it deserves. Spain gets bullfights. Italy gets the Catholic Church. America gets Hollywood.†And what does Hollywood get? Three circus-themed diversions of derring-do opening in the same week: Traces, which is a terrifically tantalizing titillation by seven convivial yet streetwise twenty-somethings…
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Los Angeles Theater Review: CYCLOPS: A ROCK OPERA (Psittacus Productions)
MORE PHALLUS, PLEASE I don’t know about you, but if I were a 5th century Greek who had just witnessed three back-to-back tragedies at the Festival Dionysus, only one thing could lift my spirits: Party! The Greeks loved to party as much as they loved theatre, so why not combine the two? The “party†became…
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STORIES BY HEART – with John Lithgow – Mark Taper Forum – Los Angeles Theater Review
STORIES BY AND FOR THE HEART At the start of the second half of Stories By Heart, John Lithgow tells us that, originally, the first half was all there was; but his audience, like children, having heard one story, wanted “more.†In this instance, more proves to be less. If I had left at intermission,…
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Los Angeles Theater Review: DADDY (Hudson Theatre)
OH, DADDY, POOR DADDY, SOMEONE’S TAKEN ADVANTAGE OF YOUR GOOD NATURE (AND GUESS WHO IT IS?) When you watch Dan Via, the actor, play the part of a wise-cracking, heart-lonely “best friend,†you will get an idea of what the style of Dan Via, the playwright, consists. He acts earnestly and straight-forwardly and totally without…
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Theater Review: CIRCLE MIRROR TRANSFORMATION (South Coast Rep)
REVIEWER ATTENDS AN ACTING CLASS (A TEACHER leads an acting class for reviewers.) TEACHER: OK, Tony, imagine you’re writing a review. It has been three days since you have seen Circle Mirror Transformation at South Coast Rep. What do you feel? TONY: Nothing. TEACHER: Oh, come on. You can dig deeper than that. TONY: OK….
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AMY & ELLIOT by Ryan Eggold – Gilbert Stage at the Stella Adler in Hollywood – Los Angeles Theater Review
EGGOLD SUNNY-SIDE UP Here’s a switch: in the ever-increasing saga of showcase-as-play in Los Angeles theatre, 90210 star Ryan Eggold has not only written Amy & Elliot, a genuinely funny play, but delivers a beguiling performance and manages to direct it with comical nuances that showcase the talent of his 3 co-stars. True, the sit-com…
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Theater Review: HAIR (National Tour at Pantages)
MY TIE-DYED DIATRIBE ON THE TRIBE When a 1977 revival of the “American Tribal Love-Rock Musical” Hair opened on Broadway, it received more pans than Julia Childs’ kitchen. The original 1968 Hair had taken the theatre world by storm because it had given a palatable, exuberant and tuneful voice to the contentious counter-culture revolution. (It also helped that a…
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Cabaret Preview: SUTTON FOSTER (Orange County Performing Arts Center’s Samueli Hall)
SUTTON FOSTER IS READY FOR A CABARET CLOSE UP Sutton Foster, one of Broadway’s most loved and talented leading ladies, will make her Orange County Performing Arts Center debut January 6 – 9 in the star-studded Cabaret Series. I first encountered Miss Foster in the titular role of Thoroughly Modern Millie on Broadway; she was…
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Los Angeles Theater Review: JULIA (Pacific Resident Theatre in Venice)
RETURN TO LOVE The inability to eradicate grief can eat away at you like a cancer. Society has come up with a multitude of ways (such as the Catholic confessional) to release the steam from a pressure cooker of heartache. For some people, all of the psychological tools developed to deal with regret are useless;…
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THE FIRST JO-EL – Troubadour Theater Company at the Falcon Theatre – Los Angeles Theater Review
A FUNNY THING HAPPENED ON THE WAY TO BETHLEHEM When three slapstick wise guys – Gold (Matt Walker), Frankenstein (Morgan Rusler) and Myr (Brandon Breault) – show up in Bethlehem for the arrival of the Prince of Peace, innkeeper Nicholas (Jack McGee) sees gold coins, so he touts his impregnated and unwed daughter Letty (Katie…
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LOST MOON RADIO – Café-Club Fais Do-Do and various clubs around Los Angeles – Ongoing – Los Angeles Theater Review
MOON – LOST; SUBLIME COMEDY – FOUND For those of you who love old time radio variety shows, sketch comedy and great music, you are in for a treat. Lost Moon Radio, a collection of experienced writers, performers and musicians, has assembled to bring us something that has been sorely missing from the world of…
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THEATER IN LOS ANGELES: THE BEST OF 2010
THE RESURRECTION OF TENNESSEE WILLIAMS: The Wooster Group production of Williams’s Vieux Carre proved without question that there is a key to his genius to be found in the later plays, contrary to the accepted notion that he was seriously burned out in the years preceding his untimely death. Elizabeth LeCompte and her lighting designer…
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Los Angeles Theater Review: VIEUX CARRÉ (The Wooster Group at REDCAT)
THE PASSION OF TENNESSEE WILLIAMS “You know, I heard some doctor say on the radio that people die of loneliness’¦.They do. Die of it, it kills ’˜em. Oh, that’s not the cause that’s put on the death warrant, but that’s the true cause. I tell you, there’s so much loneliness in this house that you…
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Tour Review: WEST SIDE STORY (National Tour at the Hollywood Pantages Theatre)
WEST SIDE TRAVESTY If  the West  Side Story at the Pantages Theatre were a college production, it might pass muster, particularly if your favorite niece or nephew had a part in it. Otherwise, what you will see bears as much resemblance to the recent Broadway revival as a farm mule does to a thoroughbred racehorse….
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Tour Theater Review: NEXT TO NORMAL (kick-off of National Tour at the Ahmanson in Los Angeles)
THE NEW TRADITION OF AWARD-WINNING MUSICAL WORKS-IN-PROGRESS In the evolutionary process of the modern Broadway musical,  Next to Normal is still somewhere between ape and man; for all the pioneering and innovative writing, intriguing subject matter, and outstanding performances, the finished product left me  frustrated that it didn’t live up to its own potential. There are…
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Theater review: HYPERBOLE: ORIGINS (Rogue Artists Ensemble at [Inside] the Ford)
ADULT CHILDREN’S THEATRE If Hyperbole: Origins were to be reviewed as a play, I would tell you that I had no idea what the playwright was trying to say; since no writer is credited, we’ll just assume that the Rogue Artists Ensemble is merely musing over the origins of things, such as music, fire, sin…
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Los Angeles Theater Review: THE SECRET GARDEN, THE MUSICAL (Chance Theater in Anaheim)
BAFFLING MUSICAL GETS THE TREATMENT IT DOESN’T DESERVE What do Miss Saigon, Grand Hotel, City of Angels, Aspects of Love, Will Rogers Follies, and Meet Me in St Louis have in common? They opened during the 1990-91  Broadway season, and all of them (City of Angels  to a lesser degree) are problematic with either awkward scores and/or…
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Theater Review: THE LIMITATIONS OF GENETIC TECHNOLOGY (Theatre of NOTE)
IT’S NOT NICE TO FOOL WITH MOTHER NATURE Tacky commercials for Global Cytodynamics play on large video screens as we enter Theatre of NOTE, advertising improved lifestyles through genetic alteration, including that of learning, memory, pleasure and belief systems. Projection designer Steven Calcote and the always extraordinary sound designer Cricket Myers brilliantly take us into…


















