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Los Angeles
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Theater Review: CIRCLE MIRROR TRANSFORMATION (South Coast Rep)
REVIEWER ATTENDS AN ACTING CLASS (A TEACHER leads an acting class for reviewers.) TEACHER: OK, Tony, imagine you’re writing a review. It has been three days since you have seen Circle Mirror Transformation at South Coast Rep. What do you feel? TONY: Nothing. TEACHER: Oh, come on. You can dig deeper than that. TONY: OK….
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AMY & ELLIOT by Ryan Eggold – Gilbert Stage at the Stella Adler in Hollywood – Los Angeles Theater Review
EGGOLD SUNNY-SIDE UP Here’s a switch: in the ever-increasing saga of showcase-as-play in Los Angeles theatre, 90210 star Ryan Eggold has not only written Amy & Elliot, a genuinely funny play, but delivers a beguiling performance and manages to direct it with comical nuances that showcase the talent of his 3 co-stars. True, the sit-com…
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Theater Review: HAIR (National Tour at Pantages)
MY TIE-DYED DIATRIBE ON THE TRIBE When a 1977 revival of the “American Tribal Love-Rock Musical” Hair opened on Broadway, it received more pans than Julia Childs’ kitchen. The original 1968 Hair had taken the theatre world by storm because it had given a palatable, exuberant and tuneful voice to the contentious counter-culture revolution. (It also helped that a…
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Cabaret Preview: SUTTON FOSTER (Orange County Performing Arts Center’s Samueli Hall)
SUTTON FOSTER IS READY FOR A CABARET CLOSE UP Sutton Foster, one of Broadway’s most loved and talented leading ladies, will make her Orange County Performing Arts Center debut January 6 – 9 in the star-studded Cabaret Series. I first encountered Miss Foster in the titular role of Thoroughly Modern Millie on Broadway; she was…
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Los Angeles Theater Review: JULIA (Pacific Resident Theatre in Venice)
RETURN TO LOVE The inability to eradicate grief can eat away at you like a cancer. Society has come up with a multitude of ways (such as the Catholic confessional) to release the steam from a pressure cooker of heartache. For some people, all of the psychological tools developed to deal with regret are useless;…
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THE FIRST JO-EL – Troubadour Theater Company at the Falcon Theatre – Los Angeles Theater Review
A FUNNY THING HAPPENED ON THE WAY TO BETHLEHEM When three slapstick wise guys – Gold (Matt Walker), Frankenstein (Morgan Rusler) and Myr (Brandon Breault) – show up in Bethlehem for the arrival of the Prince of Peace, innkeeper Nicholas (Jack McGee) sees gold coins, so he touts his impregnated and unwed daughter Letty (Katie…
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LOST MOON RADIO – Café-Club Fais Do-Do and various clubs around Los Angeles – Ongoing – Los Angeles Theater Review
MOON – LOST; SUBLIME COMEDY – FOUND For those of you who love old time radio variety shows, sketch comedy and great music, you are in for a treat. Lost Moon Radio, a collection of experienced writers, performers and musicians, has assembled to bring us something that has been sorely missing from the world of…
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THEATER IN LOS ANGELES: THE BEST OF 2010
THE RESURRECTION OF TENNESSEE WILLIAMS: The Wooster Group production of Williams’s Vieux Carre proved without question that there is a key to his genius to be found in the later plays, contrary to the accepted notion that he was seriously burned out in the years preceding his untimely death. Elizabeth LeCompte and her lighting designer…
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Los Angeles Theater Review: VIEUX CARRÉ (The Wooster Group at REDCAT)
THE PASSION OF TENNESSEE WILLIAMS “You know, I heard some doctor say on the radio that people die of loneliness’¦.They do. Die of it, it kills ’˜em. Oh, that’s not the cause that’s put on the death warrant, but that’s the true cause. I tell you, there’s so much loneliness in this house that you…
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Tour Review: WEST SIDE STORY (National Tour at the Hollywood Pantages Theatre)
WEST SIDE TRAVESTY If  the West  Side Story at the Pantages Theatre were a college production, it might pass muster, particularly if your favorite niece or nephew had a part in it. Otherwise, what you will see bears as much resemblance to the recent Broadway revival as a farm mule does to a thoroughbred racehorse….
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Tour Theater Review: NEXT TO NORMAL (kick-off of National Tour at the Ahmanson in Los Angeles)
THE NEW TRADITION OF AWARD-WINNING MUSICAL WORKS-IN-PROGRESS In the evolutionary process of the modern Broadway musical,  Next to Normal is still somewhere between ape and man; for all the pioneering and innovative writing, intriguing subject matter, and outstanding performances, the finished product left me  frustrated that it didn’t live up to its own potential. There are…
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Theater review: HYPERBOLE: ORIGINS (Rogue Artists Ensemble at [Inside] the Ford)
ADULT CHILDREN’S THEATRE If Hyperbole: Origins were to be reviewed as a play, I would tell you that I had no idea what the playwright was trying to say; since no writer is credited, we’ll just assume that the Rogue Artists Ensemble is merely musing over the origins of things, such as music, fire, sin…
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Los Angeles Theater Review: THE SECRET GARDEN, THE MUSICAL (Chance Theater in Anaheim)
BAFFLING MUSICAL GETS THE TREATMENT IT DOESN’T DESERVE What do Miss Saigon, Grand Hotel, City of Angels, Aspects of Love, Will Rogers Follies, and Meet Me in St Louis have in common? They opened during the 1990-91  Broadway season, and all of them (City of Angels  to a lesser degree) are problematic with either awkward scores and/or…
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Theater Review: THE LIMITATIONS OF GENETIC TECHNOLOGY (Theatre of NOTE)
IT’S NOT NICE TO FOOL WITH MOTHER NATURE Tacky commercials for Global Cytodynamics play on large video screens as we enter Theatre of NOTE, advertising improved lifestyles through genetic alteration, including that of learning, memory, pleasure and belief systems. Projection designer Steven Calcote and the always extraordinary sound designer Cricket Myers brilliantly take us into…
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HARPS AND ANGELS music and lyrics by Randy Newman, conceived by Jack Viertel – Mark Taper Forum – Los Angeles Theater Review
AN UNABASHED LOVE LETTER TO MICHAEL McKEAN Dear Michael McKean, I hereby declare that I am unashamedly besotted with love for you. Why? Because last night, I saw you take a handful of songs by Randy Newman and watched you become a different character with every song, turning each into an exquisitely dimensional one-act play….
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LA RAZÒN BLINDADA by Aristedes Vargas / THE LITTLE FLOWER OF EAST ORANGE by Stephen Adly Guirgis / THE SUNSET LIMITED by Cormac McCarthy / GREAT EXPECTATIONS adapted by Neil Bartlett from the novel by Charles Dickens / PANDEMONIUM / ROCK’N’ROLL by Tom Stoppard – Los Angeles Theater Reviews
MORE GOOD L.A. THEATER AROUND THAN ONE IMAGINES There is so much theater activity in Los Angeles that there is bound to be a lot of good theater. But I have been so burned out by the extraordinary amount of bad theater I’ve had to sit through that I’ve seriously considered taking a vacation from…
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WATSON, THE LAST GREAT TALE OF THE LEGENDARY SHERLOCK HOLMES by Jaime Robledo – Sacred Fools Theater – Los Angeles (Hollywood) Theater Review
THERE’S NO PLACE LIKE HOLMES The world premiere of Watson, The Last Great Tale Of The Legendary Sherlock Holmes, presented by the Sacred Fools Theatre Company, has a lot going for it: side-splitting Vaudevillian-type sight gags, brilliantly inventive direction, comedic acting that harks back to silent film, insanely luminous and flowery dialogue, a cohesive plot,…
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Theater Review INTRíNGULIS (LAByrinth Theater Company in Hollywood)
IF YOU DON’T KNOW WHAT THE TITLE OF THE SHOW MEANS BY THE END OF THE SHOW, THEN SOMETHING AIN’T RIGHT. IntrÃÂngulis is Carlo Albán’s true-life solo show about his family’s move from Ecuador to the U.S. and his life growing up as an illegal alien, even while starring in Sesame Street as a kid….
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Theater Review: BEAUTY AND THE BEAST (National Tour)
SMALLER PRODUCTION, BIGGER HEART Fans of the stage musical Beauty and the Beast will not be disappointed by the newly re-imagined (read: scaled down) version currently on tour. Original Broadway director Rob Roth has assembled the same team, including Tony-winning costume designer Ann Hould-Ward; what we get, instead of a two-ton castle set, is a…
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Los Angeles Theater Review: THE BUTCHER OF BARABOO (Road Theatre in North Hollywood)
WISCONSIN Â IN SENSURROUND What do you get when you mix the styles of Grand Guignol, farce, and situational comedy with the sensibilities of the Coen Brothers (Fargo) and Frederick Knott (playwright of Dial M For Murder and Wait Until Dark)? One would think a bloody, horrific mess, but The Butcher of Baraboo, at the Lankershim Arts…
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