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Los Angeles
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Opera Review: THE BARBER OF SEVILLE (LA Opera)
LA OPERA’S THE BARBER OF SEVILLE MORE THAN MAKES THE CUT In the world of opera, few works shine as brightly and endure as enduringly as Gioachino Rossini’s comic 1816 masterpiece, The Barber of Seville. The Barbiere di Siviglia score is a marvel of musical composition. Its lively and effervescent melodies, intricate vocal lines, and…
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Music Review: SIBELIUS AND SWAN LAKE (LA Phil; Hilary Hahn, violinist; Alpesh Chauhan, conductor)
Yesterday at Walt Disney Concert Hall conductor Alpesh Chauhan, making his Los Angeles Philharmonic debut, began with Saad Haddad’s new piece, Aysheen (عايشين), or “living” in Arabic, an LA Phil commission which received its first performances over the weekend. Aysheen begins with the bass drum thumping a soft heartbeat, soon joined by droning cellos and basses,…
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Theater and Dance Review: HEART OF BRICK (International Tour)
A MIDSUMMER NIGHT’S CHIC CLUB ODYSSEY Choreographer Raja Feather Kelly elevates backing dancers to high art in serpentwithfeet’s musical tour In Heart of Brick, presented yesterday at the Ford Theater, the musical artist serpentwithfeet (Josiah Wise) begins the evening by gliding onstage in an enormous red-orange snuggie. He speaks to us about his desire to…
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Theater Review: OLIVER! (5-Star Theatricals)
WHO WILL BUY IT? Endearing and sometimes exhilarating in its zest to please, 5-Star Theatricals‘ heartfelt but uneven revival of Oliver!, staged like community theater on steroids by Kari Hayter, only occasionally earns its exclamation point. The good news is that even with all-over-the-map dialects, so-so choreography, milquetoast drama, and mixed performance styles from Broadway…
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Recommended Event: GRAND AVE ARTS: ALL ACCESS (Downtown Los Angeles Sat. Oct. 21, 2023, 11am – 4pm)
FREE DAY OF ARTS EXPERIENCES FOR ANGELENOS It’s just a couple of days away from Grand Ave Arts: All Access, a day like no other where Downtown Los Angeles’s cultural corridor becomes a giant open house for Angelenos of all ages to experience free art opportunities with 14 of LA’s most iconic institutions on Saturday…
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Theater Review: THE ENGAGEMENT PARTY (The Geffen Playhouse)
A MOST ENGAGING PARTY Going into the west coast premiere production of Samuel Baum’s The Engagement Party, currently running at the Geffen Playhouse, I was aware of two things. First, a spilled glass of wine is the instigating action that causes everything to collapse. Two, the poster bore a striking resemblance to imagery used in…
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Los Angeles Dance Review: THE MISSING MOUNTAIN (L.A. Dance Project)
MURDER MYSTERY THEATER, WITHOUT THE MURDER PART Performers romp through a mist-filled space, trying to be mountains in this continuous dance performance. At the start of L.A. Dance Project’s The Missing Mountain by L.A. Dance Project choreographic Artists-in-Residence Bobbi Jene Smith and Or Schraiber, is the sound. As the audience enters the theater, we are…
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Theater Review: LOVE AMONG THE RUINS (El Portal)
LOVE AMONG THE RUINS Hearing the vintage recordings of Judy Garland and male crooners singing with society pop orchestras from the post-depression era, coupled with seeing black and white etchings of London skylines projected onto a scrim framed in an elegant art deco-inspired false proscenium, one would expect to see a romantic love story. However,…
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Opera Review: STAR CHOIR (World Premiere by The Industry at Mount Wilson Observatory in Los Angeles)
WHAT’S NEXT, TURANDOT AT THE SPHINX? Space pageantry reaches new heights inside Mt. Wilson Observatory’s 100-inch telescope. The experimental opera company The Industry is known for their innovative productions, held in unconventional locations. There was Hopscotch — a “mobile opera” that ferried audience members between the LA River, Bradbury building, an Airstream, and in…
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Theater Review: THE SORCERER (Ventura County Gilbert & Sullivan Repertoire Company)
THE SORCERER TAKEN FROM THE SOURCE This weekend, the Ventura County Gilbert & Sullivan Repertoire Company began its three-weekend run of The Sorcerer, a revival of their 2016 production. It is Gilbert and Sullivan’s first full-length opera and infrequently performed today. Subject to revisions since the opera’s 1877 premiere, this version reinstates the original Act…
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Music Review: STRAVINSKY AND SHOSTAKOVICH WITH DUDAMEL (Cellist Sheku Kanneh-Mason; Conductor Gustavo Dudamel; LA Phil at Disney Hall)
AN UNEQUIVACABLE TRIUMPH FOR LA PHIL… AND MY MOTHER The strains of Shostakovich’s Cello Concerto No. 1 have forever held a special place in my heart. It is a sentimentality rooted in a rather extraordinary moment of my own origin, an occurrence forever entwined with the ethereal melodies of this masterpiece. On that fateful December…
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Dance Review: HUBBARD STREET DANCE CHICAGO (Ahmanson Theatre)
SHOTA MYOSHI THRILLS WITH STREET PERFORMANCE The Chicago veteran contemporary dance company, one of America’s finest, doesn’t disappoint in a dancey triple bill at the Ahmanson in Los Angeles. Hubbard Street Dance Chicago’s Triple Bill last Friday consisted of a variety of styles. The first piece, Aszure Barton’s Busk (2009) is a genre-bending contemporary piece,…
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Dance Review: GRAHAM100–AMERICAN LEGACIES (Martha Graham Dance Company at The Soraya)
A SHOWCASE OF HISTORY, AMERICANISM AND HUMOR And An American Classic, Polished and Gleaming For readers not familiar with the modern dance pioneer Martha Graham, I would sum up her contribution in one word: contractions. No, I’m not referring to pre-birth convulsions; Martha Graham technique, in contrast to ballet, is based on “contraction of the…
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Theater Review: BIRDS OF NORTH AMERICA (Odyssey Theatre Ensemble)
A FEATHER IN ARYE GROSS’S CAP Playwright Anna Ouyang Moench uses the setting of a wooded area — beautifully designed at Odyssey Theatre by Mark Guirguis — as the backdrop of this beautiful family drama. The father, John (Arye Gross), is just about equally bound to his liberal and earth-loving principles, his love of bird-watching, and…
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Theater Review: FOLLIES (Musical Theatre Guild)
A FULFILLING FOLLIES One night? I mean, ONE night? Then again, the reunion in Follies we witness takes place on one night as well. And for those at said reunion and those of us lucky enough to be at Musical Theatre Guild‘s staged concert performance of Follies last Sunday, it was a night to remember….
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Highly Recommended Concert: FRAGMENTS 2 (Alisa Weilerstein, cellist; presented by La Jolla Music Society and the San Diego Symphony)
I have been following Alisa Weilerstein for over fifteen years, but until about five ago it was only on recordings and YouTube. Having seen her perform live four times since I can assert that the phenomenal American cellist has attracted attention worldwide because her playing combines a natural virtuosic command and technical precision with impassioned…
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Theater Review: THE TRAVELERS (Latino Theatre Co. & Magic Theatre at the Los Angeles Theater Center)
WHY ARE THE TRAVELERS NOT MOVING? The calendar listings for Luis Alfaro‘s The Travelers, currently playing at the Los Angeles Theatre Center, say “We are all travelers, Brother. Our journeys take place inside.” The trouble is that journeys presented on the stage should not only be inside, but also aesthetical and active and must be treated…
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Recommended Concert: THIS, AND MY HEART: A PORTRAIT OF EMILY DICKINSON AND HER WORLDS THROUGH TEXT AND SONG (Fox Singers of The Verdi Chorus)
It seems that every time Emily Dickinson’s name is mentioned, people have an instant reaction accompanied by a smile. Her poetry has inspired books, films, and plays – and now, the Verdi Chorus is kicking off its 40th anniversary season, by presenting with the Sahm Family Foundation, This, and My Heart, A Portrait of Emily Dickinson and Her Worlds Through Text…
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Opera Interview: ANTHONY LEÒN (Now Appearing in LA Opera’s “Don Giovanni”)
Anthony Leòn, a 27-year-old tenor of American-Cuban and Columbian descent, hails from Riverside, California. His journey into the world of opera is nothing short of remarkable, marked by a childhood infused with musical influences. Leòn’s early connection with music blossomed when, at the tender age of two, he memorized Luciano Pavarotti’s iconic aria “La Donna…
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Concert Review: JAMIE CULLUM (Disney Hall)
JAMIE CULLUM’S TWENTYSOMETHING ALBUM AND DISNEY HALL BOTH TURN TWENTY: WHAT A PARTY Singer-pianist Jamie Cullum made a rare Los Angeles appearance for a recent concert at Disney Hall. Born and raised in England in 1979, he recorded his first album in 1999 and had great success with 2002’s Pointless Nostalgic and particularly 2003’s Twentysomething….
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