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Scott Yanow
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Film Review: MUSIC FOR BLACK PIGEONS (directed by Jørgen Leth and Andreas Koefoed)
DEFINING MUSIC IS TOUGH TO PIGEONHOLE Music For Black Pigeons is a 90-minute documentary film by Jørgen Leth and Andreas Koefoed without a specific plot. Viewers get to see a variety of jazz greats during candid scenes that often take place at recording sessions dating from the past 20 years. There are some heartwarming moments and…
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Film Review: ELIS & TOM – IT JUST HAD TO BE YOU (directed by Roberto de Oliveira and Jom Tob Azulay)
It was a musical match made in heaven even if it was not entirely smooth sailing. In 1974 the innovative Brazilian composer Antonio Carlos Jobim (1927-94) who was also a guitarist, pianist, and vocalist, teamed up with Elis Regina (1945-82) who was considered the top Brazilian singer, to record the classic album Elis & Tom….
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Jazz Concert Review: BRAD MEHLDAU TRIO (International Tour at Disney Hall)
BRAD MEHLDAU IN TOP FORM Ever since he recorded with altoist Christopher Hollyday’s group in 1991, Brad Mehldau has one been one of jazz’s top pianists. He was with Joshua Redman’s group during 1993-94 but otherwise has mostly been heard as a leader ever since. He put together his trio with bassist Larry Grenadier and drummer…
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Jazz Concert Review: PAT METHENY (Dream Box Tour at Royce Hall, UCLA)
PAT ON THE BACK When one thinks of the always-inventive and distinctive guitarist Pat Metheny, it is generally of the great bands he has had (including the Pat Metheny Group with the late Lyle Mays on keyboards and the Unity Band with Chris Potter), his recordings with bassist Charlie Haden and guitarist John Scofield, and…
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Concert Review: JAMIE CULLUM (Disney Hall)
JAMIE CULLUM’S TWENTYSOMETHING ALBUM AND DISNEY HALL BOTH TURN TWENTY: WHAT A PARTY Singer-pianist Jamie Cullum made a rare Los Angeles appearance for a recent concert at Disney Hall. Born and raised in England in 1979, he recorded his first album in 1999 and had great success with 2002’s Pointless Nostalgic and particularly 2003’s Twentysomething….
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Jazz Concert Review: BUDDY GUY & CHRISTONE “KINGFISH” INGRAM (The Hollywood Bowl)
BLUES NIGHT AT THE HOLLYWOOD BOWL On a Wednesday night, the Hollywood Bowl showcased two giants of the blues, representing its storied past and its potential future. Buddy Guy, the last of the veteran greats, was the main attraction while Christone Ingram (known as Kingfish) showed that the blues will not run out of gas…
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Music and Concert Review: QUINCY JONES’ 90TH BIRTHDAY TRIBUTE: A MUSICAL CELEBRATION (Hollywood Bowl)
JONESING FOR JONES For two nights at the Hollywood Bowl, quite an all-star cast paid tribute to arranger-composer-producer Quincy Jones. His 90th birthday actually took place last March 14 but it was a good excuse to celebrate “the Dude’s” musical legacy. Angélique Kidjo Samara Joy, Patti Austin, Jacob Collier Quincy Delight Jones Jr. was born in…
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Film Review: FIRE MUSIC (directed by Tom Surgal)
THE TIP OF THE STORY OF FREE JAZZ Bebop revolutionized jazz in the mid-1940s, shifting the role of the soloist from improvising off of the melody to developing new spontaneous ideas over a song’s chord changes. Just 15 years later, bebop was thought of old fashioned by the new revolutionaries of free (or avant-garde) jazz. Instead of using chord…
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Film Review: RONNIE’S (directed by Oliver Murray)
GREAT RONNIE SCOTT Ronnie Scott (1927-96) was the top British tenor-saxophonist of the late 1940s/early ‘50s before Tubby Hayes emerged on the scene, and he was one of the first British beboppers. His big tone and swinging style (influenced a little by Lester Young and Stan Getz) was featured on many fine recordings during the…
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Film Review: NO ORDINARY MAN — THE BILLY TIPTON DOCUMENTARY (directed by Aisling Chin-Yee and Chase Joynt)
BUT WHAT ABOUT TIPTON’S LIFE AND TIMES? Billy Tipton (1914-89) had an unusual life, to say the least. Born as Dorothy Lucille Tipton, she developed into a professional pianist and occasional saxophonist. Feeling that her career could only go so far as a female, she reinvented herself as a male by the mid-1930s, using the…
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Film Review: JAZZ ON A SUMMER’S DAY (directed by Bert Stern, 1959 | New IndieCollect 4K Restoration)
BETTER THAN THE FIRST TIME AROUND Jazz On A Summer’s Day has long been considered one of the great music concert films. In 1958, photographer Bert Stern led a crew that went to the Newport Jazz Festival and filmed many of the highlights. They managed to catch quite a few memorable moments, the color photography…
Theater Review: EAT ME (South Coast Repertory, Costa Mesa)
by Michael Landman-Karney | April 21, 2026
in Los Angeles, Regional, TheaterOff-Broadway Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Theater 2020)
by Rob Lester | April 21, 2026
in New York, TheaterOpera Review: FALSTAFF (LA Opera, Dorothy Chandler Pavilion)
by Michael Landman-Karney | April 20, 2026
in Los Angeles, Music, TheaterTheater Review: ENGLISH (Wallis Annenberg Center, Beverly Hills)
by Ernest Kearney | April 19, 2026
in Los Angeles, Theater










