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Los Angeles
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Theater Review: THE BROTHERS PARANORMAL (East West Players)
WHO IS HAUNTING WHOM? Ghosts, paranormal investigators, and a loving couple that just moved to their new home — it sounds like a reality TV series for binge watching. The Brothers Paranormal at East West Players turns out to be anything but. Instead, audiences are treated to a wonderful, heartfelt, humorous and gut wrenching drama…
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Theater Review: CHARLES DICKENS’ A CHRISTMAS CAROL (A Noise Within in Pasadena)
A HOLIDAY GREETING CARD COME TO LIFE The story that encapsulates the spirit of Christmas perfectly has had countless adaptations, from The Muppets to Disney. This beloved novella, originally published in 1843, has stood the test of time and continues to be celebrated today. The film Spirited starring Ryan Reynolds and Will Ferrell adds to…
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Theater Review: THE EMPIRE STRIPS BACK (Montalbán Theatre in Hollywood)
MAY THE TORSO BE WITH YOU Forget about Broadway or the latest Marvel Comic movie. The fun, hip and cool burlesque Star Wars parody ’” which isn’t just for fans of the franchise ’” is the show to see this winter live onstage in Hollywood. No stranger to L.A., Burlesque started in the nineteenth century…
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Theater Recommendation: AIN’T MISBEHAVIN’ (Rubicon Theatre Company in Ventura)
ONE OF THE ALL-TIME FEEL-GOOD MUSICALS COMES TO RUBICON Ain’t Misbehavin’ is a sizzling celebration of Fats Waller’s music ’” songs that he made famous in a career that ranged from uptown clubs to downtown Tin Pan Alley to Hollywood and concert stages around the world. This delightful revue conceived by Murray Horwitz & Richard Maltby…
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Theater Review: CLYDE’S (Mark Taper Forum)
A TURKEY SANDWICH We are at a greasy spoon sandwich shop whose patrons are truckers making the long haul across Pennsylvania. The owner, Clyde, and her four sandwich makers are all ex-cons. But she’s the boss. While she enters and exits with orders and pick-ups, she humiliates her workers, who put up with her browbeating…
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Music Review: PROKOFIEV & SMETANA (LA Phil with Xian Zhang, conductor; Behzod Abduraimov, piano)
A FLABBERGASTING PERFORMANCE FROM ABDURAIMOV Is it possible that the great pianist Behzod Abduraimov has ten hands? Watching him last Sunday at Disney Hall performing Prokofiev’s Piano Concerto No. 2 was so electrifying that it wasn’t until after the work that I wondered if I ever saw his hands in anything other than a blur….
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Music Review: MUSIKALISCHE EXEQUIEN [MUSIC TO ACCOMPANY A DEPARTURE] (L.A. Master Chorale)
HEAVEN AWAITS “Exequien” in German are funeral observances, and the three pieces of Heinrich Schí¼tz‘s Musikalische Exequien were originally performed in February 1636 for the funeral of Heinrich Posthumus von Reuss, a prince and diplomat who was a personal friend of the composer. Funeral arrangements are likely to weigh heavily on your mind if you’re…
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Theater Review: MINDPLAY (World Premiere at The Geffen Playhouse)
MIND FOR ALL ITS WORTH No one can deny that Brooklyn-based mentalist Vinny DePonto is a master showman. As with all magicians, the true context of any one-man show is not the tricks (and there are some beauties here) but the patter with audience members. At Geffen Playhouse’s smaller theater, the patrons barely have time…
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Film Series RECOMMENDATION: PRESENT PAST (Academy Museum of Motion Pictures)
ACADEMY MUSEUM OF MOTION PICTURES ANNOUNCES PRESENT PAST FILM SERIES DECEMBER 1–19, 2022MUSEUM’S FIRST FILM SERIES TO CELEBRATERECENT RESTORATIONS FROM THE ACADEMY FILM ARCHIVE AND BEYOND Harlem on the Prairie (1937), Directed by Sam Newfield. Image: Academy Film Archive. The word is out! the Academy Museum of Motion Pictures has become the place to see the best…
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Opera Review: TOSCA (LA Opera)
AN ANGEL TO THE RESCUE Well, LA Opera has perked me up all ways from Sunday. As if the recent production of Omar, truly a game changer in the world of opera, wasn’t awesome enough, now comes along a rendition of Tosca that is one of the most beautiful and satisfying that you will ever…
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Theater Review: RENT (Couerage Ensemble)
A YEAR IN THE LIFE Jonathan Larson’s Rent is in a musical theater empyrean; indeed, productions are as ubiquitous as the stars in the firmament. The show is about a year in the life of bohemian artists struggling to survive, and if that sounds familiar, Larson based his 1997 work on Puccini’s opera La Bohème,…
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Theater Review: MAN’S FAVOR DEVIL’S PLAN (Robey Theatre Company at Los Angeles Theatre Center)
MAN’S FAVORITE CAST On Nathan Stuffel’s terrific set of a loading dock behind a hotel, it is 1938 Los Angeles. These are tough times for everyone, but especially the Black employees who must belittle themselves to keep their jobs as cooks, maids, etc. The unscrupulous white boss Avery (Darrell Phillip) is part overseer and carpetbagger…
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Theater Review: URINETOWN THE MUSICAL (Long Beach Playhouse)
MIND YOUR PEES AND QUEUES People start revolutions because they want something that authorities are controlling. Jefferson wanted to declare independence. Norma Rae wanted to improve factories. Katniss wanted to feed masses. Bobby Strong in the musical Urinetown — now in a truly smashing production at Long Beach Playhouse — wants to pee for free….
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Theater Review: 2:22: A GHOST STORY (Ahmanson Theatre)
CHEAP THRILLS WON’T LIFT YOUR SPIRIT You never forget your first. Mine happened in the West End of London in the year 2000. The Woman in Black (Stephen Mallatratt’s adaptation of Susan Hill’s gothic horror novel) marked the first time I was ever scared shitless in a theater. Not a movie theater, mind you: the…
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Theater Review: MOULIN ROUGE! (North American Tour at SCFTA)
A GOOD TIME WITHOUT MUCH TO SAY In 2001, Baz Luhrmann co-wrote and directed the jukebox musical movie, Moulin Rouge! The film was especially praised for its highly stylized costumes and production values. In 2019, retaining much of the flamboyance and style, the Broadway production adapted by John Logan and directed by Alex Timbers opened,…
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Theater Review: RADIO GOLF (A Noise Within, Pasadena)
GOLF IS ON COURSE, BUT JUST A BIT UNDER PAR Pittsburgh in 1997 is the setting for the last of renowned playwright August Wilson’s series of 10 dramas that highlight aspects of African-American life in the 20th century. His is a play about gentrification, but a fascinating aspect of the 2005 work remains a rare…
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Theater Review: A FEW GOOD MEN (La Mirada Theatre)
YOU WANT THE TRUTH? SEE THIS ASTOUNDING PRODUCTION. Many are familiar with A Few Good Men, the 1992 courtroom drama film starring Jack Nicholson, Tom Cruise, and Demi Moore, which uses clashes of egos and attitudes to bluntly raise provocative issues, including the self-justifying arrogance of power and the complacency of a society that assigns…
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Music and Film Recommendation: FRANKENSTEIN (Original 1931 film, score by Michael Shapiro — LA Opera at Theatre at Ace Hotel)
STITCHED WITH NEW MUSIC The hugely popular annual Halloween mash-up of film and opera at the Theatre at Ace Hotel is back. This time LA Opera has the Boris Karloff shocker Frankenstein on the big screen, complete with mad scientist, bumbling henchman and mob of torch-bearing villagers. This 1931 masterpiece of horror was originally released…
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Theater Review: DAMN YANKEES (Musical Theatre West)
A THREE-HOUR HOME RUN Clearly and cleanly, tried and true director Cynthia Ferrer and choreographer Alexis Carra Girbés trust the heart out of Adler and Ross’s 1955 Broadway classic, Damn Yankees. Musical Theater West’s fall treat at Carpenter Performing Arts Center in Long Beach is glowing and glorious fun. Their faithful recreation gets richly rewarded by…
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Theater Review: THE INHERITANCE (The Geffen)
WHAT WILL YOU INHERIT? That Matthew Lopez’s sprawling near-7-hour 2-part play, with 3 acts in each part, keeps us captivated is quite a feat. Beautifully written, funny, sad, and hopeful, The Inheritance — a remarkable if flawed piece of ensemble theater — is a fresh, realistic look at gay life in NYC with reflections on…


















