Areas We Cover
Categories
Los Angeles
-
Theater Review: HAIRSPRAY (San Diego Musical Theatre at Horton Grand Theatre)
EVEN WHEN YOU’RE HAIR CAN’T HOLD UP, THIS MUSICAL CAN To say you like Hairspray really doesn’t cut it. Do you mean the 1988 John Waters film starring Devine and newcomer Ricki Lake? Or maybe you mean the 2003 Tony winner for “Best Musical,” which also yielded Harvey Fierstein a Tony for his role as…
-
Concert Preview: GREGORY PORTER AND SAVION GLOVER (with Vince Mendoza at the Hollywood Bowl)
OLDIES AND TAP: YOU’D BE NUTS TO MISS THIS CONCERT Jazz singer Gregory Porter certainly has amassed an impassioned and appreciative audience of all ages and races. But ever since double Grammy-winning composer, actor, and soul, jazz, and gospel song stylist released his latest Blue Note recording, Nat “King” Cole & Me, he cemented himself…
-
Film and Music Review: STAR WARS IN CONCERT (Los Angeles Philharmonic at the Hollywood Bowl)
MAY THE HORNS BE WITH YOU As difficult as it may be to tear your eyes away from the giant screen at the Hollywood Bowl, try to espy the LA Phil brass section during the climactic battle scene of Star Wars: A New Hope, which plays this week in rep with Empire Strikes Back. Bring your…
-
Theater Preview: THE MOST HAPPY FELLA (Musical Theatre West in Long Beach)
ABBONDONZA If ever there was a reason to say, “Absolutely, positively, do not miss this event,” this is it. For one night only on Sunday August 19 at 7pm, Musical Theatre West’s Reiner Reading Series offers the final show of its eighth and final season, Frank Loesser’s The Most Happy Fella. While it’s been an incredible…
-
Theater Review: BAREFOOT IN THE PARK (The Old Globe in San Diego)
THE GLOBE MAKES IT LOOK LIKE A WALK IN THE PARK Barefoot in the Park, Neil Simon’s second Broadway hit after Come Blow Your Horn, played a staggering 1,530 performances in its initial run, winning a Tony Award for director Mike Nichols. It’s somewhat inconceivable that a play this frothy, containing less pathos than Simon’s…
-
Theater Review: WAITRESS (National Tour)
SWEET AS PIE, FLAKY AS CRUST, OR BOTH? If the heat in the kitchen is getting you down, you may want to head on over to Hollywood, where the Broadway hit Waitress arrived last night for a limited four-week at the Pantages Theatre August 3-26, 2018, and then continuing on tour after that through the…
-
Dance Preview: ISADORA (Segerstrom in Costa Mesa)
DUNKIN’ INTO THE WORLD OF DUNCAN On September 14, 1927, dancer and San Francisco native Isadora Duncan was strangled in Nice, France, when the enormous silk scarf (“which she had worn since she took up communism,” one newspaper reported) somehow blew into the well of the rear wheel on the passenger side of the sportscar she…
-
Theater Review: ANNIE (Hollywood Bowl)
SHE’S BA-A-A-ACK For those who think the sun won’t come up until 2020, here comes another Annie, that 1977 optimistic spitfire of a musical — based on the Harold Gray comic strip Little Orphan Annie — which insists that simply thinking about a brighter tomorrow will perk you right up. Although a national tour just wrapped…
-
Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (North Coast Rep in San Diego)
A FUNNY THING’S HAPPENING AT NORTH COAST REP Only in Ancient Rome! Pseudolus, the wise-cracking slave (Omri Schein), can earn his freedom if he can somehow get the pretty, bubble-headed virgin (Noelle Marion) staying next door to become the beloved of his twenty-something master, Hero (Chris M. Kauffmann). Alas, she is promised to uber-masculine Army…
-
Theater Review: UNDER MILK WOOD (Open Fist Theatre Company at Atwater Village Theatre)
THE PLEASURES OF WEBFOOT COCKLEWOMEN AND MINCED CAT Under Milk Wood is a vivid combination of poetry, drama, and music that was first performed as a radio play in 1954, and it is squarely rooted in language. Set in a seaside town in Wales called Llareggub (“bugger all” backwards), it is described as a place…
-
Music Review: AUGUSTIN HADELICH & STÉPHANE DENÈVE (LA Phil at the Hollywood Bowl)
BOLÉRO GETS A PERFECT 10 It’s always fascinating to come for a headliner and be completely bowled over by another part of the program. The draw was Augustin Hadelich, one of the world’s greatest violinists, performing Sibelius’s only Violin Concerto at the Hollywood Bowl. I have seen the Juilliard-trained Hadelich on five occasions, and each…
-
Theater Review: DR. JEKYLL & MR. HYDE (The Los Angeles LGBT Center’s Davidson/Valentini Theatre)
ITCHING TO BE SWITCHING ROLES Burt Grinstead and Anna Stromberg’s take on Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde switches between comedic farce and serious scenes just as slickly as Jekyll, the affable, handsome physician, becomes Hyde, a maniacal, marauding murderer. Blessedly not as silly and madcap as the stage…
-
Los Angeles Theater Review: PUMP BOYS AND DINETTES (Sierra Madre Playhouse)
PUMP GETS YOU PUMPED This invigorating, modest little 1980 musical was nominated for both a Tony and Drama Desk Award for Best Musical in 1982. It may seem commonplace now thanks to John Doyle’s reinterpretation of Sondheim (for one), but this is one of the first musicals where the actors not only sing but also…
-
Theater Review: SIDE BY SIDE BY SONDHEIM (Odyssey Theatre in Los Angeles)
EMOTIONAL TURMOIL AND MUSICAL BLISS One of the pleasures of the Odyssey Theatre Ensemble’s production of Side by Side by Sondheim is the experience of hearing voices without amplification. I have never been to a Broadway musical without a sound system and have often wondered what it was like. Did it always take an Ethel…
-
Dance Preview: MOVES AFTER DARK (Disney Hall)
GET YOUR MOVES ON It had to happen one day: L.A. is truly becoming a metropolis, with incredible events difficult to find anywhere else. To wit, the dance world is springing to new heights, and while site-specific dance has been going on for years, The Music Center goes a step further by selecting three L.A.-based…
-
Music Review: SEAL and CORINNE BAILEY RAE (Hollywood Bowl)
HIS STANDARDS SEAL THE DEAL I was stunned at how many Bowl patrons were arriving during Corinne Bailey Rae’s set at the Hollywood Bowl last Wednesday. I get that Seal was the main attraction, but this soulstress — with her enchanting and seductive vocal whirls — has proved herself to be one of the most…
-
Theater Review: CRY IT OUT (Echo Theater Company at Atwater Village Theatre in Los Angeles)
WE NEVER STOP CRYING IT OUT The term “cry it out” refers to the practice of letting babies bawl until their fit subsides without parents coddling and mollifying them; assumedly this causes the child to become more self-sufficient later in life. In Molly Smith Metzler’s persuasive west coast premiere, three adult women find themselves in…
-
Theater Preview: BEAUTY AND THE BEAST (5-Star Theatricals in Thousand Oaks)
SHE’S STILL A BEAUTY It is sheer luck that I’ve been able to see Broadway Baby Susan Egan in over 10 shows since the mid-1980s. From intimate stages (Babes at the Matrix; Hello, Again at the Blank) to national tours (Bye Bye Birdie as Kim) to Broadway (Thoroughly Modern Millie, Triumph of Love), she has always glowed with professionalism…
-
Event Preview: MOVIE NIGHTS AT THE HOLLYWOOD BOWL (Great Films Live in Concert)
MOVIES AND FILM SCORES THAT WILL BOWL YOU OVER You want something out of this world? Something you can really chomp on? Something that will sound even better on another inspection? Something that’s completely magic? Well, grease up your lederhosen, because here comes Movie Nights at the Hollywood Bowl, 2018. Because of his indelible film…
-
Music Review: VíKINGUR ÒLAFSSON (Beethoven’s Second Piano Concerto with Thomas Adí¨s and the LA Phil at the Hollywood Bowl)
BOWL OVER BEETHOVEN Last night at the Hollywood Bowl started off with a bang. British composer and guest conducter  Thomas Adès began an evening of “Beethoven Masterpieces” — with Iceland’s VÃÂkingur Ólafsson offering the Second Piano Concerto — with a rendition of “The Star-Spangled Banner” that was decidedly awesome: more rhythmic and decisive than any I…



















