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Milo Shapiro
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Theater Review: THE SPONGEBOB MUSICAL (Cygnet Theatre / San Diego)
READY, SET, SPONGE! A colorful musical that’s tailor-made for kids and SpongeBob devotees SpongeBob SquarePants debuted on Nickelodeon in 1999 and was a quick success, becoming a must-watch for kids and many college students. The animated series became a multibillion-dollar global hit, yielding spin-offs, movies, and this musical adaptation now on at Cygnet Theatre titled,…
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Theater Review: THE RISE AND FALL OF LITTLE VOICE (Backyard Renaissance Theatre Company / Tenth Avenue Arts Center / San Diego)
SPEAK SOFTLY AND CARRY A BIG SONG Megan Carmitchel delivers a knockout performance in Backyard Renaissance’s latest gem During a recent move, I handed down dozens of DVDs. One I couldn’t part with was 1998’s Little Voice, featuring Brenda Blethyn’s exquisite performance. So, imagine my excitement—and trepidation given my esteem of the film—when I learned…
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Theater Review: THE HOMBRES (The Old Globe / San Diego)
WHAT A PIECE OF WORK IS HOMBRE Tony Meneses explores the hidden costs of masculinity with humor, compassion, and insight For centuries, women and gay men have fought to carve out power in a world largely shaped by straight men, within systems built by and for them. But straight men often wrestle with a different…
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Theater Review: A ROOM IN THE CASTLE (Moxie Theatre / San Diego)
THE WOMEN LEFT OFFSTAGE Lauren Gunderson reclaims Shakespeare’s sidelined women in a sharp, emotionally intelligent companion piece to Hamlet The women in Hamlet exist largely to reflect Hamlet’s choices and actions. They are little more than props to propel the plot, with no backstory or motivation. Playwright Lauren M. Gunderson clearly feels frustration at this…
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Theater Review: AN ACT OF GOD (Roustabouts Theatre Company at Scripps Ranch Theatre)
LORD HAVE MERCY! Roustabouts Theatre’s irreverent comedy lets Samantha Ginn unleash a hilariously blunt deity Samantha Ginn Playwright David Javerbaum pulls no punches in this hysterical, irreverent look at the heavenly father (now a mother) and her two angel sidekicks. The play borders on blasphemous, and if this would bother you, move right along because…
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Theater Review: HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (San Diego Musical Theatre)
HOW TO SUCCEED IN PRODUCING A MUSICAL Offices tend not to be much fun, which is why they are ripe for exploring undertones of emotion and comedy in scripts like Office Space, Working Girl, 9 to 5, and NBC’s The Office. Throw in some music (okay, a LOT of music) and dynamic choreography and you’ve got a…
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Theater Review: OF MICE AND MEN (Lamplighters)
HOPE WITH CALLOUSED HANDS: A QUIET MASTERPIECE REVISITED John Steinbeck’s play Of Mice and Men came quickly after the success of his novella by the same name. In fact, the play opened on Broadway in 1937 while the book was still on best sellers lists. In each telling, Steinbeck draws upon his own teenage experiences…
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Theater Review: LOUISA GILLIS (North Coast Rep)
WHEN THE DEAD STILL RUN THE ROOM Grief, memory, and the long shadow of unfinished business In this play of four characters, a fifth looms large, though never seen: the titular Louisa, late wife to Steven (James Sutorius), mother to Celia (Faline England), and grandmother to Lucy (Caroline Renee). She’s been dead for nearly forty…
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Theater Review: DONNA ORBITS THE MOON (Scripps Ranch Theatre)
A NEIGHBORLY NICE LADY— WITH BUZZ ALDRIN IN HER HEAD Susan Clausen shines in Ian August’s funny, surreal one-woman ride Reading the press blurb about Donna Orbits the Moon left me scratching my head, wondering what it was actually about. Having seen it now, I get why. Some shows are hard to describe well. That…
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Theater Review: THE TRIP TO BOUNTIFUL (Lamb’s Players Theatre)
TENDERNESS IS BOUNTIFUL IN LAMB’S PRODUCTION A Horton Foote gem, staged with patience, grace, and heart The Trip to Bountiful began as a staged-for-TV play in early 1953 and then had a very brief Broadway run later that year, a limited one-month production that yielded critical accolades for Horton Foote’s touching script (Lillian Gish played…
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Theater Review: SIX (2025 National Tour, Boleyn Cast)
SIX QUEENS BEAT A FULL HOUSE A Clever, Electrifying Concert That Sometimes Overwhelms Its Own Story History serves us well in stories for musicals. From 1776 to Evita to Hamilton, all the plot is ready and waiting to be served up and put to music. So when you marry six women in thirty-four years, you’re…
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Theater Review: CYGNET’S A MAGICAL HOLIDAY (Cygnet Theatre)
A VINTAGE-STYLE HOLIDAY CONCERT A warmly nostalgic night of classic music, crooning, and dance Imagine that it’s 1962. You and your spouse decide to get a sitter and go down to the “club” because they’re featuring an upbeat Christmas music show with dancers and a small live band. If the club did the show really…
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Theater Review: 89 CARSON JUNCTION ROAD (Compulsion Dance & Theater at Diversionary Theatre)
THE SOUP OF THE DAY IS A DARK BROTH INDEED There’s a game some couples play when they’re out and about: they make up lives about the strangers they see in places like diners. Part of what makes it work is that they’re never actually going to know a thing about those people. Until playwright/director…
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Theater Review: A CHRISTMAS STORY: THE MUSICAL (San Diego Musical Theatre)
NOSTALGIA LOADED — AND EYE SAFETY ENSURED The 1983 film A Christmas Story may not have been universally crowned a “classic” when it premiered, its near-universal popularity and nostalgic look back at Christmas in 1940 have long since earned it that status. San Diego Musical Theatre brings back the musical version in which we meet…
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Theater Review: THE WAVERLY GALLERY (Backyard Renaissance Theatre Company in San Diego)
HER MIND, OUR MEMORY Kenneth Lonergan’s family fissures hit hard in Backyard Renaissance’s intimate staging What an incredibly robust month November has been for smaller theaters in San Diego: the fun of To My Girls at Diversionary; a gloriously intense one-woman performance in Beauty’s Daughter at OnWord; a delicious character study in Master Class at…
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Theater Review: BEAUTY’S DAUGHTER (OnWord Theatre at Diversionary Theatre in San Diego)
BEAUTY GETS MORE THAN SKIN DEEP Beauty’s Daughter is a one-woman play by Dael Orlandersmith that centers on Diane, a young Black woman growing up in East Harlem, as she navigates a world marked by violence, beauty, trauma, and resilience. Marti Gobel portrays six different characters consecutively before returning to the first one, Diane. No…
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Theater Review: MASTER CLASS (A Joint Venture between Roustabouts and Scripps Ranch Theatre in San Diego)
CALLOUS CALLAS CASTS A CAPTIVATING CHARACTER Maria Callas (1923-1977) was unquestionably one of the finest opera singers of the twentieth century. The mix of her great talent with her being difficult, petulant, and opinionated only served to heighten people’s interest in her and boost her fame, as did her very public love life, including a…
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Theater Review: ARMS AND THE MAN (Lamb’s Players Theatre in Coronado)
A DELIGHTFUL LITTLE SCRIPT—FOR SHAW! Best known for Pygmalion (which was adapted into My Fair Lady), Irish playwright George Bernard Shaw challenged people’s views on social issues, including class structure. In his Arms and the Man, there’s a clear message of celebrating the letting go of putting on airs, as well as a hard look at…
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Theater Interview: JAILYN OSBORNE (Artistic Director of Point Loma Playhouse, Presenting “Little Shop of Horrors”)
OSBORNE TO DO LITTLE SHOP In 1960, a peculiar minor film (featuring a minor appearance by an up-and-coming Jack Nicholson) was released to no particular fanfare with good reason: It was pretty awful. Especially poor was an ending that was probably supposed to be creepy but instead just seemed lame. Fortunately for us, playwright and…
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Theater Review: SMALL (The Old Globe in San Diego)
SMALL IS EPIC In his exceptional how-to book Storyworthy, author and storyteller Matthew Dicks advises us to stop recounting tales that few can relate to — like the time you climbed Mt. Everest — and instead share stories that help others see themselves in similar moments. That’s how a story connects. Robert Montano does exactly…
Theater Review: OCTET (Goodman Theatre)
by Mitchell Oldham | July 19, 2026
in Chicago, TheaterTheater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | July 17, 2026
in Los Angeles, TheaterTheater Review: TREASURE ISLAND (Will Geer Theatricum Botanicum / Topanga)
by Judson Feder | July 16, 2026
in Los Angeles, Theater



















