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Milo Shapiro
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Theater Review: THIS IS GOVERNMENT (Moxie Theatre / San Diego)
A CAPITOL IDEA FOR A PLAY Nina Kissinger finds laughs, humanity, and uncomfortable questions in the people trying to keep government working from behind the scenes At Moxie Theatre, Nina Kissinger’s dramedy, This Is Government, opens with three congressional staffers who find themselves navigating the peculiar realities of working on Capitol Hill. Kaz (Kailey Madoka Agpaoa),…
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Theater Review: OH, MARY! (First National Tour)
THE WAR BETWEEN ABRAHAM AND MARY IS ANYTHING BUT CIVIL Cole Escola’s gleefully unhinged historical farce gives Alaska Thunderfuck ample opportunity to make a spectacular fool of the First Lady Historians tend to agree that Abraham Lincoln did care deeply for his wife, Mary Todd, and was emotionally attached to her, though their complex 23-year…
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Theater Review: GOOD NIGHT, OSCAR (North Coast Repertory Theatre / Solana Beach)
WELL ABOVE PAAR FOR THE COURSE David Corlew gives a gripping performance as Oscar Levant in this darkly funny and increasingly tense backstage drama To put it mildly, Oscar Levant, the brilliant mid-century pianist known equally for his Oscar Wilde-like wit (“I knew Doris Day before she was a virgin”), wasn’t a happy-go-lucky kind of…
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Theater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
PREDICTABLE NEVER SOUNDED SO GOOD Terrific music, performances, and sheer good feeling make this familiar story hard to resist Sometimes a show really tears at your psyche, makes you question your beliefs, or exposes you to a new level of consciousness. This isn’t that show. Instead, this world-premiere musical will make you feel good almost…
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Theater Review: DEAR EVAN HANSEN (Cygnet / San Diego)
YOU WILL BE WON OVER Cygnet delivers a moving, beautifully acted production with terrific voices Hooray for misunderstandings! Where would theatre be without them? And in Cygnet Theatre’s excellent production of Dear Evan Hansen, some serious misunderstandings rule. The specifics of high school senior Evan Hansen’s (Aiden Meyndert) personality quirkiness are not spelled out in…
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Theater Review: THE PHANTOM OF THE OPERA (National Tour / San Diego)
OLD-SCHOOL PHANTOM, FIRST-RATE RESULTS This return to Phantom’s original theatrical roots delivers spectacle, superb singing, and one nagging sound problem Gaston Leroux’s The Phantom of the Opera was first published as a French newspaper serial from 1909 to 1910, after which Leroux compiled it into a popular novel. His inspiration was the famed Parisian opera…
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Theater Review: THEATRE PEOPLE, OR THE ANGEL NEXT DOOR (Scripps Ranch Theatre / San Diego)
A DEVILISHLY GOOD TIME WITH THE NOT-SO-ANGELIC Paul Slade Smith’s delightful farce earns hearty laughs from a terrific cast Playwright and actor Paul Slade Smith is on a winning streak. Besides starring in North Coast Rep’s Scapin earlier this year, all three of his plays have been produced by the combination of NCR and Scripps…
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Theater Review: ARSENIC AND OLD LACE (Coronado Playhouse / Coronado / San Diego)
HOME SWEET HOME-ICIDE Joseph Kesselring’s dark comedy classic still delivers its lethal dose of laughs Joseph Kesselring’s Arsenic and Old Lace, now revived by Coronado Playhouse, was a sensation when it opened on Broadway in 1941, running for more than 1,400 performances. Eighty-five years later, done as a period piece, most of the humor holds…
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Theater Review: SCAPIN (North Coast Repertory Theatre / Solana Beach)
FARCE MAJEURE This inventive adaptation trades reverence for revelry, with hilarious results Not everything ages well: milk, dress codes, and comedies are among the many things that are often better when they first appear. Just this week, in fact, I watched a couple of episodes of The Jeffersons and cringed—not just at comments by the…
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Theater Review: THE SPONGEBOB MUSICAL (Cygnet Theatre / San Diego)
READY, SET, SPONGE! A colorful musical that’s tailor-made for kids and SpongeBob devotees SpongeBob SquarePants debuted on Nickelodeon in 1999 and was a quick success, becoming a must-watch for kids and many college students. The animated series became a multibillion-dollar global hit, yielding spin-offs, movies, and this musical adaptation now on at Cygnet Theatre titled,…
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Theater Review: THE RISE AND FALL OF LITTLE VOICE (Backyard Renaissance Theatre Company / Tenth Avenue Arts Center / San Diego)
SPEAK SOFTLY AND CARRY A BIG SONG Megan Carmitchel delivers a knockout performance in Backyard Renaissance’s latest gem During a recent move, I handed down dozens of DVDs. One I couldn’t part with was 1998’s Little Voice, featuring Brenda Blethyn’s exquisite performance. So, imagine my excitement—and trepidation given my esteem of the film—when I learned…
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Theater Review: THE HOMBRES (The Old Globe / San Diego)
WHAT A PIECE OF WORK IS HOMBRE Tony Meneses explores the hidden costs of masculinity with humor, compassion, and insight For centuries, women and gay men have fought to carve out power in a world largely shaped by straight men, within systems built by and for them. But straight men often wrestle with a different…
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Theater Review: A ROOM IN THE CASTLE (Moxie Theatre / San Diego)
THE WOMEN LEFT OFFSTAGE Lauren Gunderson reclaims Shakespeare’s sidelined women in a sharp, emotionally intelligent companion piece to Hamlet The women in Hamlet exist largely to reflect Hamlet’s choices and actions. They are little more than props to propel the plot, with no backstory or motivation. Playwright Lauren M. Gunderson clearly feels frustration at this…
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Theater Review: AN ACT OF GOD (Roustabouts Theatre Company at Scripps Ranch Theatre)
LORD HAVE MERCY! Roustabouts Theatre’s irreverent comedy lets Samantha Ginn unleash a hilariously blunt deity Samantha Ginn Playwright David Javerbaum pulls no punches in this hysterical, irreverent look at the heavenly father (now a mother) and her two angel sidekicks. The play borders on blasphemous, and if this would bother you, move right along because…
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Theater Review: HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (San Diego Musical Theatre)
HOW TO SUCCEED IN PRODUCING A MUSICAL Offices tend not to be much fun, which is why they are ripe for exploring undertones of emotion and comedy in scripts like Office Space, Working Girl, 9 to 5, and NBC’s The Office. Throw in some music (okay, a LOT of music) and dynamic choreography and you’ve got a…
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Theater Review: OF MICE AND MEN (Lamplighters)
HOPE WITH CALLOUSED HANDS: A QUIET MASTERPIECE REVISITED John Steinbeck’s play Of Mice and Men came quickly after the success of his novella by the same name. In fact, the play opened on Broadway in 1937 while the book was still on best sellers lists. In each telling, Steinbeck draws upon his own teenage experiences…
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Theater Review: LOUISA GILLIS (North Coast Rep)
WHEN THE DEAD STILL RUN THE ROOM Grief, memory, and the long shadow of unfinished business In this play of four characters, a fifth looms large, though never seen: the titular Louisa, late wife to Steven (James Sutorius), mother to Celia (Faline England), and grandmother to Lucy (Caroline Renee). She’s been dead for nearly forty…
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Theater Review: DONNA ORBITS THE MOON (Scripps Ranch Theatre)
A NEIGHBORLY NICE LADY— WITH BUZZ ALDRIN IN HER HEAD Susan Clausen shines in Ian August’s funny, surreal one-woman ride Reading the press blurb about Donna Orbits the Moon left me scratching my head, wondering what it was actually about. Having seen it now, I get why. Some shows are hard to describe well. That…
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Theater Review: THE TRIP TO BOUNTIFUL (Lamb’s Players Theatre)
TENDERNESS IS BOUNTIFUL IN LAMB’S PRODUCTION A Horton Foote gem, staged with patience, grace, and heart The Trip to Bountiful began as a staged-for-TV play in early 1953 and then had a very brief Broadway run later that year, a limited one-month production that yielded critical accolades for Horton Foote’s touching script (Lillian Gish played…
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Theater Review: SIX (2025 National Tour, Boleyn Cast)
SIX QUEENS BEAT A FULL HOUSE A Clever, Electrifying Concert That Sometimes Overwhelms Its Own Story History serves us well in stories for musicals. From 1776 to Evita to Hamilton, all the plot is ready and waiting to be served up and put to music. So when you marry six women in thirty-four years, you’re…
Dance Review: OSCAR (The Australian Ballet at New York City Center)
by William Keiser | October 8, 2026
in Dance, New York, ToursTheater Review: I AM THE WIND (Theatre Y)
by Croydon Fernandes | October 6, 2026
in Chicago, TheaterTheater Review: ALL MY SONS (Lyric Stage, Boston)
by Carmen Barsomian-Dietrich | October 5, 2026
in Boston, TheaterTheater Review: PETER PAN GOES WRONG (San Francisco Playhouse)
by Chuck Louden | October 5, 2026
in San Francisco
(Bay Area), TheaterTheater Review: THIS IS GOVERNMENT (Moxie Theatre / San Diego)
by Milo Shapiro | October 5, 2026
in San Diego, TheaterTheater Review: TOPDOG/UNDERDOG (The Old Globe / San Diego)
by Jason Mannino | October 5, 2026
in San Diego, TheaterOff-Broadway Review: SLAM FRANK (Orpheum)
by Gregory Fletcher | October 4, 2026
in New York, TheaterTheater Review: OPERATION MINCEMEAT (National Tour / CIBC Theatre / Chicago)
by Croydon Fernandes | October 4, 2026
in Chicago, Theater, ToursTheater Review: A BLACK-BILLED CUCKOO (La Jolla Playhouse / San Diego)
by Jason Mannino | October 4, 2026
in San Diego, Theater



















