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Operas Review: HANSEL AND GRETEL (SF Opera)
THIS IS ONE HANDSOME HARROWING HANSEL AND GREAT GOOEY GRETEL Well, how thrilling is it to see a brand new production in the world of opera. Especially given that this one is a winner replete with charm and cast with perfection. This new SF Opera co-production of Hansel and Gretel with London’s Royal Opera House…
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Music Preview: SAN FRANCISCO SYMPHONY’S CHRISTMAS CONCERTS (Davies Symphony Hall)
HERE COMES SAN FRANCISCO’S STUPENDOUS SYMPHONY SERVING COLOSSAL CHRISTMAS CONCERTS We all know that San Francisco Symphony can easily be labeled one of our country’s best orchestras, but it’s a no-brainer to visit them this season given the amazingly diverse options you have this year. Here are my favorites. (And through Monday, Dec 2 at…
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Opera Review: THE MAGIC FLUTE (Los Angeles Opera at the Dorothy Chandler Pavilion)
THE WHIMSICAL FLUTE How to illustrate such whimsy: Chaplin on a Seussian sleigh, perhaps, belting an aria from Metropolis into the bowels of Dante’s Inferno. That’s as succinctly I can describe the magic awaiting audiences this holiday season in LA Opera’s dazzling production of Wolfgang Amadeus Mozart’s The Magic Flute (Die Zauberflöte). The fact that…
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Music Preview: CHRISTMAS CHORAL CONCERTS (Los Angeles Master Chorale at Disney Hall)
HERE COMES L.A.’S COLOSSAL CHORALE WITH CHRISTMAS CHORAL CONCERTS AND CAROLS With the indefatigable Energizer Bunny of conducting, Grant Gershon, at the helm, Los Angeles Master Chorale (LAMC) can easily be labeled one of the best choirs on earth, and you have a chance to see four separate holiday programs this year at Walt Disney…
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Chicago Opera Review: DON GIOVANNI (Lyric Opera)
A CAUTIONARY TALE FOR THE #METOO ERA When this production first premiered at Lyric Opera in 2014, opening the company’s sixtieth anniversary season, I noted how much Chicago loves Don Giovanni. Its popularity seems to have formed the foundation of the company, which made the Mozart opera its first production back in 1954 and has…
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Jazz Preview: GERALD CLAYTON (Solo Piano at LACC)
GERALD CLAYTON SOLOS AT LACC ONE NIGHT ONLY There are few times in life that one witnesses an artist and knows immediately that something is different. I can even catch it on a recording. That specialness that can’t be replicated by imitation or study. Well, to quote Thelonius Monk: “Know it when you hear it.”…
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Opera Review: EVEREST & ALEKO (Chicago Opera Theater at the Harris Theater)
CHICAGO OPERA THEATER UPS THE ANTE AND PUSHES THE LIMITS The bad news: Everest and Aleko, Chicago Opera Theater’s engrossing double bill at Millennium Park’s Harris Theatre, closes this weekend. The good news: This dynamic duo more than earns a review of record. Enterprisingly mounted by a boundary-breaching company and featuring a massive chorus and orchestra and eight soaring…
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Opera Review: DEAD MAN WALKING (Lyric Chicago)
DEAD MAN SINGING Lyric Opera doesn’t put on many contemporary operas, at least not like the Windy City’s edgier companies Chicago Fringe Opera and Thompson Street Opera. And that’s not a criticism. But when Lyric Opera does go contemporary, it goes boldly, with big, splashy productions — and Dead Man Walking has got an excellent…
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Music Review: GARRICK OHLSSON IN RECITAL (The Wallis in Beverly Hills)
GARRIFIC It’s been almost a half-century since Garrick Ohlsson won the International Frédéric Chopin Competition in Warsaw, so I attended his recital at The Wallis in Beverly Hills last Friday with a bit of trepidation. And seeing his large frame in person, I wondered at first that he should be hauling the piano not playing…
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Music Review: DUDAMEL CONDUCTS BRUCKNER (Los Angeles Philharmonic)
LIVE MUSIC IS ALWAYS SUSTENANCE I’m happy to report that Andrew Norman’s Sustain, an LA Phil centennial commission that premiered last year — and saw a second showing last weekend at Disney Hall — is far more agreeable than much of the atmospheric “new” music these days, and a much more promising avenue for this…
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Opera Preview: THE MAGIC FLUTE (Los Angeles Opera at the Dorothy Chandler Pavilion)
MAGIC CAN STRIKE THRICE IN THE SAME PLACE In 2013, a new production of The Magic Flute from Berlin’s Komische Oper became a sell-out sensation, courtesy of the Los Angeles Opera. In 2016, it returned just as magical as it was the first time. Now, it returns to the Dorothy Chandler Pavilion starting Saturday, November 16,…
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Music Review: JOSHUA BELL AND ALESSIO BAX (Recital at Walt Disney Concert Hall)
BELL, BAX, BACH: BEAUTIFUL, BRILLIANT, BREATHTAKING I first saw Italian pianist Alessio Bax five years ago when he made his Los Angeles premiere playing Mozart’s Piano Concerto No. 24 with the L.A. Chamber Orchestra. I remember thinking he has all the right moves but had yet to incorporate personality into his work. While he demonstrated…
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Film & Music Review: PSYCHO LIVE (LA Opera Orchestra at Theatre at the Ace Hotel)
YOU’D BE PSYCHO TO MISS THIS ONE The golden age of movie scoring gave us soaring symphonic works by masters of the genre — Newman, Rosza, Tiomkin, Waxman — most of them inextricably married to the movies they describe. Yet of all of them, the scores that bear closer examination, and which give the greatest…
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Music Review: JAVIER CAMARENA IN RECITAL (LA Opera at the Dorothy Chandler Pavilion)
CAMARENA HAS BELLAS ARTES IN HIS SOUL When I was 19, a friend asked if I’d like to drive to San Francisco from L.A. to hear Luciano Pavarotti in recital. Being a musical theater buff, it took quite a bit of convincing to get me into anything that smacked of opera, especially 400 miles away….
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Chicago Opera Review: LUISA MILLER (Lyric Opera)
LUISA MILLER GETS ROUGH TREATMENT Verdi’s Luisa Miller has only been produced at Lyric Opera once before, and that was thirty-seven years ago! For its rarity alone, this production should be seen. It is also features an incredibly haunting score that often slips into minor keys. The singing is almost uniformly excellent, but the casting…
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Music Preview: SALONEN CONDUCTS TCHAIKOVSKY AND BARTOK (LA Phil at Disney Hall)
REAWAKENING A FAMILIAR CONCERTO As you may know, Composer and Conductor Laureate Esa-Pekka Salonen is off to the Bay Area to become the San Francisco Symphony’s new music director. The Fab Fin will be leading a few concerts before he leaves. This weekend, he serves up the world premiere of his new work, Castor, a…
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Music Review: JONATHAN BISS (Recital at Soraya)
BISS IS IT What a splendid way to celebrate the 250th anniversary of Ludwig van Beethoven’s birth year (the Sagittarian was actually born December 17, 1770): The great pianist Jonathan Biss played two separate programs of sonatas this week at The Soraya. I caught the latter, and it was all I could do to keep…
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Music Review: DUDAMEL CONDUCTS MUSIC FROM THE AMERICAS (LA Phil at Disney Hall)
LA PHIL — IT’S WHAT’S FOR DINNER Argentina, Mexico, Venezuela and the U.S. were represented in the sensational concert last night at Disney Hall. The program Dudamel Conducts Music of the Americas has the conductor collecting pieces that were inspired by folk music and celebrate peoples who came before. Two of the four pieces —…
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Music Review: DUDAMEL CONDUCTS GERSHWIN AND COPLAND (LA Phil at Disney Hall)
THE ORIGINAL AMERICAN GRAFFITI It’s difficult to determine just what makes music American; and if a symphonic program is to be labeled “American”, which composers might be on the shortlist? Under the blanket title Dudamel Conducts Gershwin & Copland, this thrilling evening also included short works by Barber and Previn, all four composers giving us…
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Jazz Review: CHICK COREA TRILOGY W/ CHRISTIAN MCBRIDE & BRIAN BLADE (CAP UCLA at Royce Hall)
TRILLIANT The first time I saw Chick Corea play was at Disneyland on the Tomorrowland Stage in the mid-1970s. I was entranced watching the solo pianist with brown afro and mustache, as he was offering a type of jazz I had never heard before. My upbringing consisted of mostly big band and swing, so when…


















