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Music
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Opera Review: THE QUEEN OF SPADES (Lyric Chicago)
WHAT A QUEEN! Pyotr Ilyich Tchaikosky’s ballets Swan Lake and The Nutcracker are both beloved and celebrated, yet his operas are scarcely known. Indeed, we don’t get much Russian opera at all, at least in Chicago. Lyric produced Tchaikovsky’s Eugene Onegin in 2017, while Chicago Opera Theatre produced his Iolanta in 2018 and Rachmaninoff’s Aleko…
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Music Preview: ACADEMY OF ST MARTIN IN THE FIELDS WITH JOSHUA BELL, VIOLIN (The Soraya)
I’LL BE THERE WITH BELL ON Many know that Academy of St Martin in the Fields is a touring and recording chamber orchestra founded by Sir Neville Marriner in 1958. But did you know that since 2011 the world-renowned virtuoso violinist Joshua Bell has been their Music Director? Next to Marriner, who turns 90 next…
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CD Review: COLOR OUT OF SPACE (Original Motion Picture Soundtrack by Colin Stetson)
OUT OF SPACE IS OUTTA SIGHT! OK, now you’re talking!! As modern music continues to drone down some boring atonal alley, and soundtracks lack any kind of personality, along comes the soundtrack for Color Out of Space, an adaptation of a 1927 H.P Lovecraft short story by infamous director Richard Stanley, who was sacked from…
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New York Opera Review: AGRIPPINA (The Met)
GRIPPING AGRIPPINA For a political comedy littered with slapstick, it’s fittingly ironic that this newest Met Opera take on Agrippina opens and bookends with morbidity: All the main players are perched on tombs bearing their names. This adaptation of Théâtre Royal de la Monnaie’s production occurs during the tricentennial of George Frideric Handel’s music and…
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Opera Review: ROBERTO DEVEREUX (LA Opera)
DEVERSTATING It was the middle-child opera of the season; not like the world-premiere Eurydice or the must-see Ring Cycle. Roberto Devereux is a lesser-known Donizetti confection, and erstwhile Artistic Director Plácido Domingo was set to hot-ticket this tale of Queen Elizabeth and her lover Essex that likely hasn’t been an opera question on Jeopardy! Except…
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Music Review: ESA-PEKKA SALONEN AND JULIA BULLOCK (San Francisco Symphony at Davies Hall)
ESA-PEKKA SALONEN AND JULIA BULLOCK The opening notes of Steven Stucky’s transcription of Henry Purcell’s Music for the Funeral of Queen Mary, memorably mournful, set the elegiac tone for last weekend’s San Francisco Symphony concert at Davies Hall. In ten short minutes, a quietly solemn mood was eloquently created, under the sympathetic conducting of Essa-Pekka…
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Music Review: THIBAUDET & SAINT-SAí‹NS (Fabien Gabel conducting SF Symphony at Davies Hall)
THIBAUDET & SAINT-SAí‹NS As befits a Valentine’s Day weekend, the San Francisco Symphony whipped up an evening of lush romanticism that was designed to leave its audience swooning. Under the elegant and intensely felt direction of the distinguished French conductor, Fabian Gabel, making a spectacular debut with the SFS, the first half of the evening…
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Music Review: WEILL’S VIOLIN CONCERTO WITH SALONEN (The Weimar Republic: Germany 1918-1933)
ONCE IN A WEILL The Weimar Republic’s pyrotechnic explosion of the fine arts in the 1920s produced much “new” music before being deemed “decadent”, and dashed by the rising Nazi regime in the mid-1930s. Two programs by the LA Phil and conductor Esa-Pekka Salonen at Disney Hall — one last weekend and one upcoming —…
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Music Commentary: CAN WE USE MUSIC TO INCREASE OUR STUDYING ABILITY?
CAN MUSIC INCREASE OUR STUDYING ABILITY? Can music affect our ability to perceive and remember information? How does music affect our brain and psycho-emotional state? Well, we can divide all musical works into activating, tonic, and relaxing, soothing. The perception of music is closely connected with mental processes; it requires attention, observation, quick wit. Music,…
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Opera Review: EURYDICE (LA Opera)
MYTH INTERPRETATION MacArthur Genius Grant-winning composer Matthew Aucoin called up playwright Sarah Ruhl, the Pulitzer Prize finalist who had achieved said nomination with a play about vibrators. But it was in reference to another work of this other MacArthur Genius Grant-winner, a 2003 play called Eurydice. Did she want to make an opera about Orpheus,…
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Music Review: ALL-STRAUSS (Philippe Jordan, Gautier Capuçon, Teng Li, Los Angeles Philharmonic)
STRAUSS RELIEVER A few years ago, I saw Richard Strauss’s opera, Elektra. Let me just say that even with moments of beautiful, chilling music it veered into atonal territory, sounding like a disjointed, anticlimactic Danse Macabre, but without the dance. The vocal lines skewed towards the upper range which not only grated on the ear,…
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Opera Review: GIANNI SCHICCHI & L’ENFANT ET LES SORTILÈGES (Pacific Opera Project)
A DAZZLING DOUBLE BILL The laudable Pacific Opera Project gave us two sparkling gems of operatic joy this week: a double bill of Puccini’s Gianni Schicchi and Ravel’s L’enfant et les Sortilèges. Director Josh Shaw has updated both operas to the mid-1950s, a period which suits both pieces well — old enough for temporal distance…
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Concert Review: LEA DELARIA (The Theatre at Ace Hotel in Los Angeles)
DELIGHTFULLY DELIRIOUS DELARIA She’s butch, bold, brazen and brash. She’s riotous, raucous, ribald and rebellious. She scats with style and scurrilously scours political cads. And above all, she’s enormously entertaining. Since the mid-eighties, I’ve seen her on Broadway as well as her solo shows, some mostly singing and some mostly stand-up. Last Saturday night, January…
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Concert Preview: LILLIAS WHITE (Samueli Theater at Segerstrom Center for the Arts in Costa Mesa)
MY WHITE NIGHT I first saw Lillias White when she made her Broadway debut in Barnum in 1981; I’ve been watching her work for almost four decades since, and I promise you she never fails to blow the roof off the joint (happy are those who saw her “Effie” in the 1987 revival of Dreamgirls)….
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Opera Review: KING ARTHUR (Long Beach Opera)
KING ARTHUR DETHRONED If you’re a hardcore Henry Purcell fan, don’t expect anything resembling his original 1691 semi-opera, King Arthur, in Long Beach Opera’s production, which opened yesterday, Jan. 12, at the Beverly O’Neill. (A semi-opera is an unusual form of early opera that was half-sung and half-spoken.) Even in John Dryden’s libretto, there is…
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Music Preview: SONGS OF FANTASY (The Fox Singers in Santa Monica)
A FOX FANTASY The Verdi Chorus is So Cal’s only choral group which centers around the dramatic and diverse music for an opera chorus. The Fox Singers, who constitute the professional ensemble of this wonderful chorus, are presenting, for one-night only on Sat. Feb. 1 at 7:30, a program devoted to all things fantastical. You…
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Concert Preview: NEW YEAR’S EVE WITH KRISTIN CHENOWETH (Disney Hall)
A KRISTIN PRESENT FOR NEW YEAR’S EVE The supremely talented platinum blonde speaks in a small voice and possesses a very petite, yet bodacious body. When she sings, however, we get very unique, beautiful and extraordinarily powerful musical notes in perfect pitch. At 4’ 11”, this wacky and vulnerable powerhouse is the new amalgamated American…
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Opera Review: DER RING DES POLYKRATES (Numi Opera at Zipper Hall in Los Angeles)
A RINGER Erich Wolfgang Korngold is best known for his grand scores of the golden age of movie music – principally for such swashbucklers as The Seahawk, Captain Blood, Anthony Adverse and The Adventures of Robin Hood. Andre Previn praised these great scores thus: “His wonderful melodies, orchestrated in the most gorgeous Richard Strauss-oriented manner, are a joy…
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Music Review: HANDEL’S MESSIAH (Los Angeles Master Chorale at Disney Hall)
HANDEL TO PERFECTION There’s little to say about Handel’s Messiah that hasn’t already been said. That this great work has been a seasonal favorite for two hundred and fifty years, assures us it will be performed at least annually for at least the next two hundred and fifty, and beyond. The scale of the piece…
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Concert Preview: DIANNE REEVES: CHRISTMAS TIME IS HERE (Disney Hall)
DIANNE TIME IS HERE She was the first singer to ever perform at Walt Disney Concert Hall, and she returns this Friday, Dec 2, 2019, to get your jazz going with a holiday confection of yuletide treats. Songbird Dianne Reeves is easily one of my favorite voices, and I’m astounded how many folks are not…


















