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Music
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Los Angeles Music Preview: DUDAMEL CONDUCTS BERNSTEIN & BEETHOVEN (LA Phil)
D AND B AND B Our city’s philharmonic will be going on tour next week to the Eastern seaboard (Boston, D.C. and New York), and then overseas to Barbican Hall, London, and the Paris Philharmonie. They are bringing some dazzling programs which include music from last week’s barn burner of a line-up — the Shostakovitch…
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Music Review: DUDAMEL CONDUCTS SALONEN & SHOSTAKOVICH (Los Angeles Philharmonic)
A WONDERFUL WORLD PREMIERE BY SALONEN There’s nothing more wonderful than witnessing a world premiere and craving to hear it again immediately as an encore. Such was the experience with Esa-Pekka Salonen’s brand new 12-minute tone poem, composed this year. If the Symbolist Debussy and Modernist Salonen had a love child (Debusalonen!), it would be…
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Los Angeles Music Review: MAHLER’S SONG OF THE EARTH (LA Phil)
FANTASIA 2018 Coming in at a clean 68 minutes, LA Phil’s production of Gustav Mahler’s Das Lied von der Erde (Song of the Earth) was short and sweet with plenty of meat. But through Saturday night, you get far more than just an orchestral rendering, which was also a mournful offering from conductor Gutavo Dudamel to…
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Music Review: LAGRIME DI SAN PIETRO (TEARS OF ST. PETER) (Los Angeles Master Chorale)
FEARLESS “TEARS” ELEVATES MUSIC TO A MIND-BLOWING EXPERIENCE At a gala performance honoring Los Angeles Master Chorale donors, Peter Sellar’s critically acclaimed staging of Lagrime di San Pietro returned to Disney Hall with an encore of such luminous majesty and originality that it’s an honor to have this version of Orlando di Lasso’s last work continue on…
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Music Review: JOHN BEASLEY’S MONK’ESTRA & GERI ALLEN’S ERROL GARNER PROJECT (Disney Hall)
THE MAGICAL MONK LEFT HIS MARK Just when I thought nothing could touch Jason Moran’s recreation of Thelonious Monk’s 1959 Town Hall recording last November, along comes the great John Beasley with his take on the great jazz inventor. Beasley wasn’t trying to recreate Monk at Disney Hall last night; instead, he has come up with themes…
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CD Review: LISZT — The Two Piano Concertos; 12 Transcendental Études (Alessandro Ambrosoli)
ANOTHER ÉTUDES TO ADD TO YOUR LISZT … COLLECTION, THAT IS Dynamic Records has just released an album of Liszt starring Italian pianist Alessandro Ambrosoli (b. 1969). Disc 1 is all 12 Études d’exécution transcendante; disc 2 are Liszt’s two piano concertos. Independent Italian record company Dynamic often releases live recordings, but that only applies to…
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Los Angeles Music Review: A TRIP TO THE MOON & THE PLANETS (Teddy Abrams and the LA Phil)
WHAT A TRIP Close on the heels of LA Phil’s behemoth production of Bernstein’s Mass comes another large-scale work with mind-boggling logistics. Co-commissioned with the London Symphony, A Trip to the Moon is Andrew Norman’s fanciful musical about a fin de siècle voyage to the Moon, whose inhabitants have trouble communicating with the Edwardian/Victorian astronomers…
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Los Angeles Music Review: THE OSCAR CONCERT (A.M.P.A.S. and LA Phil at Disney Hall)
HIGH SCORES FOR A CONCERT OF SCORES The logistics of putting together this terrific night, including an assemblage of Hollywood’s A-List composers and directors, must have been daunting. Indeed, so much work went into The Oscar Concert that it’s a shame it only played once. A co-production of the Academy of Motion Picture Arts and…
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Los Angeles Music Review: DANIIL TRIFONOV & SERGEI BABAYAN (Two-Piano Recital at Disney Hall)
A WELL-MATCHED TEACHER AND STUDENT One of our greatest living pianists — if not the greatest — Daniil Trifonov (dan-EEL TREE-fon-ov) came to Disney Hall for a solo recital exactly two years ago. He played a gargantuan program lasting over 160 minutes. Included were the Brahms Chaconne in D minor for the Left Hand (after…
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Los Angeles Music Review: JOHN ADAMS CONDUCTS (McIntosh World Premiere with the L.A. Phil)
A JUICY MCINTOSH What used to feel like the LA Phil’s token new music series seems to finally be hitting its stride. Green Umbrella is trending up thanks to a massive new commission budget and Los Angeles’s sudden role as new music tastemaker. Last Tuesday’s concert was the latest in what seems like a constant…
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CD Review: FIORENTINO PLAYS LISZT: Selections (Sergio Fiorentino)
FIORENTINO PLAYS LISZT His astounding musical insights turned the most well-known works into a brand new revelation, and his ken of composers from Chopin to Bach to Schumann to Scriabin was nearly unparalleled. But when this amazing Italian pianist died suddenly and painlessly at his home in 1998 at the age of 69, his fame…
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CD Review: WEINBERG Violin Concerto KABALEVSKY Piano Fantasy & Cello Concerto No. 1 (Cornelius Meister & the ORF Vienna Radio Symphony Orchestra)
COMPOSERS FORGOTTEN NO MORE Immediately accessible and thrilling, the ORF Vienna Radio Symphony Orchestra (RSO) — under the exciting leadership of its Principal Conductor and Artistic Director Cornelius Meister — and three young soloists bring us lesser-known works by equally lesser-known composers who are finally finding themselves, decades after their deaths, edging their way into…
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Music Preview: CÉCILE MCLORIN SALVANT (The Soraya and Irvine Barclay)
CÉCILE MCLORIN SALVANT IS PRECISELY WHAT YOU’VE BEEN LOOKING FOR Hooray and hallelujah! Long before her newest disc, Dreams and Daggers — a live double-CD set that won the 2018 Grammy for Best Jazz Vocal Album — I have always been a fan of jazz vocalist and song interpreter extraordinaire Cécile McLorin Salvant. But seeing…
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Chicago Opera Review: COSÌ FAN TUTTE (Lyric Opera)
A PRODUCTION TO COSÌ UP TO A Lyric Opera season would not be complete without Mozart, so it was with great anticipation that I attended the opening night performance of Così Fan Tutte. Although this production is not new to Chicago, having been seen during the 2006-07 season, it remains fairly fresh due to its…
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Music Feature: CLASSIC FM LAUNCHES NEW VIDEO GAME MUSIC SHOW
THE BEST VIDEO GAMING HAS TO OFFER, AND SO MUCH MORE Video game music is slowly but surely creeping into mainstream appreciation. For several years now, scores have been sneaking into classical music charts, sometimes causing friction when their origins are unearthed, but otherwise being wholly appreciated. With ClassicFM launching a new video game music…
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Los Angeles Opera Preview: CRUZAR LA CARA DE LA LUNA (The Soraya in Northridge)
A MAGNIFICENT MARIACHI OPERA COMES TO THE SORAYA It was by sheer luck that I was in Chicago and happened upon the world’s first mariachi opera, Cruzar la Cara de la Luna (To Cross the Face of the Moon). Even though it immediately became one of my favorite operas, I knew that this type of…
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Chicago Opera Review: ELIZABETH CREE (Chicago Opera Theater)
A PENNY DREADFUL FOR YOUR THOUGHTS Murder will out, whether in police gazettes or chamber opera. If he hadn’t existed, the still unknown Jack the Ripper could have been invented by penny dreadfuls, the Victorian tabloids that fed on fear and treated murder like a lark. At the same time melodramas trafficked in Grand Guignol…
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Chicago Opera Review: I PURITANI (Lyric Opera)
BELLINI’S BEL CANTO BRITISH BALLAD After the questionable orientalism of Bizet’s Pearl Fishers and Puccini’s Turandot, Lyric audiences can now enjoy Vincenzo Bellini’s I Puritani (The Puritans), a cultural encounter of a different kind. It is an Italian opera composed for a French audience and set during the English Civil War. This is perhaps not…
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Los Angeles Music Review: BERNSTEIN’S MASS (Los Angeles Philharmonic and Gustavo Dudamel)
A MASSIVE MASS FOR THE MASSES It’s a happening in Disney Hall. And there’s no better way to salute Leonard Bernstein in his hundredth year than a humongous and awesome presentation of his rarely produced Mass. How did a secular humanist Jewish composer come to write a a modernized interpretation of sacred Mass texts, including…
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Los Angeles Music Preview: BERLIN PHILHARMONIC WIND QUINTET WITH STEPHEN HOUGH (The Wallis)
HOUGH AND PUFF The glorious Berlin Philharmonic Wind Quintet is coming to The Wallis in Beverly Hills as part of a very short, nine-stop North American tour. As if having this prestigious ensemble on February 10 isn’t exciting enough, the great pianist Stephen Hough (pronounced “Huff”) will be playing with the Quintet here in Beverly…



















