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Music
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Los Angeles Music Preview: ARTURO SANDOVAL JAZZ WEEKEND (The Wallis in Beverly Hills)
ARTURO SANDOVAL’S AMAZING JAZZ WEEKEND IS HERE! He moves easily across many varieties of jazz and instruments — using his trumpet to produce a fiery assortment of resonances, interchangeably stately, amusing and starry-eyed. The mighty, vibrant, effervescent Cuban trumpet player, big band leader, and composer Arturo Sandoval — a protégé of Dizzy Gillespie — is…
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Los Angeles Music Review: DUDAMEL CONDUCTS BRAHMS (Los Angeles Philharmonic)
A WEEKEND OF FIRSTS Gustavo Dudamel returns to the podium this weekend — Thursday through Sunday, January 25-28, 2018 — to lead the LA Phil in a concert easily predicted to be a stunner. Brahms First Symphony, on which he labored for so long (over 14 years), is an openly passionate work, the last great…
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Los Angeles Music Review: YARN/WIRE (Monday Evening Concerts at The Colburn School)
THEY’LL LEAVE YOU WIRED For those who don’t know, Monday Evening Concerts is L.A.’s longest running new music show, dating to back to 1939. To put its legacy in to perspective, the series hosted Pierre Boulez’s American debut and a few Stravinsky premieres. Now it exists much in the same way, premiering works by emerging or established…
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Music Preview: WELL-STRUNG (National Tour)
LOOKING GOOD FROM FRONT AND BACH The Los Angeles LGBT Center has announced a special one-night-only return of the internationally acclaimed singing string quartet Well-Strung. The four performers specialize in pairing universally recognized classical pieces while singing pop music hits by the likes of Taylor Swift, Rihanna, Kelly Clarkson, and others. As part of their…
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Theater and Music Preview: IL RITORNO (Circa Contemporary Circus)
AN OPERATIC CIRCUS ODYSSEY The uber-innovative Australian performance troupe, Circa, returns to the States with its newest production, Il Ritorno, a unique production that melds circus arts with Baroque opera to explore themes of loss and displacement. This special engagement takes place one night only, Tuesday, January 23, 2018 at the gorgeous Musco Center for the…
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Los Angeles Music and Dance Preview: Mí„LKKI, STRAUSS & DANCE (Zimmermann’s Cello Concerto & Alpine Symphony, Susanna Målkki and the LA Phil)
DANCE! U.S. PREMIERE! ALPINE SYMPHONY! One of the reasons that the LA Phil is doing better than ever is the programming variety. With plenty of classics, we are also getting a slew of new music, much of it seeing its premiere at The Walt Disney Concert Hall (there will be over 50 such works next…
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Los Angeles Music Review: DEBUSSY, RAVEL, & BEYOND (Matthias Pintscher, Renaud Capuçon and the Los Angeles Philharmonic)
“MAR’EH” GETS A “M’EH” While musicians and devotees of “new” music may find Matthias Pintscher’s mar’eh cool, the patrons at Disney Hall were not having it at the opening night last Friday. Truly typical of way too many modern works, mar’eh (with an also-typical all-lowercase title spelling) is a violin concerto that’s an atmospheric stew-of-notes perfect for a melody-free…
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Los Angeles Music Review: BRUCKNER’S SEVENTH; MOZART’S PIANO 23 (Michael Tilson Thomas, Khatia Buniatishvili and the Los Angeles Philharmonic)
SEVENTH HEAVEN While he existed in the Romantic Era, “Romantic” isn’t necessarily the word that springs to mind when I hear an Anton Bruckner Symphony (except perhaps his Fourth, actually titled Romantic). His giant mesmerizing symphonies, nine in total, are closer to religious experiences (a devout Catholic who never married, Bruckner dedicated his unfinished Ninth…
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Los Angeles Music Review: TCHAIKOVSKY’S FIRST PIANO CONCERTO (Sergio Tiempo, Xian Zhang and the Los Angeles Philharmonic)
TIEMPO’S TANTALIZINGLY TEMPESTUOUS TEMPO Sergio Tiempo is the real deal. When a pianist can take a work as familiar as Tchaikovsky’s 1874 First Piano Concerto and turn it into an exciting Olympic event, I’m more than sold. Appearing at a packed Disney Hall this morning (in a program that runs through Sunday), the very cool…
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Los Angeles Music Preview: DECK THE HALL HOLIDAY CONCERTS (Disney Hall)
The Los Angeles Philharmonic’s Deck the Hall Holiday Concerts at Disney Hall are just around the corner, and the variety this year is unmatched. I may be enchanted by the ever-popular Holiday Sing-Along (Dec. 16); I may be enraptured by jazz great Dianne Reeves’ Christmas Time Is Here (Dec. 20); I may be excited about the beat-boxing a…
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Los Angeles Music Review: WEST SIDE STORY: FILM WITH LIVE ORCHESTRA (LA Phil’s BERNSTEIN 100)
THE MUSIC PLAYING IS, INDEED, ALMOST LIKE PRAYING As is becoming increasingly popular, films with astounding soundtracks are being shown with just dialogue and sound effects while an orchestra plays the score live; it’s cost-effective for the presenting organization and offers the spectator the chance to hear live music while waxing nostalgic over a great…
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CD Review: CHRISTMAS TOGETHER (The Piano Guys)
CHRISTMAS MUSIC OUTSIDE OF THE BOX All it took was one spin for me to appreciate The Piano Guys’ second Noel album, Christmas Together. Oddly enough, when I recommended it to a few friends, they hadn’t heard of this amazing quartet. For those who don’t know, there’s only one main pianist in the bunch (though…
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Los Angeles Music Preview: HOLIDAY CANDLELIGHT (Pasadena Symphony)
IT’S BETTER BY CANDLELIGHT I always waited until too late to procure tickets to Pasadena Symphony’s enormously popular extravaganza, Holiday Candlelight. Consistently a sell-out in the past, they started to add an extra performance a few years ago, which allowed me to finally see what all the Ho-Ho-Ho-hoopla was about. The gorgeous concert actually exceeded…
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Chicago Opera Review: THE PEARL FISHERS (Lyric)
DIVING INTO ESCAPIST ENTERTAINMENT If opera is an escapist medium, transporting audiences to a distant time and place, then Bizet’s The Pearl Fishers is wonderfully paradigmatic. Set in Ceylon (modern-day Sri Lanka) at an unspecified time, though likely before the advent of Europeans in the sixteenth century, the opera exudes exoticism at every turn. In…
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CD Review: OUR CHRISTMAS WISH (The Ten Tenors)
CHESTNUTS EXPLODING ON A TENOR FIRE I’ve always liked the tenor voice; from Pavorotti to The Three Tenors and everything in between I’ve been fortunate enough to have a wealth of choices. But then I was exposed to ten young Australian guys at a live concert over ten years ago, something changed because here was…
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Los Angeles Music Preview: CHRISTMAS CHORAL CONCERTS (Los Angeles Master Chorale at Disney Hall)
OUR MASTER CHORALE’S CHRISTMAS CHORAL CONCERTS AND CAROLS With the indefatigable Energizer Bunny of conducting, Grant Gershon, at the helm, Los Angeles Master Chorale (LAMC) can easily be labeled one of the best choirs on earth, and you have a chance to see four separate holiday programs at Walt Disney Concert Hall. Naturally, you can…
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Los Angeles Concert Preview: A MICHAEL FEINSTEIN HOLIDAY CELEBRATION (Valley Performing Arts Center in Northridge)
IT’S BEGINNING TO LOOK A LOT LIKE FEINSTEIN Charismatic, appealing, boyish, excited, and eager to please, Michael Feinstein will bring his off-the-cuff, friendly, intimate style to the gorgeous Valley Performing Arts Center on Friday, December 8, 2017. For this one night only, the man who has single-handedly reinvigorated the American Songbook for the 21st century, will celebrate the…
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Tour Music Review: IN MY MIND: MONK AT TOWN HALL 1959 (Jason Moran and The Big Bandwagon)
A CONCERT THAT WILL STAY IN MY MIND There are certain experiences involving the arts that stay with you forever. A seamless meld of spiritual and artistic experience, Jason Moran’s tribute piece to Theolonius Monk’s legendary 1959 concert at Town Hall achieved something I rarely witness in the arts: As with a séance, Moran’s octet—rivaling…
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San Diego Opera Review: AS ONE (San Diego Opera)
CLASSIC SOUND; MODERN THEME Composer Laura Kaminsky and co-librettists Kimberly Reed and Mark Campbell’s 80-minute chamber opera, As One, is a tribute to the fact that art must keep growing with the times. We expect modern themes explored in painting, music, dance, and more, but encountering today’s issues in opera causes a little more head-cocking….
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Chicago Opera Review: THE CONSUL (Chicago Opera Theater at the Studebaker Theater)
TO THIS WE’VE COME (AGAIN) Playing Chicago t0o briefly at the Studebaker Theatre, historically important and artistically wondrous, this co-production between Chicago and Long Beach Opera is a timely revival that taps into a constant injustice. Menotti’s inaugural offering from 1950, The Consul remains a stirring “cri de coeur.” Despite a sometimes densely imagistic libretto, it’s music…



















