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New York
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Theater Preview: THE GORGEOUS NOTHINGS – IN CONCERT (Life Jacket Theatre Co. at Joe’s Pub)
NOTHINGS IS SOMETHING ELSE Shortly before the COVID-19 pandemic shut down theaters around the world, a slew of stage and cabaret favorites got together at Joe’s Pub to celebrate the vibrancy of NYC’s hidden gay community in the 1920s and ’30s. This terrific concert is just a taste of things to come: Life Jacket Theatre…
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Broadway Preview: SMASH, A NEW MUSICAL (produced by Steven Spielberg)
HERE’S HOPING SMASH IS A SMASH The 2012 NBC TV series, Smash, which had as many loyalists as detractors in its short burst of life, is headed to Broadway, which is where some critics thought it belonged in the first place. Subtitled A New Musical, Smash will be co-produced by Steven Spielberg, whose original idea…
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Theater Review: BOMBSHELL IN CONCERT (streaming)
IT’S DA BOMB! The best set of new Broadway-style songs I’ve heard in years. Marc Shaiman and Scott Witman deserve a standing ovation for creating the spectacular score, the songs of which came from the cancelled TV show Smash. These are the tunes that were from Bombshell, the musical-within-the musical that was about Marilyn Monroe…
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Dance Preview: LINCOLN CENTER AT HOME (Ballet Hispánico, New York City Ballet, American Ballet Theatre, The School of American Ballet, and Alvin Ailey American Dance Theater)
DANCE ME TO LINCOLN CENTER We all know that dancing is good for you. But did you know that watching dance is also good for you? Science has suggested that the high you get after watching great dancing is your brain is attempting to turn that high into something real, as if you just danced…
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Music Preview: LISTEN LOCAL: NEW YORK CITY (Spotify)
ONE WAY TO ENSURE THAT THE CITY NEVER SLEEPS With the news that Broadway will remain shuttered until at least Labor Day, New Yorkers and those who visit the city to enjoy the life now have a way to get your Big Apple fix during quarantine through an exclusive content hub on Spotify: Listen Local:…
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Exhibit Review: SOCIALLY DISTANT THEATER: THE SOLO SHOW AS SEEN BY HIRSCHFELD (The Al Hirschfeld Foundation)
TAKE A SOLO BOW, MR. HIRSCHFELD How many of us theater addicts have gone to a solo show only to find some woman squealing about her private parts (or man for that matter), and you think “Never Again.” Then you catch Whoopi Goldberg or Robert Morse or Julie Harris or John Leguizamo or the great…
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Theater Extras: “SPOTLIGHT ON PLAYS” SERIES (A Broadway’s Best Shows Benefit for The Actors Fund)
UPCOMING STAR-FILLED ONE-NIGHT-ONLY LIVESTREAM EVENTS TO BENEFIT THE ACTORS FUND Broadway’s Best Shows is about to launch the weekly one-night-only “Spotlight On Plays” series beginning this Thursday, May 7, 2020 to benefit The Actors Fund. These one-night-only events will be livestreamed each subsequent Thursday on The Actors Fund YouTube channel and Broadway’s Best Shows’ YouTube and…
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Album Review: THE GIRL WITH THE ALKALINE EYES (Original Off-Broadway Score by Eric Dietz)
THE SCORE THAT’S A BIG SURPRISE The Girl with the Alkaline Eyes is a futuristic A.I. thriller set in a high-tech lab where a young, hot-shot coder has been hard at work on a secret project: an extraordinarily lifelike creation who will change not only the life of his creator, but the lives of everyone…
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New York Opera Review: AGRIPPINA (The Met)
GRIPPING AGRIPPINA For a political comedy littered with slapstick, it’s fittingly ironic that this newest Met Opera take on Agrippina opens and bookends with morbidity: All the main players are perched on tombs bearing their names. This adaptation of Théâtre Royal de la Monnaie’s production occurs during the tricentennial of George Frideric Handel’s music and…
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Theater Review: ‘TWAS THE NIGHT BEFORE (Cirque du Soleil in Chicago and New York)
CHRISTMAS AS A CIRCUS There’s a beloved poem behind these multiple circus acts in one act: Clement Moore was never that fond of his famous 1837 poem A Visit from Saint Nicholas (better known as ’Twas the Night Before Christmas). Written in a jog-trotting anapestic tetrameter, the now-treasured verse was for its author a mere…
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Theater Review: BOOGIEBAN (Chicago Dramatists and 13th Street Repertory Theatre in New York)
COLLATERAL HEALING It’s a justified transfer. A very enterprising theater called none too fragile from Akron, Ohio has come to Chicago (and later to New York City) to offer a pretty powerful play. Presented at Chicago Dramatists in the West Loop, it’s a world-premiere production of a one-act about the hard healing that comes after…
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Off-Broadway Theater Review: HAPPY TALK (The New Group at The Pershing Square Signature Center)
EVERYTHING IS HAPPY INDEED In Jesse Eisenberg’s very funny and poignant one-act Happy Talk the excellent Susan Sarandon plays Lorraine, an amateur actress whose rosy, self-serving delusions lead to tragic consequences. We first meet Lorraine when she arrives late to her suburban home from rehearsal; she’s playing the part of Bloody Mary in a production…
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Off-Broadway Review: FIDDLER ON THE ROOF IN YIDDISH (Stage 42)
SO WHAT’S NOT TO LIKE? As Shakespeare said, “Good wine needs no bush.” Thus, there is no need to add to what New Yorkers have already discovered, that no matter how many productions of Fiddler on the Roof you’ve sat through, you ain’t seen nothing yet until you’ve seen it in Yiddish, until you’ve heard…
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Broadway Review: TOOTSIE (Marquis Theater)
TOOT-TOOT-TOOTSIE, HELLO! I’m here to sing the praises of all those musical comedy freaks who have been jonesing for a contemporary musical that will bring back, in some new form, the golden age of Broadway musicals, because one has come their way. You know the kind I mean. Each song, complete with entrancing melody and…
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Broadway Review: GARY: A SEQUEL TO TITUS ANDRONICUS (Booth Theatre)
SEND IN THE CLOWNS A bloody war is ended. The bodies pile up. Who will clean up the mess? What to do? What to do? Oh, yes. Send in the clowns. On this note, Taylor Mac, the certified genius whose A 24-Decade History of Popular Music was the most dazzling, mesmerizing, audacious, life-changing theater experience…
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Off-Broadway Theater Review: SOCRATES (The Public)
SOC ON THIS Perhaps one of the reasons Socrates has become a god-like figure in the world of philosophy is that we know very little about the actual man who existed during the dawn of writing. He kept no diaries and wrote no treatises, yet philosophies attributed to the classical Greek thinker — Socratic Method, Socratic…
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Off-Broadway Theater Review: IF PRETTY HURTS UGLY MUST BE A MUHFUCKA (Playwrights Horizon)
PRETTY HURTS SO GOOD The title of Tori Sampson’s If Pretty Hurts Ugly Must Be a Muhfucka is a sly retort to Beyoncé’s 2013 song “Pretty Hurts,” both of which lament the negative impacts of rigid, Eurocentric beauty standards on young women — especially young black women. Beyoncé is not the only iconically beautiful woman…
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Off-Broadway Review: SMART BLONDE (59E59)
BLONDE, YES: SMART? WELL… It’s tempting, if unfair, to compare Willy Holtzman’s Smart Blonde to the 1963 Broadway musical Funny Girl: both use flashback to frame the biographies of young Jewish girls from New York City who defy expectations and become superstars, with all the highs and lows that accompany it. However, Funny Girl’s tale…
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Off-Broadway Review: MIES JULIE (Classic Stage Company)
DON’T MIES IT In Mies Julie, Yaël Farber’s contemporary adaptation of August Strindberg’s 1889 play Miss Julie, Farber swaps out Strindberg’s Swedish estate for a prosperous farm in the barren South African desert. Playing through March 10 at Classic Stage Company, Strindberg’s examination of class structure takes a backseat to themes of racial stratification and…
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Off-Broadway Review: THE DANCE OF DEATH (Classic Stage Company)
DANCING AROUND DEATH “I thought we might show more decorum by keeping our long miserable mistake to ourselves,” Alice tells Edgar after he expresses his intention to celebrate their silver wedding anniversary. “Oh come, Alice!” responds the aging artillery captain. “We’ve had fun. Now and then. And soon it will all be over. We’ll be…



















