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Regional
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Theater Review: ROCK OF AGES (Cygnet Theatre Company in San Diego)
SOLID AS AN 80s ROCK Big hair, short shorts, and tons of Madonnawannabees. It’s hard not to love the spirit of the 80s. A huge part of that was the high-spirited music of the decade. Moving past the 70s folk ballad/disco era but not yet into the angst-y 90s, the 80s were loaded with feel…
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Theater Review: PUT YOUR HOUSE IN ORDER (La Jolla Playhouse in San Diego)
HOUSE IS IN ORDER, BUT IS THAT ENOUGH? There is so much that is right about Ike Holter’s clever script of Put Your House in Order. Because of that, it is unfortunate that, in the end, it is just a bit unfulfilling — and challenging to explain why without giving away much of what certainly…
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Theater Review: MACBETH (Oregon Shakespeare)
FOUL AND FAIR Shakespeare’s Macbeth, or The Tragedy of Macbeth, is typically dated to the years immediately following the coronation of James I as King of England in 1603. James, who was also King of Scotland, believed himself to be descended from Banquo, the noble friend of Macbeth. While the play is not considered one of Shakespeare’s…
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Theater Review: CAMBODIAN ROCK BAND (Oregon Shakespeare Festival)
BAND ON THE RUN It’s impossible to grasp a monster evil like genocide as a whole, to weigh it as so many calculable, tangible acts of human failure that yield a vast vileness and a terrible waste. To hold it hard, it has to be broken down into the choices and values of flawed or…
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Theater Review: HARVEY (Laguna Playhouse)
YOU’RE GETTING TO BE A RABBIT WITH ME Whatever happened to all the imaginary friends we had as kids? Did they all end up in some limbo where they started making friends with each other, or, like Peter Pan, did they transfer their affections to a new generation of make-believers? Anyway, they’re no longer there…
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Feature: HOW TO WRITE A REVIEW OF A THEATRE PERFORMANCE
HOW TO WRITE A REVIEW OF A THEATRE PERFORMANCE Going to the theatre can be a magical experience, but writing a critical review of a theatre performance can be a challenge even for the most insightful and attentive theatre-goers. If you are interested in writing a critical review of a theatre performance, there are a…
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San Diego Theater Review: PRIDE AND PREJUDICE (Cygnet Theatre in San Diego)
THERE’S HUMOR TO BE PROUD OF HERE, SO DON’T BE PREJUDICED For those who have read or seen Jane Austen’s Pride and Prejudice, there are many nouns that come to mind such as “classic,” “drama,” “witty,” “depth,” and “struggle.” Until now, though, it would be rare to see “hilarity” on that list. In Kate Hamill’s…
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Theater Review: M. BUTTERFLY (South Coast Rep)
MEH BUTTERFLY M. Butterfly asks the audience to accept a love story in which a French career diplomat takes a Chinese opera diva as his mistress for 20 years, unaware that the diva is actually a man. Truth being stranger than fiction, the story is based on a real life affair that David Henry Hwang…
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Theater Review: YOGA PLAY (Moxie Theatre Company in San Diego)
PUTTING CAPITALISM ON THE MAT Which of the following defines yoga to you? A series of gentle exercises meant to relax and invigorate the body; A Hindu spiritual and ascetic discipline using breath control and meditation; An 83 billion-dollar international industry of mats, equipment, clothing, and accessories. All three are true, but for Joan (Jo…
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Review: THE SECRET GARDEN (3-D Theatricals)
A FLOWERING PRODUCTION The Secret Garden, the hauntingly romantic musical by Marsha Norman (book and lyrics) and Lucy Simon (music) opened on Broadway 1991 and ran 709 performances. The show starred Mandy Patinkin, Rebecca Luker, John Cameron Mitchell, and Robert Westenberg; 11-year old Daisy Egan became the youngest recipient of a Tony Award for Best…
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Theater Review: AS YOU LIKE IT (Oregon Shakespeare)
AS YOU LIKE IT, OR DON’T These are strange times we’re living in, and political correctness makes strange bedfellows. For years now, Oregon Shakespeare Festival has been a leader of inclusionary casting — meaning actors who have been looked over in the past will be readily accommodated regardless of physical disabilities, age, race, sex, deafness…
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Review: SISTER ACT (San Diego Musical Theatre)
WELL DONE HAVING FUN ON THE RUN AS A NUN Don’t you just hate it when your boyfriend turns out to be a mobster and murders someone right in front of you, forcing you to flee and hide — all when your Disco Diva career is ready to take off? Well, that’s what happens to…
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Theater Review: BRIGHT STAR (Candlelight Pavilion Dinner Theater in Claremont)
OH MY STAR! Bright Star is a heartwarming musical written by Steve Martin and Edie Brickell inspired by their 2013 bluegrass album Love Has Come for You. The show had a Broadway run in the spring of 2016 with direction by Walter Bobbie, choreography by Josh Rhodes and a set design by Eugene Lee. Now,…
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Dance Review: GRIMM TALES (Ballet Austin)
BEST WHEN IT’S GRIM GRIMM Born in Austin and now living in New York City, artist Natalie Frank created 75 works based on the stories of Jacob and Wilhelm Grimm. Using gouache and chalk pastel, the images are almost a blend of Marc Chagall and Irving Albright. There’s a delicious, nightmarish, psychologically unsettling quality to…
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Theater Review: JAY JOHNSON: THE TWO AND ONLY (Tour)
THE VOICE BEHIND THE VOICES Ventre Loqui: To speak from the belly. This is the etymology of the word ventriloquism, an art as old as : well, it depends who you ask. For some, there is no older art, as it was the trick of the devil to make the snake appear to speak to…
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Theater Review: SINGIN’ IN THE RAIN (The Soraya in Northridge and The La Mirada Theatre)
LET THE GOOD TIMES POUR When people say a musical is old-fashioned they usually mean it in a negative way, which is silly. There are bad, good, and brilliant musicals, and Singin’ in the Rain is brilliant. The stage version of Singin’ in the Rain was adapted from the 1952 MGM movie written by Betty Comden…
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Theater Review: EVERYTHING IS ILLUMINATED (Ensemble Theatre Company in Santa Barbara)
SOME, NOT ALL, IS ILLUMINATED Sadly, not everything is illuminated in British playwright Simon Block’s fascinating but problematic adaptation of Jonathan Safran Foer’s best-selling novel about a young American writer who hires a Ukrainian translator to take him to the town where a woman named Augustine saved his grandfather’s life in WWII. Or so Jonathan…
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Theater Review: CHAPS (Lamb’s Players in San Diego)
CHAPSCHTICK It’s 1944. The war is raging across the English Channel and the Germans could invade at any moment. Britain needs levity to get through these tough days. Miles (Charles Evans, Jr.) is the station manager for a BBC program and he’s got the solution. BBC has announced that a famous, beloved American country band…
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Theater Review: NOTES FROM THE FIELD (ZACH Theatre | Kleberg Stage in Austin, TX)
GRACE NOTES Now on the Kleberg Stage in Austin, TX, Anna Deavere Smith’s powerful, engrossing and resonant solo play — Notes from the Field — has been updated for four actors by ZACH’s Producing Artistic Director David Steakley. As always, Ms. Smith has crafted a series of first-person portrayals culled from hundreds of her own…
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Los Angeles Theater Review: ROALD DAHL’S MATILDA THE MUSICAL (5-Star Theatricals in Thousand Oaks)
A VAULTING MATILDA Imagine Annie with psychokinetic powers, Nancy Drew as a mind-reader, or Cinderella acting as her own fairy godmother. Self-empowerment fuels this upbeat, knock-down, pell-mell 2011 musical. A multi-Tony and Olivier award winner, Matilda the Musical is now being given a piping-hot presentation by 5-Star Theatricals at Kavli Theatre. The much motivated heroine…



















